Chen Wenzhe was not impressed by Wu San who doubted his life. He was interested in the two old men who were following him.
Chen Wenzhe had met these two people. On the day Wuerna Antique Restaurant opened, these two people were among the congratulatory crowd.
The person introduced at that time seemed to be the boss from Jingzhen, and he also gave Wu Er a high imitation piece.
Chen Wenzhe has a photographic memory and can remember what happened at a glance.
For example, all they gave away at that time were blue and white, all kinds of blue and white.
Moreover, through the blue and white porcelain he saw that time, he learned that even in Jingzhen, there are various kiln entrances, and the techniques for imitating ancient porcelain are also different.
It turns out that Chen Wenzhe actually didn't care when he saw this situation.
But when he couldn't help it and really started making antique porcelain, he realized that it was really not easy to make a kind of porcelain well.
It is even more extraordinary that the famous Jingzhen kiln has been passed down for hundreds of years and is still being passed down through generations.
Now that two professional masters are here, they naturally come with high expectations.
So the performance of these two people at this time is enough to make Chen Wenzhe proud.
These two people have probably been making antique porcelain all their lives, and their eyesight is naturally very good. If they can shock such an old guy, Chen Wenzhe is certainly worthy of pride!
When they came in, they were shocked when they saw the large plates and the soup basin.
The two old men did not pay attention to Chen Wenzhe's performance. They focused on the things in the exhibition hall.
They can see the layout here, and the better things should be inside.
This was what shocked them. Unfortunately, it was blocked by some Bogu shelves and they couldn't see what was going on inside.
Turning back, they looked at the porcelain in front of them. Their eyes were very sharp, and they naturally knew that these custom-made porcelains were quite satisfactory works.
Even if these are genuine products, although the prices are high, there is nothing special for people like them who specialize in antique antiques.
When you receive money from others, you naturally have to help others with things. This time they came here to help find trouble, which can also be said to be an appraisal.
The batch of porcelain in front of them has rich colors and elegant and soft tones. This was the first impression this batch of custom-made porcelain gave them.
Next, they didn't even have time to say hello to Chen Wenzhe, so they directly picked up a large plate and examined it carefully.
Alarmed by the movements of the two men, Wu San approached one of them and asked in a low voice: "Is it okay?"
"What do you think?" the old man said without raising his head.
"I feel pretty good!" Wu San said.
"Your feeling is right. It's just like the jade that you feel is a treasure. I checked the information and it should be a national treasure. It must have come from the top king's tomb!"
Wu San stopped talking, can we still have a good chat?
When you talk like this, I really don’t know how you lived to such an old age!
Wu San was a little autistic, but the old man was not. He spoke again: "Boss Chen is quite kind, and the things he made for us are very good. By the way, are you sure this is what was customized at that time? Wasn't it the same thing before?
Made? Or are these not custom porcelain?”
"How is that possible? I took the picture to customize it." Wu San said angrily.
"That's awesome!" The old man put down the plate in his hand and looked at the soup basin next to him again.
No matter how big the plate is, it's not as good as the craftsmanship of that basin.
"How is it? Can you see the flaw?" Wu San was still most concerned about this point.
Gu Zhu
"Old Li, come and evaluate this soup basin!" The old man did not speak, but said to another old man.
The man came over with a 13-inch platter and said, "Let's appraise this platter first. Look at the shape of the platter. It's too big. The most conspicuous thing is the big one!"
"Use type? To identify this kind of porcelain, you can roughly date it by its type!"
Anyone in the industry can roughly date the vessel based on its type.
Then, by conducting comprehensive verification and demonstration based on the contemporary materials, materials, formulas, humanistic history, etc., it is entirely possible to accurately determine its age.
If the age cannot be established, it will be easy to show off one's reputation and lead to a tiger eating the sky and being unable to claw its way down.
From this we can say that when identifying porcelain, observing the type and dating it is the first and most important factor.
It is definitely impossible to tell anything about the shape of the vessel.
If there is one craft that Chen Wenzhe is best at in making a piece of porcelain, it must be the shape of the porcelain.
Even when there was no Sui Marquis Pearl, Chen Wenzhe could use his hands to feel the texture of porcelain clay and porcelain body, as well as the flatness or curvature.
He has a sharp touch, or a good touch.
The shape of the porcelain was irregular, and he could tell by touching it.
Of course, his eyesight is also very good now. Even if he is not familiar with it, he can tell the shape of a piece of porcelain just by looking at it casually.
For large porcelain, the shape is very important, but if there are flaws, they are easier to find.
Now that it has been taken out for identification, it is obvious that such a low-level error cannot exist.
The two old men were also very capable. After just a quick glance, they ignored the shape of the vessel and began to use a magnifying glass to study the patterns on it.
It is not easy to see the pattern. The main body of the pattern mentioned here is placed on the patterns and carvings such as painting, engraving, scratching, printing, stacking, pasting, molding, hollowing out and inlaying.
Experts of the older generation once said that understanding the shape and pattern is equivalent to understanding 80% of the artifact.
This argument is completely correct as long as there is no fraud.
The paintings, decorations, and patterns of utensils reflect and embody the human history, customs, kings' hobbies, the development of productivity and the level of craftsmanship of an era.
The scope of decoration can be divided into two categories: one is royal official type, and the other is folk customs.
Because the patterns express style and have extremely distinctive features, they provide a lot of convenience for identification and dating.
For example, if we compare a certain category of crafts from the Tang, Song, Yuan, Ming and Qing dynasties, we can then deduce the process of their changes to understand the relevant culture and history, and correspondingly understand the productivity at that time.
process status.
And these complete understanding and mastery, in turn, provide us with the most powerful evidence for understanding them.
If the two people in front of me could follow Wu San here, or come here under Wu San's entrustment, they must have some skills, otherwise, they would just come here to embarrass themselves.
Such a thing is not only embarrassing, but in serious cases it may even cost your life.
Because if you are not careful, you may cause huge losses to the Wu Er Group. At that time, losing a few lives will become a trivial matter.
These people have to pay attention to this kind of thing.
The more you pay attention to it, the more amazed you will be!
When they first saw that it was foreign trade porcelain, they didn't take it seriously. But now after taking a closer look, they discovered that the craftsmanship is really high!
"At first glance, I thought it was a decal!"
After looking at the painted patterns on it for a while, an old man sighed.