The development of green glaze has experienced many ups and downs. Although it has missed many prosperous times, it has also missed opportunities to develop.
But in the last feudal dynasty, the development of green glaze ushered in the dawn of dawn.
It was also at that moment that the imperial kiln in Jingzhen pushed green glaze to its peak.
The okra green, onion green, and caviar green that were baked in a moment gathered all the power,
The colors of the green glaze family are highlighted, and now the green glaze can finally feel proud.
Whether it is the white of Yongle or the red of Xuande, when people are dazzled, what people have to admire is the aesthetic change of green glaze in Yongzheng Dynasty.
Thanks to this, green glaze was valued by literati.
Only then was it accepted by the general public. It was like overcoming a tribulation and finally achieving the right fruition.
See here,
Chen Wenzhe suddenly realized.
This is the first time that he has clearly seen a glaze color from discovery to development to its ultimate peak. He can see it clearly and understand it all at once.
How green glaze appeared, how it developed, and how it became as beautiful as it is now is really not easy.
It took more than two thousand years for this glaze color to exude its beautiful brilliance.
Of course, these are not important. What is important is the evolution in the middle and the developed technology.
Through this study, Chen Wenzhe can be said to have learned all the green glazed porcelain production techniques from the Han Dynasty, Tang Dynasty, to the Song, Yuan, Ming and Qing Dynasties.
Compared with celadon glaze, he once again completely mastered a glaze color from beginning to end.
at this time,
He can already produce green glazed porcelain from various dynasties.
Of course, this also includes Luding. If he wants, Tang Sancai is also available.
Don't be in a hurry when it comes to Luding. Just make some Tang Sancai first, and then the Luding will come naturally.
This time, by studying the knowledge related to green glaze, he will definitely be able to fire three-color pottery.
Tang Sancai porcelain is very popular among modern people, especially big foreign collectors.
However, domestic collectors know very well that this is a kind of underworld artifact, meant for burial.
It can be said that the Tang Sancai we can see now are all dug out from the tombs of ancient people.
Of course, things dug out of graves,
Not all are disturbing,
And there are many more.
There are many ancient artifacts in the antique market, such as the jade clothes with gold threads and jade swords that Chen Wenzhe found earlier, and even gold, such as gold horseshoes, etc. These can be regarded as ancient artifacts.
But if I really gave you a few of these underworld weapons, would you dislike them?
But Tang Sancai is different. This thing is just like an urn, and most Chinese people really can't accept it.
At the very least, I wouldn’t put this kind of urn-like congratulations on a shelf for appreciation, let alone put it in the bedroom or living room.
It's a pity that this kind of pottery can really enter the elegant hall now. Why?
It can be said that Tang Sancai is a typical example of worshiping foreigners and favoring foreigners. This kind of dark artifact was originally difficult to be accepted in China, but modern people have accepted it.
Get a funerary object and place it at home. No matter how beautiful it is, it is still unsettling. Isn’t the reason why you accept it because of its high price?
At first, foreigners liked them and bought them at high prices. As time went by, Chinese people also thought they were good things and had high artistic value, so they wanted them all.
Since Chinese people like it, Chen Wenzhe doesn't mind making a batch.
This time Chen Wenzhe finally discovered the correct way to use the Pearl of the Sui Dynasty. He was just studying the development process of a green glaze, but he did not expect to gain unexpected results.
The production time of Tang Sancai was not short, and the production of Ming ware in ancient times seemed to have greatly promoted the development of the ceramic industry.
"Fuck, these are all underworld weapons?"
Everyone knows the value of Tang Sancai. Now that they have encountered it and can learn the technique, Chen Wenzhe naturally does not want to give up.
Unexpectedly, after learning more, Chen Wenzhe discovered that most of the antiques he had access to were actually artifacts.
Before, he thought that jade clothes with golden threads, jade swords and so on were the underworld weapons, but he really couldn't do it. There were many containers and the human figurines were all the underworld tools.
In fact, it is easy to understand that the ancients fired those ceramic figurines just for burial.
Since it is a burial object, what else is it if it is not a ghost weapon?
"There are so many underworld weapons!"
The more I learn, the more I know, Chen Wenzhe is really a little emotional.
According to the type of artifacts, underworld utensils mainly include containers, models, figurines, epitaphs, bone tools, etc.
The most common, and least popular, type of artifact is probably the stack of plastic barn jars.
This thing is also the most common underworld weapon, also known as barn jar and soul bottle.
This thing was developed from the Wulian vase of the Eastern Han Dynasty.
If you don’t know this thing, you will definitely feel it is very beautiful when you see it, because people, animals, statues, pavilions, etc. are often sculpted into barn jars.
The celadon barn jar collected by the Palace Museum in Shendu is very representative.
The mouth of the jar not only has statues of pavilions, figures, birds and animals, but also a tortoise carrying stele on the shoulder, which contains the inscription: "In the third year of Yong'an, he was rich and foreign, Yi Gongqing, many descendants, long life, thousands of wishes.
I haven’t seen Ying yet.”
It is shaped like a long egg, and the glaze does not go to the bottom. The best part is the upper part of the jar, which is the lid. It is really beautifully made.
In the Western Jin Dynasty, the quality of barn jars at that time was improved and the forms were more diverse.
For example, the Western Jin Dynasty barn jar unearthed from the Minghe Ware Kiln in Cixi, the upper part focuses on the pavilion buildings where the nobles lived during their lifetime, and there are many kabuki figurines and flying birds in front of the manor.
This has definitely risen to the level of art, and it cannot be simply regarded as a ghost weapon and be rejected by others.
Of course, no matter how beautiful the underworld artifacts of that period were, they would never be acceptable.
As for using it for fun or something, it makes me sick just thinking about it.
However, underworld weapons are gradually developed, and many modern underworld tools have been accepted by people.
From the soul bottle to the later tower jar, this is an obvious artistic sublimation.
Tower jars are also a relatively common vessel, including tower jars, tower lid jars, and four-spirit tower jars.
It was first discovered in the Jin Dynasty and later became popular in the Tang Dynasty.
Because it is a Buddhist jar style, it mostly consists of two parts: a jar and a jar base.
There is a tower jar with blue and white peony pattern from the Yuan Dynasty in Jiuxian, which is a continuation of the tower jar from the Tang Dynasty.
The slender belly of this porcelain is engraved with blue and white patterns, replacing the complicated appliqué process. The shoulders are sculpted with two pairs of lions and elephant heads, and the cover is made into a six-edged and seven-level rim style.
When most people see it, they will definitely not think it is a ghost artifact, but will think it is a real work of art.
If this kind of tower tank is still not easily accepted by people, then the general tank should be very surprising.
What we are talking about here is the General Jar in our common impression. Many people may not imagine that the General Jar was also a Buddhist jar for collecting ashes in a very early period.