Thinking of Mao porcelain, Chen Wenzhe couldn't help itching his hands again. If Wu San and the others weren't right in front of him, he would have thought of running back to the studio and making a batch of them himself.
Recently, Li Jinli sent him a batch of materials, including some information related to the production of woolen porcelain.
Now Chen Wenzhe knows that in April 2007, the Light Industrial Ceramics Research Institute, which represents the highest level of Chinese ceramic research, after investing 2 million yuan and undergoing more than 2 years of renovation, finally transformed the "7501 Porcelain" that has attracted much attention from the collection community.
"The production line has resumed.
The kilns and production workshops of those years were restored as they were before, and even the chimneys were restored as they were.
Of course, this is not to imitate "7501 porcelain", but to preserve a piece of history, show Jingzhen's traditional porcelain context, and inform the world that Jingzhen has an unshakable status as a porcelain capital.
This is the pride of Jingzhen, and the pride of the two old people in front of him, right?
The reason why 7501 porcelain is mentioned is mainly because Chen Wenzhe has not given up on high imitation porcelain.
The most important thing is that this is a batch of porcelain for daily use. When people have money, what do they pursue? Isn’t it just a high-quality life?
If he could imitate a batch of woolen porcelain, what would be the effect of using it?
If it were really copied, there would be no need to make it old at all.
The pinnacle of porcelain in modern times is really not something to be boasted about. As long as it is made, porcelain of this quality will be the pinnacle.
Therefore, if Chen Wenzhe could really imitate the same level of woolen porcelain, there would be no need to make it old at all.
He has also made some gains recently. Of course, the biggest gain is not the improvement of his manufacturing process, but the progress of raw materials.
Recently, a lot of white porcelain has been made here in South Vietnam.
The main reason is that white porcelain is very popular here, especially if it is made into statues of gods, it is easier to sell.
Therefore, he did some research on "7501 porcelain".
It didn't matter that such research actually allowed him to discover more secrets.
For example, after receiving the development and production task in Jingzhen, everyone agreed that "7501 porcelain" should adopt the "white as jade" high-white glaze process route, which can give it a sense of elegance and purity.
This is also the reason why Chen Wenzhe made white porcelain and actually connected it with Mao porcelain.
When making white porcelain, it is not possible to rely solely on craftsmanship. The most important thing is the material.
Kaolin is one of the important raw materials for manufacturing porcelain bodies, and its quality directly affects the quality of porcelain.
Therefore, the development and production of "7501 porcelain" must first solve the source of high-grade kaolin.
Li Jinli has always been very attentive to what Chen Wenzhe needs.
Because Chen Wenzhe is serious about it, he will produce very good works.
As long as there are good works, Li Jinli will definitely be able to sell them at a high price.
If the selling price is high, his commission will also be high. A rising tide lifts all boats. Li Jinli is very concerned about this, because the recent development of Yi Niantang has been a bit unsatisfactory!
It's not that it's unpleasant or bad, but that in China, Yi Nian Tang is currently in a bottleneck period.
If Chen Wenzhe is willing to make antique porcelain, then everything will be easy. With his level of production technology, no matter what kind of porcelain he makes, he can sell it at a high price.
Then there is no need to worry about Yi Nian Tang's profits.
However, how to sell antique porcelain produced in China? This is very telling. If you do not do well, you may end up crying behind bars.
If it's even worse, you might have to go behind the bars to pick up soap!
Gu Yi
Chen Wenzhe didn't want to do such a thing in China, and Li Jinli certainly didn't want to do it either.
Recently, Yi Niantang has not been in charge of Chen Wenzhe, and Li Jinli has already felt a crisis.
At this time, Chen Wenzhe actually established another ceramics factory in South Vietnam, which gave Li Jinli hope.
Therefore, no matter what Chen Wenzhe wants, he will find a way to get it.
Recently, Chen Wenzhe has been really helpful. After all, he has given him too much money, which makes Li Jinli even more comfortable.
There was no way around it. It turned out that he was just an ordinary fresh graduate with no connections at all in a national metropolis like Dahai City.
But now it is completely different. Whether it is Yi Niantang, Yi Niantang Clinic, or even the Yi Niantang Museum that has recently started construction, or the huge investment in Chen Wenzhe's hometown revitalization plan, Li Jinli has become extremely famous.
There is no way, facing the God of Wealth of this level, even the arrogant Dahai City Government dare not ignore him.
If you have connections, connections, some things, some secrets, it will naturally be easier to obtain them.
For example, the high-quality kaolin clay used to make woolen porcelain. That guy Li Jinli even got the original version, which was the kaolin clay that was used to make woolen porcelain.
This was amazing. Only then did Chen Wenzhe know that the kaolin clay back then was not only produced from the ancient mines in Jingzhen, but also a large amount was re-mined locally.
With money to clear the way, Li Jinli bought 10 tons of high-quality kaolin from Zhoufu at a sky-high price.
This kind of kaolin was mined by local villagers as early as 1955 because it could be used to make high-grade porcelain.
In the 1960s, more than half of the kaolin was mined. When "7501 Porcelain" was developed and produced, provincial officials urgently transported 10 tons of high-quality kaolin from the nearly depleted mineral reserves.
Therefore, it is impossible to obtain such scarce and high-quality kaolin without having connections, paying sky-high prices, or even promising to invest locally.
And with kaolin clay, everything is not fine, because it still needs to be processed.
As for the processing process, it is not much different from laboratory experiments.
If it were an ordinary person, research on such a troublesome matter might not yield results for ten or eight years.
For Chen Wenzhe, there was no such trouble, because Li Jinli got him a drawing that he had specially kept back then.
This is a design drawing for firing wool porcelain. Many of them were destroyed in those years, but one copy was finally preserved.
Otherwise, the production lines that were specially repaired later would be meaningless.
It was with this original drawing that Chen Wenzhe could obtain enough information.
Through retrospection, he saw that after the batch of high-quality kaolin was delivered to the research institute, the technical staff immediately devoted themselves to the production of glaze.
After all the billets are actually ball-milled for 60 hours, they are then passed through a 180-mesh screen three times, and after iron removal three times, they are allowed to rot for another 15 days.
The purpose of this is to enhance the plasticity so that the formed blank is less likely to crack and be scrapped.
With these high-quality raw materials, the quality of "7501 porcelain" is guaranteed to be as white as jade.
It was through this drawing that Chen Wenzhe saw so many secrets in retrospect.
For example, the production process, the smelting process, etc.
If you look at the archives of historical records, you will find that a technician who participated in the development of "7501 Porcelain" quickly completed a certain number of porcelain blanks and sent them to the smelting workshop with the molding master working day and night.
This kind of record is completely useless, because the production of the most difficult white porcelain body is not mentioned at all.