"Hello everyone, I am Chu Huaixiang, a part-time reporter specially assigned by the Cultural Relics Bureau. As for why I was sent here, I believe you will not have any doubts, right?"
Chu Huaixiang, who was sitting on Jiang Churan's bed, smiled sweetly at Jiang Churan.
The task of shooting a close-up of Chu Huaixiang was successfully won by Jin Qi's efforts, and the other staff member could only follow Jiang Chen and Ma Wenshan.
Jiang Churan curled his lips dissatisfied when he heard this.
"Hahahaha, I just like how confident the young lady looks."
"The nickname Chu Meiren is right. She has a beautiful voice and a sweet voice. I fall in love with her."
"Why do I remember that the young lady is the granddaughter of King Chu Tian? She can't be a related household, right?"
"Shut up upstairs, a young lady with such good looks needs to have some connections? If the Cultural Relics Bureau doesn't send a young lady to interview, then the Cultural Relics Bureau is out of their minds."
"Just for you lady, I must watch the edited version by the Cultural Relics Bureau to see how beautiful the beautified lady will be."
The wolf friends in the barrage became excited,
What Jiang Chen and Ma Wenshan?
What cultural relics, calligraphy and painting,
How can a young lady be so fragrant? It’s not a loss to see this young lady.
Chu Huaixiang paused and turned the microphone in his hand to Ma Wenshan and Jiang Chen.
The two of them were sitting on chairs side by side.
"I believe these two are familiar to everyone."
"This is the owner of this house, the grandfather of the owner of this bedroom, who selflessly donated the Ming Dynasty Dragon Chair to the country, and also took out the handed down national treasure "Lanting Preface" and the sword of the king, the 'Chunjun' sword, Mr. Jiang Chenjiang
.
Today’s exclusive interview is for Mr. Jiang, specifically to interview Mr. Jiang’s numerous collections and how he preserves these collections.”
"This is Teacher Ma Wenshan and Ma, who is the current director of the Beijing Institute of Archeology and has a high reputation in academic circles.
Teacher Ma’s task this time is to identify Mr. Jiang’s collection to see if Mr. Jiang has been deceived over the years and whether he has collected many fakes.
Therefore, this exclusive interview is not only to help Mr. Jiang clear his name, but also to crack down on counterfeiting with a hint of popular science.
Teacher Ma will explain cultural relics calligraphy and painting to everyone from various angles, and tell everyone the techniques of counterfeiting cultural relics in modern society, so as to prevent everyone from being deceived in the future."
"Everyone applauds and welcomes."
After Chu Huaixiang introduced Jiang Chen and Ma Wenshan, he stretched out his hand and started clapping.
Unfortunately, except for Ma Wenshan and Jin Qi, no one got back together.
After all, there are only 6 people in this house now.
Jiang Churan was live broadcasting on his mobile phone,
Director Wang is controlling the camera angle,
Jiang Chen was too lazy to applaud.
"Um...isn't this a bit embarrassing, young lady?"
"As long as the young lady is not embarrassed, we will be the ones embarrassed."
"The lady has already said that this interview will be taken back to the Cultural Heritage Bureau for editing, and the applause effect will definitely be added at that time. Now it is just being recorded, it is behind-the-scenes footage."
"I don't know if it's a sideshow or not. I just know that Chu Meiren looks good even if she applauds. I'm done. What about you?"
"Fuck, hurry up, I'm almost done."
"I can even applaud, it's amazing!"
Of course Chu Huaixiang will not be embarrassed. Except for Director Wang, everyone here knows his character well. Director Wang will definitely not feel embarrassed, after all, what he does is the effect of the post-production program.
Director Wang really has no dissatisfaction. She is indeed the granddaughter of King Chu Tian. With her looks and temperament, she will become a star in the country within a month. Breaking out of Asia in three months is not a dream.
"Then let's get down to business now. Mr. Jiang, please take a look."
Chu Huaixiang turned sideways.
Ma Wenshan also turned around at the same time. Jiang Chen looked at the two of them curiously, imitating Ma Wenshan's movements and turned around to look in the direction of the window.
Jiang Churan's bedroom has a large window. At this time, the entire window was sealed with a blackout board, and a white curtain was hung, which was temporarily used as a projection wall.
As Chu Huaixiang turned around, Jin Qi controlled the computer and clicked on the previously prepared materials.
The 5-second video that Jiang Chen accidentally recorded last night was projected on the light visor.
The short video quickly finished playing, and Jin Qi controlled the computer to take out the previously captured frame and cast it on the screen.
A slightly blurry calligraphy work appeared on the white screen.
"Mr. Jiang, could you please tell me who this calligraphy belongs to? Where is it now?"
Chu Huaixiang asked the question and pointed the microphone at Jiang Chen.
Jiang Chen spoke calmly,
"Xiaoyan's "Magu Immortal Altar" is hanging on the wall behind you."
""The Legend of Magu Immortal Altar"? Is it really "The Story of Magu Immortal Altar"?"
Next to him, Ma Wenshan suddenly shouted in surprise.
"Teacher Ma?"
Chu Huaixiang was equally shocked. As the granddaughter of Chu Tianwang, she still knew what "Magu Immortal Altar" was and the status of "Magu Immortal Altar". However, for the sake of the program, she still looked at Ma Wenshan with doubts.
,
Ma Wenshan was silent for a long time and then explained,
""The Story of the Immortal Altar of Magu" is Yan Zhenqing's representative work of regular script inscriptions and a model work in the history of calligraphy in my country. Its full name is "The Story of the Immortal Altar of Magu Mountain in Nancheng County, Fuzhou, Tang Dynasty". The style is simple and elegant, reserved and implicit, and blends the seal characters The spirit is in regular script, the lines are like long-lived withered vines, the structure is broad and generous, and it contains strangeness and elegance in uprightness. It can be said that it is ancient and majestic, with all muscles and bones, grandeur and grace."
"But it is a pity that the stele was erected in the sixth year of Dali in the Tang Dynasty and was later destroyed by lightning. All that are now circulated in the world are photocopies of the original rubbings. Literati and scholars who have seen the original stele in history have praised it. Ouyang Xiu in his
"Ji Gu Lu" once said: 'This stele is steep and tight, especially powerful, and the strokes are all in order.'"
"That's why I was so shocked when I heard Mr. Jiang said that his work was "Magu Immortal Altar". I always thought that Yan Zhenqing only made the inscriptions, but never expected that he also wrote the calligraphy version.
.If this is true, its value is simply immeasurable. Like the "Lanting Preface" some time ago, it should be a national treasure-level cultural relic."
"What the hell? Is it true? What the old man took out casually is a national treasure?"
"You're bragging, is it possible that this old man's family is full of national treasures?"
"Have you heard of "The Legend of Magu Immortal Altar"? How come I haven't heard of it at all? This person must not have made it up, right? Then Ma Wenshan followed up and made nonsense of it to deceive us, the audience."
"I can understand that you don't understand upstairs, but it's too much to be messy.
"The Story of Magu Immortal Altar" is something that all calligraphy students must learn. Just because you can't understand it doesn't mean that we can't understand it either. It can be clearly seen that the old man's painting is indeed "The Story of Magu Immortal Altar".
The calligraphy is similar to Yan Zhenqing’s notes, but whether it was really written by Yan Zhenqing still needs to be identified. However, Ma Wenshan’s evaluation of this calligraphy has no problem at all.”