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Chapter 886 A Sadness, Standing Lonely at the Window (2/2)

It was already after eleven o'clock when Yang Qian sat down in front of the piano again. Although the show lasted for more than half an hour, the number of people in the live broadcast room did not decrease but increased, and the number of real-time viewers even exceeded nine million!

Although it cannot compare with the peak real-time viewership of more than 14 million last week, that is because after a week of cooling down, the popularity of the live broadcast room has declined, but the more than 9 million real-time viewers can still

Surpassing Zhou Weizhou’s previous live broadcast record!

Needless to say, when they saw that Yang Qian was about to sing, many viewers excitedly shook their heads in their respective groups. There were even college students who kicked open the door of the dormitory next door and called their brothers who also liked Yang Qian to get up and watch the live broadcast.

.

Fan Ting's side was a little more deserted. He was alone in the study room watching the computer, and he had no intention of disturbing his wife who was already sleeping with their children.

"Can you play ancient songs on the piano?"

Fan Ting couldn't help but mutter again when she saw Yang Qian sitting back in front of the piano.

Fan Ting knew that Yang Qian played guzheng. He had seen a video of Yang Qian showing off his guzheng playing skills at a concert.

Wouldn’t it be a bit un-archaic (Chinese style) to play an ancient (Chinese style) song on a piano?

In Fan Ting's view, the reason why ancient style (Chinese style) can be called ancient style is because it incorporates many traditional Chinese elements, such as using ancient poetry in the lyrics, or writing it in a sophisticated way, giving it a somewhat antique feel.

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For example, in the past, people only wore Hanfu to shoot music videos of ancient songs, but now they are singing in a dramatic style, which is also very distinctive and attractive!

Another example is the use of traditional Chinese instruments in the arrangement, which may not necessarily be guzheng, but may also be pipa, erhu, etc.

Although it may not necessarily all use traditional Chinese instruments, at least your main melody, or your intro, is right? Otherwise, how can people suddenly switch to this ancient charm?

"Today I will just briefly talk about my views on music creation. There are many details that I cannot analyze in detail with you one by one, but time does not allow it. If I have the opportunity in the future, or when I study it myself and sort it out, Let’s have further communication with everyone. Okay? Many students may be impatient. Let’s finish the song and get out of class will be over, okay?”

Yang Qian put his hand on the piano and said a few words with a smile.

But who of the students who can insist on watching his live class are impatient? After hearing Yang Qian's "slander", they couldn't sit still!

"It's not too late, it's not too late. Come on, Teacher Yang, we will stay with you all night long!"

"I haven't listened to a class with such enthusiasm for a long time. Teacher Yang, don't stop!"

"I don't think we want to finish class, but Teacher Yang is anxious to go home after class, right?"

"After all, I still have a lovely wife and young children at home, please understand, haha!"

Everyone was very happy and joking lively. The excitement of the barrage continued until Yang Qian said ""Dongfeng Po", I hope everyone likes it", and everyone stopped and listened to the song seriously. (Note 1)

Under Yang Qian's dancing fingertips, a soft and bright melody faintly flowed from the piano.

The melody is not complicated. Fan Ting, as a person who is good at writing songs, immediately recognized that Yang Qian's song is a simple repetition of "5125" - at least for now, he seems to have only such a single "motive" (note

: motive, a musical term that refers to the smallest component unit in a musical section).

Of course, simple does not mean ugly!

The chord movements of Yang Qian's left hand were the key. Fan Ting only regretted that her ears were too clumsy and she could not read the score after hearing it once.

But he was still in awe of him. Yang Qian only used the motive "5125" and made ever-changing chords, which not only made the melody smooth and beautiful, but also cleverly used the changes in beats to vividly express the light and dark emotions.

It seems that people are immediately transported into a dark and humid rain alley environment!

There was no girl holding an oil-paper umbrella, but a touch of sadness had already filled Fan Ting's heart.

"A lamp of sorrow, standing alone at the window,

I'm behind the door, pretending that you haven't left yet..."

Yang Qian did not make the intro too lengthy and quickly entered the main song.

It is indeed sad!

Fan Ting did not misjudge the main emotion of this song!

But Fan Ting still opened his mouth in surprise.

Yang Qian's lyrics have a very Song lyrics feel in format, with the 4, 7, 4, 7 fragments.

The first sentence sounds more like, "a lamp of separation sorrow". A lamp does not mean a lamp, but directly expresses the strong sadness of separation rendered by the faint yellow light of the previous kerosene lamp as a lamp! Standing alone at the window is also a lamp.

The loneliness of the protagonist is embodied.

This kind of usage is very interesting.

But the question is, how did the next sentence "I'm behind the door, pretending you haven't left yet" become vernacular?

Shouldn't we continue to use poetry to carry the entire ancient song through to the end?

Fan Ting felt confused.

Nowadays, they are all popular in writing like this. Even though they use automatic rhyming lyrics generator, they write poetic lyrics that netizens don’t understand. They themselves know that they are nonsense...

However, although Fan Ting didn't understand why Yang Qian wrote this, he could feel that this song touched him inexplicably!

It seems that because the lyrics in vernacular are interspersed, such ancient lyrics are not difficult to understand. They are not literary words and phrases, and they are more resonant to modern people like them!

What a strange and interesting discovery!

"Is there any explanation in this?"

Fan Ting is eager to listen to Yang Qian's explanation, but it seems that he will be off the air after singing...

(Note 1: "East Wind Break", Jay Chou's song, Fang Wenshan's song, is a Chinese style song that everyone should be familiar with. Fang Wenshan said in a program that "Before "East Wind Break", there were no ancient style songs."

——Yes, he is talking about ancient style. But there is no need to argue too much about ancient style and Chinese style. It is not necessary. It is better to look at "Dongfeng Po" and look at the year to be surprised. This is a work in 2003.

It’s been around for almost twenty years!

Suddenly, I feel that time flies by so fast. Xiaohan will be thirty this year. The memory of his youth seems to have been left behind by him, and he is slowly heading towards the life path that his parents have experienced... But, listen again

"East Wind Breaks" is still touching, as Fang Wenshan said, "Music has a charm, it will form the common memory of a society. People of a certain age group like it when they are young or at a certain age.

If a singer likes a band and enters the workplace at the age of thirty or forty, as long as he hears some clips of that singer, he will be transported back to his youth. It is the auditory charm of music.")

------Digression-----

Thanks to fatfox911, Autumn God Light for the reward!! (づ ̄ 3 ̄)づ

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