Chen Wenzhe had long thought that Wu San would definitely seduce him again!
This is the picture. When Chen Wenzhe saw it, he looked at the porcelain in front of him. It was an azure three-legged pen washer the size of an adult's palm.
The azure color, ice cracks, and crystal clear jade all make this piece of porcelain look so extraordinary.
Chen Wenzhe sighed. He didn't think it was Ru kiln, but it looked really good.
Of course, he had no evidence to prove that this was a fake. After the exchange just now, Chen Wenzhe did not dare to say that Jingzhen could not produce a high imitation of Ru kiln!
"Can you get started?" Chen Wenzhe sighed again. He still couldn't bear to refuse. What if this was true?
I really don’t know how rare the Ru kilns of the Northern Song Dynasty are, if you are not an expert in antiques.
Don't look at the fact that one item is released here today and another one is released there tomorrow. In fact, those are all fakes and will not be recognized by those in the industry at all.
Because most of those Ru kilns are in the hands of the National Treasure Gang.
If some big domestic and foreign collectors or museums say that there is a Ru kiln, even if no one confirms it, even if someone falsifies it, there is still something to say.
The thing Wu San brought out now must be of some interest, otherwise they wouldn't be so serious about it.
"Okay, you can watch as you like!" Wu San looked at Chen Wenzhe with a smile.
What Wu Er said is absolutely correct. Chen Wenzhe will not give in unless he comes up with something good.
This time they could be said to have spent a lot of money, but he really didn't believe it, and they couldn't attract Chen Wenzhe.
Chen Wenzhe carefully took the piece of porcelain from the coffee table. Has he withstood the test?
These guys actually talked so much nonsense before they came up with a treasure?
When you pick it up, it feels good.
He had a breakthrough in his gold-touching skills just now, and now he can feel it.
Let’s look at the glaze color and surface. They had discussed this before.
When observing the enamel and glaze color of ancient porcelain, you should generally pay attention to the thickness of the enamel, the newness and oldness of the luster, and the size and density of the bubbles.
Due to long-term erosion by external dirt and changes in temperature, the glaze of ancient porcelain often has the so-called "shiny light" or "crispy light".
Light comes from within, and this deep, warm glaze is naturally formed over time.
Before today, Chen Wenzhe would only be able to see a layer of gleaming light, which is a kind of precious light unique to ancient porcelain.
But it's different now. He can not only distinguish the bright light, but also distinguish the crisp light, matt light, etc.
Only when you really see it can you realize that the layer of light on ancient porcelain cannot be summed up in just one word.
Of course, this is also because Chen Wenzhe is well-informed. If he were a layman, he would look simple and simple, but nothing else.
If a guy without any artistic talent saw it, wouldn't it be just an ordinary little plate?
At most, it’s just that there are three weird extra legs. What’s the point?
However, such a little thing is absolutely extraordinary in Chen Wenzhe's eyes.
Even if he didn't know how to imitate Ru porcelain before, but could only make old porcelain, he could become a top appraiser and make him prosperous in the antique shop, let alone now?
He is more professional in distressing, so he knows very well that new porcelain glazes often have a layer of sheen.
This layer of gloss is bright and dazzling. Even if the gloss is artificially removed with matting agent, it will still be different from the warm gloss of ancient porcelain after being processed by tea boiling, slurry, medicine leaching, and soil burial.
Gu Yi
No matter how good the imitation is and how beautiful it is, it is still different from real ancient porcelain.
Of course, the more perfect the imitation is, the smaller the difference will be. If you have never seen the real thing, it will be really difficult to tell the difference.
Chen Wenzhe himself is a very good distressing expert. He can tell whether something is distressed or not.
The perfect Baoguang gave Chen Wenzhe a strange feeling in his heart.
Look at the bluish glaze color again. Is this azure?
As for whether the sky turned blue after the rain, he was not sure.
However, he has seen several pieces of genuine Ru kiln porcelain collected in the National Palace Museum. The colors should be similar and he dare not say they are the same.
After all, when you look at pictures or even videos, the colors will change.
However, his subconscious told Chen Wenzhe that what he saw in front of him was the color of blue after the rain, because he had never seen this kind of blue.
He didn't even know how it was fired. Thinking of this, Chen Wenzhe was not a little depressed, but became even more excited.
I resisted not using the identification technique, because it would be too boring to identify it that way.
If he could personally identify a piece of Ru kiln porcelain, it would definitely be a great improvement for him!
Of course, the porcelain in front of you is really extraordinary.
Therefore, regardless of whether this piece of porcelain is a genuine Ru kiln of the Northern Song Dynasty, for him, seeing it is equivalent to a huge harvest.
This time the harvest was not small, Chen Wenzhe felt very pleased with Wu San's face at this time.
No matter ancient or modern, no matter who it is, as long as it can produce such beautiful porcelain, it is a great harvest for him to see it.
There is no problem with Baoguang or glaze color, then the most important thing is to look at the opening of the film.
Looking closely at the cracks in the ice, Chen Wenzhe can only be amazed.
As the name suggests, the cracks on the surface of porcelain look like broken ice, transparent and bright, and not at all as old as antiques.
If it weren't for the hazy glow on the outside, which makes it look very simple and cute, who would have thought that such a beautiful piece of porcelain might have existed for thousands of years?
Chen Wenzhe was really happy to see such porcelain.
After all, it took more than a day or two for him to imitate porcelain from the five famous kilns of the Northern Song Dynasty.
It was the first time to actually see the opening of ancient porcelain.
Of course, the damaged Qing Dynasty Ge Kiln porcelain he originally received does not count.
Opening is not a patent of Ru kiln. Porcelains such as Guan kiln, Ge kiln and Ru kiln in the Song Dynasty all have openings, which is also one of the natural characteristics of these porcelains.
For example, the Ru kiln three-legged washer in front of you has a crab claw pattern on the glaze.
Chen Wenzhe knows that there are many classic patterns on Ru kiln porcelain, such as crab claw pattern, caviar pattern, eel blood pattern, ice crack pattern, willow leaf pattern, ox hair pattern and other patterns of different sizes, which can be used on Ru kiln porcelain.
turn up.
If it is an imitation, a master like Chen Wenzhe can burn out similar patterns with his superb imitation ability.
But generally the effect cannot be imitated. If the glaze opening of the imitation work is very tight, it must be a high imitation, otherwise it is a defective product.
Also, if the porcelain is opened into pieces, if it is new, the pieces will appear to be cracked.
Furthermore, due to the different porcelain making techniques and raw material formulas of glazes in ancient and modern times, the outer edge of the shrinkage glaze of ancient porcelain is rolled up, while the shrinkage glaze of new porcelain is in close contact with the body.
This characteristic makes the open-piece porcelain of all dynasties different.