Chapter five hundred and sixty-five Buddha's mother scripture scroll coffin mountain god painting
The contents of the painting move from far to near. Feng Yu saw the descendants of the gods such as Youya Mother, Tieyan Demon King, etc. They all came out of Coffin Mountain and were given a certain mission to develop more people to protect the secrets of the Buddha Mother.
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In fact, cultural input and output creates different products. The Gods were originally a group of preachers from a small regional country. After learning about the secrets of heaven, they were impressed by what the Buddha had done for the world, so the Gods spread out to develop teams for protection.
Secret.
However, a hundred years later, the descendants of the Gods have developed their own civilization and gained new existence value.
The painting showed the descendants of the Sifang God Clan worshiping the Buddha Mother, the Yamu people from Gulan, the people from Xihai City, and a masked man that Feng Yu couldn't recognize. When he got closer, he saw something on the corner of the man's clothes.
A seal.
Feng Yu's energy and blood were high at the moment. The letter on the corner of his clothes was from after Guanshan Taibao, which means it was after the Ming Dynasty, and this painting must be earlier than Guanshan Taibao. What does this mean? What is the content of this painting?
All are predictions, and they are real predictions.
It was a bit unbelievable to think about, so Professor Xu also came over to take a look. As he read, he said: "What is mentioned here is the Wu Huan Hua, which was the biggest catastrophe in Chinese history. The Eight Kings Rebellion allowed the nomads to invade Luoyang and the Central Plains.
It became a hell on earth, and the number of casualties was nearly half of the total population at that time." He continued: "This was a massacre by the Mongol Empire. The Mongol Empire at that time was so terrifying. The total population at that time was 40 million. In Sichuan,
There are more than 13 million people in the territory, and after three massacres of the city, only 800,000 are left, which is more terrifying than hell on earth."
Feng Yu continued to look down. The contents of the paintings were all historical events. Burning books and humiliating Confucian scholars, Wang Mang burning canons, burning Luoyang, Anshi Rebellion, Jingkang Incident, and the Taiping Heavenly Kingdom. These were all major disasters in history. Feng Yu
After reading it, I feel that this is where the real secret of heaven lies. Aren’t all the catastrophes in the human world in the Sutras of the Mother of Gods located here? Everything predicted here is history, including the predictions of the next hundred years, all in the painting.
Feng Yu was not only amazed but also in awe. He knew better than anyone else what consequences the leakage of history would have. The Tuibei diagram had already foreshadowed the sixty-four prophecies, and there were very few people who saw through them.
Professor Xu was dumbfounded. If the secrets here were known, it would probably cause even greater waves. History cannot be changed. It is difficult to judge who left the paintings here. Whether they were the Buddha Mother or the Gods, it no longer matters.
, what’s important is what’s here.
Feng Yu saw that after the twentieth painting, they were now. There were bandits invading outside, there were worries inside, the people were in dire straits, and the paintings were full of disasters. After this, there were four more paintings.
Zhang Xiuxian pointed to No. 21, "What is this painting? A bumper harvest in the rice fields, the people are still starving to death, a major renovation of the ironworks, and the spring is warm and the flowers are blooming."
Feng Yu is unknown, and Professor Xu is also unclear. The twenty-second picture shows a flood, and the most interesting one is the twenty-third picture.
In the painting, there is a Japanese-style military sword standing on a courtyard tower. Opposite there is a courtyard tower of the same height. There is an old Taoist standing on it, who seems to be guarding the second floor. There is a famous carving on the saber, named Jiuju.
After Professor Xu saw it, he was shocked: "Could it be the Jiuju sect? This is a Japanese occult sect, mostly women. They are good at cultivating poisonous flowers and poisons. Masters can control evil and control dead bodies. They were originally the source of
Originating from Qimen Dunjia, it was introduced to Japan during the Sui Dynasty and later developed into the Jiuju sect."
"Damn it, if the Taoist is taller than the devil, can this old Taoist win?" Zhang Xiuxian asked.
Professor Xu studied the next lecture: "From the picture, the Tinglou is located in the northeast, at the bend of the river. It belongs to the Gen position and the Eighth Yuan of the Yuan Dynasty. The knife was inserted at a vital point. Whether the old Taoist can break the formation,
This is history and I can't give an answer."
Feng Yu did not continue to look down. He asked the two of them not to look down anymore. The things behind were all the history of later generations. Knowing too much was an invisible burden.
But one thing Feng Yu can be sure of is that this place foreshadows the history of thousands of years later, and it actually happened. No one can tell clearly whether the development of history is step-by-step or full of variables. Originally Feng Yu thought
Changes somewhere in history will inevitably change future development, but now he no longer thinks so. Even if a certain point in history changes, it will not have much impact on the whole. There will be some kind of relationship between time and things.
Balance, they will find the balance point on their own to complement each other. If something goes wrong here, it will return at the next point.
Looking at the paintings all over the wall, Feng Yu was suddenly glad that he was in the last era. If he went back thousands of years ago and saw the things here, it would be difficult for ordinary people to calm down. Maybe Coffin Mountain Man Coffin Wuxi is looking at
After seeing the scene here, he came up with the Millennium Strategy plan. His purpose was actually for the change of time and the normal rotation. In order to prevent history from being deviated, he went out to help Wang Mang. Here I want to focus on Wang Mang.
There is a strange record in "Coffin Mountain Ode". Coffin Wuxi discovered that history did not proceed according to the normal painting, and he began to worry. If there was a problem in one part, would the whole story change later?
Coffin Wuxi is a Feng Shui master. He did not dare to risk history. He decided to promote the progress of history by himself. He went down the mountain to find Wang Mang. From the Eight Diagrams of the Book of Changes, Coffin Wuxi saw that this man was different. From the subsequent conversation,
, he learned that Wang Mang was a future person from across time and space, from 1980, forty years later than Feng Yu's current time.
His thoughts are full of contradictions with this era, so he has been unable to get out of the right way. Coffin Wuxi was filled with emotion and helped him.
, helped Wang Mang become a usurper of the Han Dynasty, and followed what was done in the painting.
Coffin Wuxi did not feel a sense of accomplishment because of this. When he looked back, he thought that he had done too much. He was a man of great wisdom. A wise man will make mistakes after all his considerations. It was precisely because of what he had done.
This led to a lot of speculation about Coffin Witch Creek by later generations. When Feng Yu first learned about it, he thought that this person was the time traveler who wanted to live forever.
Just imagine, back thousands of years ago, Coffin Wuxi stood in front of the twenty-four sacred paintings on Coffin Mountain. How did he feel?
Feng Yu would not be as calm as him. Indeed, the development of history does not require anyone's intervention.
Professor Xu exclaimed: "This is the sacred painting of Coffin Mountain. This is the catastrophe that the Buddha Mother wants to overcome in the world. The world is suffering, and all living beings have the right to pursue equality. Great kindness and great virtue are the right path."
Professor Xu actually burst into tears. Reading history makes people wiser. The more great wisdom there is, the more touching people's sufferings are.
What is the human world? Answer: "The human world, the world."
