Seeing the empty coffin in front of him, Sun Yi instantly felt that his blood was beginning to surge.
The hair on his forehead was also wet with the sudden cold sweat.
Sun Yi would no longer force himself to be calm, but instead held a hundred-mile ruler and stared at the entire hall cautiously.
Next to him, the four open coffins were placed in place so quietly and eerily.
Sun Yi stared at the hall cautiously for a long time.
Fortunately, there were no changes in the hall.
This situation itself verified some of Sun Yi's conjectures.
Different from when Sun Yi had just entered this hall, the sparks in the oil lamp seemed to be jumping a little more frequently.
But apart from that, Sun Yi can be sure that nothing else has changed at all.
Whether it's the relative position of the wall or the gaps in the open coffin.
Even the Buddha statue enshrined in the main hall has not changed at all.
But what Sun Yi can be sure of is that changes have already occurred.
Unlike careless explorers, Sun Yi carries a more complete inheritance system and a more subtle tempering of spiritual consciousness.
Through the mysterious altar, Sun Yi's spiritual consciousness could clearly discover that something was indeed changing in this hall.
At the same time, Sun Yi also intuitively discovered the changes in his body.
As the coffin was opened, Sun Yi could be sure that his sense of vision, hearing, smell, and taste had all been weakened to varying degrees.
That's right, it's weakening.
This kind of weakening is very weak, if it weren't for the obvious perception of spiritual consciousness, and if it wasn't for the fact that I am feeling my own changes all the time.
Sun Yi may have ignored this weak change just like others.
This change is very weak at first, and can even be said to be so weak that it can be ignored.
Even if someone finds this kind of sensory weakening, they will think that this is a natural physical reaction in a fearful environment.
But Sun Yi was different. He gradually realized that these sensory deprivations were enhanced in the feet.
Sun Yi discovered the clues of this change when he opened the third coffin.
Therefore, Sun Yi opened the fourth coffin without saying a word.
If this sensory deprivation is really related to the opening of the coffin.
So unlike the gradual opening of the coffin that I had been hesitating about, this direct opening method will make this sensory deprivation obvious.
Sure enough, with the opening of the fourth coffin, Sun Yi's sensory deprivation became clear and obvious.
This discovery made Sun Yi nervous on the one hand, and excited on the other.
The occurrence of changes is not entirely the worst outcome.
Especially in this situation, where there are no clues at all, the emergence of changes often means a turning point.
And after understanding the strangeness of the whole matter, Sun Yi became more confident in dealing with it.
After he stabilized his mind and cooperated with the subtle observation of the mysterious altar, he determined the corresponding point of this change.
Sun Yi finally regained his confidence.
Sun Yi faced the empty hall and said, as if talking to himself or having a conversation: "So, you have been here all along, so should you show up? Maybe we should communicate."
While saying these words, Sun Yi was holding the Hundred Mile Ruler and the Explosive Flame Talisman tightly in his hands.
Although his tone was relatively relaxed, his demeanor was very solemn.
The body is also very tense and on alert.
However, after Sun Yi finished speaking, there was no change in the entire hall for a long time.
It was as if Sun Yi had just spoken a dreamy babble into the air.
If his thoughts did not keep up with Sun Yi's rhythm, he might look like he was performing a very poor one-man show.
But seeing this scene, Sun Yi's mood became more stable.
At the same time, the most familiar smile appeared on the corner of his mouth.
Obviously, Sun Yi's judgment was correct.
With the opening of the four coffins, although Sun Yi's senses were weakened.
But as long as all five coffins are not opened, then the other party's situation will not be too perfect.
But now the other party is still pretending to be dead, which just confirms one of Sun Yi's conjectures.
So this is the five coffins trick?
It’s really a tempting and simple temptation.
Sun Yi sighed in his heart, and at the same time facing the entire hall, he said leisurely: "No need to pretend anymore, it's very interesting to hide and induce.
But I’ve seen through everything.”
Different from before, this time after Sun Yi finished speaking, he obviously no longer expected the other party's reply.
Obviously, before Sun Yi has finished speaking, as long as the other party feels that he can still hide, he will definitely not appear.
Sun Yi continued: "In "Zhuangzi", there is such a story.
The emperor of the South Sea is called Sui, and the emperor of the North Sea is called Hu.
The two of them often met in the Central Land.
The emperor of the central land is called Chaos.
Chaos is just a big ball of flesh with no facial features.
But he was very friendly to the emperor of the South China Sea and the North Sea, in order to repay Chaos.
The emperors of the South China Sea and the North Sea discussed it and wanted Chaos to open the seven orifices.
Because everyone in the world has seven orifices.
With the seven orifices, you can see with both eyes, hear with both ears, smell with both noses, and taste with one mouthful.
So, it took the two people seven days to open the seven orifices and five senses to Chaos, and Chaos died on the seventh day.
So, after hearing this story, are you still ready to hide?"
After finishing speaking, Sun Yi looked at the hall playfully.
He was already very sure that he had seen through the logic of this illusion.
The entire illusion is the story of death from the seven orifices of chaos.
The five coffins correspond to the five senses of eyes, ears, nose, tongue and body.
Not opening a coffin is equivalent to closing off one of your senses.
At the same time, it also opens up a kind of perception of the other party.
This transfer between senses is a type of sensory deprivation commonly used in advanced illusions.
Moreover, unlike passive deprivation, this kind of self-directed deprivation is more concealed.
Entering this illusion, anxious to find a way out, the trapped people will definitely be very nervous to find the key to solving the problem.
Therefore, that sexy and attractive coffin became the best breakthrough point.
The trapped person will definitely enter the process of opening the blind box with excitement.
Moreover, due to the influence of the gambler effect.
As long as you are a little careless or there is an element of gambling in it.
The coffin opener will keep opening all the coffins.
Or maybe they are guessing that the next coffin must have the clues for the way out that they are looking for.
Or you want to see clearly what kind of environment you are facing.
It is a high probability event that the trapped people will open all the coffins.
It is this kind of nervous stimulation and expectation that allows the trapped people to complete the sensory transfer autonomously.