I haven’t had a tea party for a long time, so I’ll chat with you for two dollars today.
Judging from everyone’s comments about the updates in the past few days, Chapters 1585-1589 are relatively satisfactory, while Chapters 1590 and 1591 have indeed been criticized a lot.
Don't say that the author doesn't analyze his own problems, right? There are some.
Today I will use these two chapters as examples to explain to you the design ideas for combat in "Immortal".
The battle between Dong Rui and Cao Wendao focuses on two words:
major.
As an unpopular niche and rare profession, battles between demon puppet masters should certainly be special.
One calls himself a master, the other calls himself a genius;
One comes from a major, while the other comes from a wild background;
One is successful and the other is late.
They all want to prove that they are worthy of being named Nanpoman, so in addition to the wonderful showdown of demon puppets, they should also show high-level competition in the same profession and on the same track.
Compared with ordinary battles, this is a contest in another dimension.
Friends who have fought in World War II know that in addition to the heroic participation of soldiers from all sides, scientists in the respective military industry are also constantly trying to crack the enemy's weapons and improve their own military capabilities. This kind of top-notch confrontation is difficult for ordinary people to participate in
of.
In this article, whoever first deciphers the opponent's evil puppet master's ideas, techniques, and applications will take the initiative in the battle.
An top student's idea for solving a problem must be traceable and like an antelope hanging its horns.
We can regard Xiao Dong as an expert in science and engineering. He must use keen observation, bold assumptions, and careful verification to decipher the opponent's puppet creation and manipulation strategies; conversely, Cao Wendao did the same thing to Xiao Dong.
.
Since it is a dimension-ascension battle, the rhythm must be different.
In the past and even in the future, Dong Rui's victory over his enemies mostly relied on professional advantages, or professional differences; therefore, this opportunity to fight within the industry is particularly valuable, and it is also a valuable window period to demonstrate Dong Rui's true fighting ability.
Compared to Bejia's great demon puppet master like Cao Wendao, Dong Rui is just a little-known junior.
So, how can the latecomers defeat the first movers? In other words, where is the "advantage" of the latecomers reflected?
Just these words:
Internal core competitiveness.
Dong Rui may not be more advanced than Cao Wendao in terms of the craftsmanship and methods of making demon puppets; but when it comes to the way to get along with demon puppets, the way to control demon puppets, and the understanding and grasp of the battle rhythm itself, he practices it every day with He Lingchuan.
There is no doubt that Dong Rui is much better than Cao Wendao, who is a wise man but a poor man.
This is the process of the advanced ones eliminating the lagging ones, and the latecomers defeating the first movers. I personally think it is worthy of a special mention.
On the other hand, since Dong Rui has surpassed Cao Wendao in terms of core competitiveness, his growth and success are natural and are the result of his own hard work and do not rely on the protagonist's halo.
In this book, I hope that every important character around the protagonist can keep up with the pace of the protagonist, make progress together, and shine with their own light.
So some book friends complain about my literary works, but they are actually complaining in the wrong direction. The real fault may be that the author has too much inner drama.