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Chapter 1034: Nothing to say

Chen Wenzhe's various performances made Wu San very satisfied, because he knew that Chen Wenzhe had almost been defeated by him.

Wu San knew very well that as long as he liked antiques, he would not be able to resist seeing this beautiful piece of porcelain in front of him.

Regardless of what Wu San thought, Chen Wenzhe picked up the plate and tapped it twice.

The sound was clear and crisp, but he didn't know if it could be as loud as a chime.

None of this matters, because Chen Wenzhe can feel that the fetal bones of this porcelain are very hard.

Although the fetal bone of this piece of porcelain is thin, its texture is very hard and delicate.

Ru kiln porcelain handed down from ancient times has three body colors: light gray, off-white, and dark gray.

The Ru kiln porcelain used in the royal court uses full glaze firing or pad firing to apply glaze, and then tries to cover the porcelain body. At the intersection of the body and glaze, there will be a slight red color.

When I weighed it in my hand, it was a bit light, which is also an important feature of Ru kiln porcelain.

Compared with other porcelain, Ru kiln porcelain is lighter in weight because Ru porcelain is thin.

Moreover, the shape and style of Ru kiln porcelain, as well as its exquisite style, are partly learned from previous gold and silverware, which I am afraid many people are not aware of.

Therefore, during the production process, the weight of Ru Kiln porcelain will also be strictly controlled.

Seeing here, the entire piece of porcelain has been fully appraised, and it can be said that it is in perfect condition.

There are no traces of old age, and every detail of the production has been grasped with extreme precision.

Therefore, even if this is a high imitation, it is of great value!

Chen Wenzhe put down the porcelain in his hands, straightened his waist, and stood a little further away, and then took a look at the performance of the porcelain as a whole.

Through the bottom of the glaze, you can see a slight pink color, which is different from other celadon of the same period in the Northern Song Dynasty. It can be said to have a unique style.

The most important thing is that the overall glaze shows a light azure color, some are slightly darker, some are slightly lighter, but it is inseparable from the basic color of azure.

This is as blue as the sky, but this color, like the weather, will change.

Chen Wenzhe had already discovered something before, but he wanted to confirm it to see if some of the legends were true.

If even the changes in glaze color recorded in legends can be seen on this piece of porcelain, what else can be said?

After looking at it for a few times, Chen Wenzhe didn't know what to say.

This porcelain is most likely from the Ruguan kiln, and it is also mainly azure glaze color, but when observed under different lighting and different angles, the color will change differently.

If you experience it carefully, under bright light, the color will be green and yellowish, just like the golden sunshine rising in the clear blue sky after the rain has cleared and the clouds have cleared and the fog has dispersed.

And when it is deflected in one direction, in a place with dim light, the color is green and slightly blue, like clear lake water.

The reason is that the agate of your porcelain is glazed, which causes the glazed surface to produce slanted slices at different angles and bubbles of different sizes like morning stars, which reflect light differently and produce different effects.

This is a change in glaze color, depending on the appearance and the performance of the glaze surface.

This piece of porcelain is really as beautiful as jade.

The key is the semi-opaque crystalline glaze, which is extremely sensitive to color and light, but the green glaze can reflect the blush from within.

The slightly thicker part of the glaze solidifies the verdant like grease, and it is like dripping wax slightly melting the agate and then solidifying it.

Where the glaze is slightly thinner, it is like a shy girl's face turning red, or like the dew of the morning sun, which slightly dyes thin clouds red.

The glaze is moist and soft, as pure as jade, and has an obvious buttery feel.

However, this piece of porcelain is not without defects, such as poor luster and poor vitrification.

Grain cricket

Not to mention compared with the celadon made by Chen Wenzhe himself, even compared with some ancient celadon, it is not as good.

Of course, what is inferior here is compared to the fine official kiln wares fired after the Northern Song Dynasty.

Any technology is constantly developing. The peak skills of the Northern Song Dynasty may be easily achieved by the Southern Song Dynasty.

Therefore, although Ru kiln porcelain is good, its glaze is not as shiny as Guan and Ge porcelain.

It is even inferior to Longquan celadon. Comparing it with specimens of Ding porcelain and Longquan porcelain, which were also unearthed as tribute porcelain, the glossiness of Ru glaze is only about one-third of the latter.

This shows that when agate is incorporated into the glaze, the degree of vitrification of the glaze and the corrosion resistance of the enamel are both reduced.

In turn, it shows that the lack of obvious glass texture is an important feature of agate as glaze;

In addition, to sum up, the enamel of Ru kiln porcelain is thick, shiny and moist like grease. The glaze surface is uneven due to uneven glazing, has been flat for a long time, and has a small number of bubbles and glaze shrinkage.

It can be said that in this piece of porcelain, the advantages and disadvantages of Ru kiln porcelain are very classic. This makes Chen Wenzhe unable to find any minor flaws.

Now, even Chen Wenzhe is doubting that if he is allowed to imitate, how far can he imitate it?

"Boss Chen, how do you like it?"

Just when Chen Wenzhe was doubting his life, Wu San, who was sitting firmly on Diaoyutai, finally spoke.

"It's almost done!" Chen Wenzhe said.

"Then please give me some advice?" Wu San said with a half-smile.

Although they knew Chen Wenzhe was powerful, there were so many of them and they consulted so many experts for appraisal, but none of them could find any fault.

Wu San really didn't believe that Chen Wenzhe could see something was wrong.

"There's nothing to say!" Chen Wenzhe said directly.

He has seen everything that needs to be seen, and there is no problem at all. There is really nothing to say.

However, Wu San felt a little uncomfortable with Chen Wenzhe's performance.

How can you have nothing to say? You have to pretend to say a few words so that we can slap you in the face, right?

"Boss Chen, please give us some comments so that we can learn more!" Lao Zhou also spoke.

Lao Li is not a good person either. He really wants to see if Chen Wenzhe can find fault and point out some flaws.

Unfortunately, Chen Wenzhe still shook his head. He really had nothing to say.

"Since Boss Chen is so polite, let's try again to attract others?" Lao Zhou said with a smile.

Lao Li commented directly: "We all know that the identification of porcelain can only be based on a few aspects."

"Yes, to identify Ru kiln porcelain, you can look at the production, then look at the shape, thirdly look at the glaze color, and fourthly look at the decoration." Old Li said.

Chen Wenzhe watched their performance. Did he have to praise this piece of porcelain?

That's right, if you don't praise it, how can you negotiate the price later? They definitely want to sell it at a high price.

Even if it is an exchange, the price of this piece of Ru kiln porcelain is higher, so that we can exchange it for more works by Chen Wenzhe.

Chen Wenzhe wanted to negotiate the price now, but he obviously didn't come here for money.

Following Lao Li's comments, Chen Wenzhe looked at the small plate in front of him again.

The genuine Ru kiln has fine workmanship, coordinated proportions and soft glaze color.

However, the Ru kiln imitations have extensive workmanship, imbalanced proportions, dazzling glaze colors, rough painting styles, lack of charm, and do not have the characteristic of opening pieces.


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