The volume of "Naraku" has come to an end, so I would like to take this opportunity to chat with you a few more words.
This volume is the beginning of the second part of the book and can be regarded as the prologue of the second part. The protagonist plans a trap against Narakuten and the Tiangong in order to solve the hidden danger of being "descended by Narakuten".
Resolving this crisis is the prerequisite for the second part to let yourself go and show your talents, and the secrets of the gods and the square pot will gradually be revealed.
Here are two more focused questions to answer.
First of all, until the end of this volume, He Lingchuan did not get rid of the mark of Narutian in his mind. Instead, he chose to trap the clone of Narutian so that it could not descend again, thereby ensuring his own safety.
Some friends are very dissatisfied: Why not remove the clean marks? This will leave hidden dangers!
I understand everyone’s desire for perfection, but in reality there is a saying:
In life, things will always go wrong.
Millions of high school students have studied hard for more than ten years. Why are only a handful of them going to Qingbei in the end?
Don't you want to go?
I couldn't pass the exam.
Why are more and more terminally ill patients accepting the concept of "living with cancer"?
Don’t you want to be healthy and free from disasters and diseases?
It cannot be cured.
Similarly, is He Lingchuan so big-hearted that he doesn't want to remove the mark?
It can't be driven away.
At least for now, if you can't drive it away, you can't drive it away.
In an objective environment and under limited conditions, whether it is as big as a country or as small as one person, we must learn to compromise, learn to go through curves to save the country, and learn to achieve the "best at the moment" state.
Survive first, get through it first, then you will have unlimited possibilities to explore slowly.
This is true in reality, and this is also true in books.
I think this is a pragmatic and truth-seeking attitude, and this kind of character is powerful beyond perfection.
Second question: Why does He Jing have so many scenes? Author, can't you find other places to fill it in? Why does a supporting character spend so much time on it?
I believe that many readers who have read the end of the volume will have their own judgments in their hearts, but this is a popular work after all. I hope to resolve their resentments as much as possible, so I will give a brief answer:
The Heavenly Palace is located above Lingxu City.
Lingxu City is the center of Bejia.
Bega is one of the most powerful countries in the world.
As the Duyun Envoy of the Tiangong, He Jing's status in the Tiangong is below one person and above ten thousand people. He is on the same level as Bai Ziqi. Demon Emperor Bejia was also polite to him when he saw him.
To omit such a character is disrespectful to the Heavenly Palace and the gods. On a deeper level, it is also disrespectful to the protagonist’s plans and efforts.
Secondly, the Tiangong team headed by He Jing is the main fighting force in the Panlong Secret Realm, and it is also the channel to understand the attitude of the gods towards Dafang Hu. It is also the reason why Naluotian's clone can be picked up by Qalling Baogai when he sneaks into the secret realm.
Why does He Jing know that the secret realm is a trap, but when he sees the arrival of Naluotian's clone, he has to enter without any hesitation? This is also related to the secret of Dafang Pot, which will be mentioned later, but here is a little foreshadowing.
Therefore, the timing of the entrance of He Jing's team, the battle process, the final outcome, and the suspense left behind all need to be written and ink cannot be simplified.
He Jing's team has many roles, just like in "The Utopia of Demons (Part 2)". At that time, Jiufang used more than a dozen perspectives to write it, with only one goal: to write the story well.
"Group portraits" are just means, not features, they must ultimately serve the story.
Speaking of which, have you noticed that "The Immortal" reads a little differently from other books. It is neither easy to summarize nor classify, so the story seems okay.
Perhaps it's because I purely wanted to write a good story in the book "The Immortal". All factors that affect the development of the story, such as emphasizing personality, showing off writing, etc., must be ranked after this sequence.
Some people also question me for reversing for the sake of reversal, and to reduce my wisdom and logic. In fact, what you see are all saved manuscripts. They are the content written by the author who echoed back and forth and wrote thoughtfully. I cannot say that there are definitely no obvious logical errors, but in fact
not much.
If you decide that it is a logical error, you might as well take a look at it first, maybe there will be another explanation later?
As I write this, I sincerely tell you:
Jiufang has neither hydrology nor hydrology (except for the description of food, there is no way, people will always have some hobbies that are hopeless).
The reason why most authors write water is because they have nothing to write but they have to stretch the word count, so they can only fill it with water.
But there is so much I have to write about:
In reality, the construction and expansion of the young master's territory, his relationship with Bailie, and the protagonist's participation in the grudges between Mou Guo, Lingshan, and Bejia.
The pinnacle and contradiction of Panlong City in the Dafang Pot, the rise of Yuheng, the linkage between Panlong and Lingshan, and Bega/the war machine of the gods...
Of course, there is another hidden line, which is the secret planning of the gods.
I also said it beforehand. The second part of "The Immortal" will reveal the secrets of the gods, Mitian, Panlong City and Dafang Hu. Therefore, the role of the Panlong World in the second part is very important. It is not only one of the main plots, but also plays a role.
The outline is the key to reflecting reality.
I will do my best to write it as vividly and wonderfully as possible. I also hope that my friends will invest more patience and grow together with He Lingchuan and Panlongcheng.
Look, there are so many main courses to be served, and I’m so busy all day that my heels hit the back of my head. Is it really necessary to fill up on the water?
It’s not that there’s nothing to write about, it’s that there’s too much content to finish, and I can’t finish it at all.
But while adding content to the book, I also need to ensure that it is smooth and natural, orderly, smooth, and rich and interesting to read.
To put it simply, you need to control both the rhythm and the heat.
After all, a successful novel cannot have only an outline and logic.
It is my ideal to present a unique aesthetic experience;
It is my mission to build a bridge between reality and books, inviting readers to step into the book to breathe the same breath and share the fate of the characters;
Letting everyone have a complete world than those who don't read this book is the "Tao" I strive for.
I came to the starting point just to prove this "Tao".
How about it, can you be frank enough? How many book writers these days dare to talk about their ideals?
When I came to the starting point, I wanted to be extravagant in my ideals.
I hope everyone can become Jiufang’s book friends instead of customers.
For the novel "Immortal", Jiufang is ready to do his best, and there is no spare time to take care of everyone's emotions.
For those who are beyond the reach of Jiufang, please consciously stay away from Jiufang.
Please respect everyone who works hard.
As for "Immortal", the score has not exceeded 10,000 subscriptions, please don't worry. Once the editor opens his eyes and gives a better recommendation, it will be done with a little push. After all, switching from low-level driving to high-leveling, this is
This is the script we are most familiar with, so why are we not confident?
Hi, of course, the ideals are abundant and the tasks are arduous.
I have never been a speed player. I have been writing books for 9 years, and I have never been able to update 6,000 words for a long time every year. So when I started the book "The Immortal", I prepared 500,000 words to save the manuscript. I thought I could last at least two years, but I didn't know.
It’s almost bottoming out now, cough.
It’s all because this book is much more difficult to write than before T_T
I have been adjusting my condition in the past two months, and have undergone a comprehensive physical examination, and all the problems found during the examination are being actively treated.
Now I have to exercise for 3 hours every day. I hope that various indicators can return to normal values as soon as possible, and I also hope to get rid of the bad habit of reversing day and night as soon as possible.
Jiufang will use the healthiest body and the fullest state to devote himself to the creation of the book "Immortal".
The next volume of "Bailie" will start soon. The pace is slow in the beginning. I will update 5,000 words every day for now. I have to save some more manuscripts.
Goodbye and thank you all for your understanding and tolerance.