"I said, young man, we are really not acting. The price of 500,000 yuan is still too low for you?"
"Yes, we only saw five hundred thousand. If you can name a person who is ugly, we can give you some more."
The two old men are rich in experience and can adjust their strategies at any time, just to find out the mistakes in Chen Wenzhe's hands.
But Chen Wenzhe really couldn't say anything. He just thought these things were good, really good.
Although it is not a national treasure, he can see the level of imitation here.
The things on this stall are just a little different from the real national treasures. In other words, the people who made them were not the ancients of Xia, Shang and Zhou Dynasties, but modern people.
Other than that, they don't have to be genuine antiques at all.
In the long history of ancient China, it is common for later dynasties to imitate previous dynasties, and for subsequent generations to imitate previous dynasties.
Because something is good, some people imitate it, and imitations are not always equal to fakes.
People always imitate good things, not bad ones, and only imitate things that are worth it.
The imitation is not necessarily bad, and the imitation is definitely not real. If it is not real, it does not necessarily mean that the value is not high, it may be higher.
Only by knowing the true and false can you know the good and the bad. There is history in the fake and there are real high imitations.
There are also treasures among high imitations, which depends on the level of appreciation and the imitation itself.
You can collect imitations, but you don’t want to collect fakes. In short, you must understand that historically, there is a difference between products made by future generations based on the prototypes of previous generations and counterfeit products.
There is a difference between imitations and imitations, and there is a difference between imitations and modern counterfeits.
Chen Wenzhe's batch of bronze wares are old and genuine. As a collection, you need to consider whether they have collection value.
So, will the number of these high imitations in Chen Wenzhe's hands be very large?
Definitely not. As a master of distressing, Chen Wenzhe can clearly realize that the makers of this batch of bronze wares have spent a lot of effort and time.
These two items alone are priceless.
Now being forced into a confrontation with these two old guys, Chen Wenzhe did not intend to endure it any longer.
The main thing is that getting achievement points is also addictive!
If he puts on a big show in front of a large number of professionals, will he get a lot of achievement points?
I looked at the three items in front of me. They were all important items, but the bronze drum was the most complex in craftsmanship, but its production process was not very conspicuous. At least it was less conspicuous than the Siyang Fang Zun.
As for the He Zun, although the craftsmanship is also very good, it is still a bit inferior to the Siyang Fang Zun.
Well, it's mainly because of Chen Wenzhe's ideas.
Therefore, Chen Wenzhe chose to learn the manufacturing process of Siyang Fangzun.
He was sure that by activating the independent inheritance this time, he would definitely be able to learn the craftsmanship of bronze ware, rather than other distressing techniques.
Sure enough, scenes after scenes flashed in his mind.
This time, he didn't want to learn anything, he just wanted to know whose craft this was.
"Huang Jintai? The descendant of the Yueyu Bronze Ware?"
The inheritance obtained through targeted sorting is quite fast.
In just an instant, Chen Wenzhe knew the owners of these bronzes clearly.
This master who imitated the Siyang Fang Zun is also a master with a legacy.
It is said that it dates back to the Ming Dynasty. After the fall of the Ming Dynasty and the rise of the Qing Dynasty, the Huang family inherited it in the Bronze Dynasty.
The Four-Yang Square Zun in his hand is an antique bronze made by Huang Jintai, a descendant of the Huang family in the late Republic of China.
Huang's bronzes have been produced for more than 300 years from the creation of Huang Qirui to the Republic of China.
I just don’t know if it was passed down after the Republic of China.
But judging from people’s inheritance, it should have been passed down. Otherwise, where did the batch of bronze wares come from after the founding of the People’s Republic of China?
Although he did not examine it carefully, Chen Wenzhe was able to confirm that the craftsmanship of this batch of bronzes was passed down from generation to generation.
"Discover treasures, start independent inheritance, and gain ten achievement points!"
He finally completed a treasure hunting mission, and as long as he thought, all the bronzes here could help him complete an independent inheritance!
"Young man, it's pointless for you to be like this. We are sincerely buying it. If it's successful, you can give us a price. If it's too high, we can't afford it, so we won't say anything. What do you mean by being silent?"
"Yes, let me tell you a little bit about Zi Chou Yin Mao, and also let us know how the price of these imitations exceeds 500,000 yuan!"
Chen Wenzhe was a little impatient when he was woken up by two old men. Are they really unwilling to let go?
"If you have Yue Yu in your family, you don't want to hide gold or jade!"
After saying this, Chen Wenzhe just looked at Lao Zhang to see if he knew anything.
Sure enough, after hearing these words, Lao Zhang's expression changed.
Even Lao Wang stopped talking. He knew that anything he said would be redundant.
Chen Wenzhe was a little helpless, people really knew.
No wonder Professor Wang is so prestigious here. All the gold bricks he was optimistic about were sold at a high price. It turns out that he has really good eyesight.
"Young man is not simple! Even Yue Yu knows about it. If I hadn't seen it and personally studied the craftsmanship of Lao Huang's family, I really wouldn't be able to tell the origin of this batch of high imitations!"
Lao Zhang's face didn't actually turn red, he was just a little emotional.
Chen Wenzhe had to admire these old guys for being so calm even if they picked up the leaks without picking them up.
Judging from the meaning in their words, the Huang family's high-end imitation craftsmanship must have been passed down to this day, and it is relatively famous.
Through inheritance, Chen Wenzhe knew that the origin of Huang's Yueyu bronzes can be traced back to the Wanli period of the Ming Dynasty.
The Four-Sheep Fangzun in his hand came from Huang Jintai, a descendant of the Huang family during the Republic of China. Huang Jintai's ancestor Huang Yuzhai was a civil servant and was sent to serve in Guangdong Province.
Because he loved to collect bronzes, especially those unearthed from Mangshan in Zhongdu, he sent his descendants to collect them everywhere and learn the techniques of making bronzes. The artifacts they produced were called Huang's Yueyu bronzes.
If it is well made and sought after by others, the family will naturally prosper.
By the third generation of the Huang family, his family established a bronze production workshop in Mangshan, Zhongdu, and began large-scale bronze imitation.
It can be said that since the first generation of the Huang family, Huang's Yueyu bronzes have been favored by royal scholar-officials and eager to collect them.
By the end of the Ming Dynasty and the beginning of the Qing Dynasty, there was a saying in the collecting community that "if there is a Yue Yu in the house, no gold or jade is hidden".
The batch of bronzes produced by such a famous family cannot be said to be priceless, but their value is definitely not low.
Chen Wenzhe was naturally delighted to receive the inheritance from his family. He was so happy that he couldn't help but want to learn more.
A picture emerged in his mind. He saw a man carrying out two Siyang Fangzun, then picking up a small brush and brushing the surface of the Siyang Fangzun over and over again, carefully brushing all the convex and concave places.
These two four-goat square statues went through hundreds of processes including molding, baking, casting, polishing, welding, and forming. It took three or four months to get what they look like today.
That person is Huang Jintai. He is doing the last step of surface treatment. It seems simple to just brush the surface with a wool brush, but he still doesn't want anyone else to do it for him.