After entering the 20th century, with on-site archaeological surveys and excavations of ancient kiln sites, people realized that Ding Kiln also produced green-glazed porcelain.
In the book "Chinese Ceramics·Ding Kiln", Mr. Feng Xianming first mentioned that during the investigation of the Ding Kiln ruins in 1957, green glazed porcelain pieces were found, including fragments of bottles.
At that time, Mr. Feng pointed out: "The quality of the fetus is pure white, which is the same as the white fetus."
Since then, in many writings about Ding Kiln, the green glazed porcelain of Ding Kiln has been mentioned, and it is referred to as "Green Ding".
In fact, the production of green glazed porcelain in Ding Kiln should not be a special phenomenon.
"Huh? Is this the development process of green glazed porcelain?"
Suddenly, a large amount of knowledge related to green glaze emerged in Chen Wenzhe's mind.
Chen Wenzhe was stunned. He knew very well that he had never learned this knowledge before. In other words, this knowledge really appeared suddenly.
Where did it come from? It must have come from inside the Sui Hou Pearl.
Chen Wenzhe was a little confused. Why did Sui Houzhi suddenly give him such relevant knowledge?
After a brief inspection, he determined that the knowledge that suddenly appeared was all about the inheritance related to green glazed porcelain.
"Civilization inheritance system? It's mainly about inheriting civilization. Other tasks, achievement values, etc. are all just to make me adapt? Or you can't let me get something for nothing and find something for me to do?"
Soon, Chen Wenzhe realized something.
I don’t know what this bead is, but its main function is to store knowledge and spread knowledge.
Now that the foundation has been laid, he starts spreading knowledge?
This is a good thing, but after being slightly nervous, Chen Wenzhe became very calm.
The Pearl of the Marquis of Sui was originally abnormal, but now some even more abnormal things are happening, which seems to be normal.
After studying for a while, I still didn't understand why the inheritance system was suddenly triggered.
However, these are not important, what is important is that it is useful to him.
He cannot understand the Sui Marquis Pearl, but he can understand the inherited knowledge system.
No longer obsessed with the sudden change of the Sui Marquis Pearl, Chen Wenzhe started learning again.
As his research deepened, Chen Wenzhe continued to learn some inheritance related to green glaze through the Sui Marquis Pearl.
There is a lot of knowledge in it, and it is definitely not the information he got through contact with outside antiques, but the inheritance of the Sui Marquis Pearl.
It was also at this time that Chen Wenzhe discovered that as long as he did not want to learn a skill all at once, he could learn various knowledge through the Sui Marquis Pearl without even consuming achievement points.
In fact, he should have thought of this situation a long time ago.
For example, at the very beginning, he learned basic porcelain-making skills, that is, when he first received the inheritance, he learned how to make porcelain.
Porcelain making looks simple in just two words, but when you actually learn it, you realize that even basic porcelain making involves a huge knowledge system.
During that period, Chen Wenzhe fell asleep every day and immersed himself in learning various porcelain making techniques.
Although they are all basic things, they cover a wide range of topics.
Only later, when he encountered this kind of inheritance again, Chen Wenzhe began to study selectively.
For example, dishes, plum vases, appreciation bottles, gourd bottles, he learned some things that he can use.
He has put aside some other less popular and less commonly used porcelain and stopped studying immersively in his dreams.
In this way, he can have a good sleep without having to study in his dreams every day.
In fact, now that I think about it, he learned a lot during that period, and it was not something he could recall through contact with outside antiques.
"That's not right. Maybe it happened in retrospect."
At this moment, Chen Wenzhe felt something strange. He didn't let the Pearl of Sui Hou return to his mind. Was it really a dead thing, lying motionless in his mind?
The motionless one is the tortoise, and the tortoise is still alive!
Although the Pearl of Sui Hou is not a living thing, it can record knowledge anytime and anywhere. If it can keep recalling it, how much knowledge has it stored over the past few thousand years?
Compared with obtaining relevant knowledge through external antiques, the Sui Marquis Pearl itself is the key.
Once he understood this, if Chen Wenzhe encountered a knowledge system that he did not understand, he could directly find the answer from the Pearl of the Sui Marquis.
And this way, it really works!
For example, now, Chen Wenzhe wanted to learn more about green glaze, and Sui Houzhizhu immediately gave him a lot of feedback.
By understanding the production process of Luding, he can learn more details starting from the Tang Dynasty, and even learn the production process of Tang Sancai.
Because starting from the Tang Dynasty, mainly from the middle and late Tang Dynasty, with the maturity of white-glazed porcelain production technology, many porcelain kilns in the northern region began to produce green-glazed porcelain, which continued until the Ming and Qing Dynasties.
Starting from the Tang Dynasty, green glazed porcelain really began to develop?
From the firing process, green glazed porcelain is divided into three categories?
The first category is related to Tang Sancai.
For this type of porcelain, the blank body is first fired at high temperature, and then a low-temperature colored glaze with added melting substances such as lead is applied after leaving the kiln.
Then it is put into the kiln for low-temperature color firing, generally at a temperature of 700°C to 900°C.
This type of utensils includes single-color yellow glaze, green glaze utensils, as well as yellow and green utensils with two or three colors, and is often called three-color ware or glazed ware.
This type of utensils includes porcelain and pottery, so people may call it three-color porcelain or three-color glazed pottery. In fact, it is difficult to strictly distinguish.
If we exclude the figurines of the Tang Dynasty and only look at the utensils, the low-temperature glaze wares fired in this way were already quite mature by the mid-Tang Dynasty.
Seeing this, Chen Wenzhe was already a little amazed. There is really too much useful information here.
If he had known that the Pearl of Sui Hou had this ability, why would Chen Wenzhe have discussed related skills with the two old men brought by Wu San?
At this time, Chen Wenzhe can be said to be a mouse that fell into a rice vat. He can learn whatever he wants.
The Pearl of Sui Hou is more useful than a database. It can be said that as long as he wants to learn something, he just thinks about it in his head, and relevant knowledge will emerge.
In this way, it will be much easier for him to learn.
At this time, he was able to view a firing process of green glaze. It can be said that he can view all related techniques from ancient times to the present.
Of course, if you don't have some foundation, you will just read these things, and you may not understand them after reading them, and it will be of no use to him to inherit the skills.
However, Chen Wenzhe was different at this time. His foundation was very solid. He could learn many knowledge points at a glance, and he could even draw inferences from one example and introduce new ones.
This may be the basis for Sui Houzhi to let go of his knowledge base and let Chen Wenzhe learn at will?
Throwing away the useless thoughts in his head, Chen Wenzhe once again immersed himself in learning.
Chen Wenzhe previously reviewed the production process of celadon from ancient times to the present, but this time he focused on the exploration and discovery of green glazed porcelain.