Following Chen Wenzhe's thoughts, what appeared before his eyes was no longer a picture, but a three-dimensional projection.
The most important thing is that he can still use his mind to zoom in and even create virtual projections that rotate three-dimensional images.
The projection is so realistic that many details are clearly visible!
In this way, it is really convenient to identify this piece of porcelain.
Because many features have been cleaned and displayed in front of Chen Wenzhe, such as "bamboo brush marks".
The most important thing is that he can zoom in at any time to see more clearly.
Looking at the enlarged porcelain in front of him, Chen Wenzhe felt a little emotional.
When he identifies porcelain in the future, can he first take pictures and then use the ability of the Sui Marquis Pearl to start identifying from the microscopic aspect?
For example, with the porcelain tripod in front of you now, what secrets can be hidden?
Because many of its features have been magnified and completely displayed before Chen Wenzhe's eyes.
A process like "bamboo brush marks" should be a flaw at first.
Because in the tire making process of Ding kiln in the Song Dynasty, when the tire was half dry, a bamboo silk brush was used to rotate the tire, so some "bamboo brush marks" were left on the tread.
Because the glaze applied in Ding kiln is thin, after firing, the brush marks left by the bamboo silk tire repairing can be faintly seen through the glaze surface in the thin glaze.
This kind of mark not only appears on Ding kiln porcelain, but the brush marks at other kiln entrances are not as fine as those of Ding kiln.
Therefore, this is one of the basic characteristics of Ding kiln porcelain, and special attention must be paid to it when identifying it.
This kind of trace is definitely not what the craftsmen want to leave, but they have to leave it.
Unexpectedly, because of the quality of Ding kiln wares, this defect has become a beautiful scenery of Ding kiln.
Looking at these bamboo silk marks, Chen Wenzhe felt a little emotional.
He had never thought before that the porcelain pictures inside the Sui Marquis Pearl could actually change according to his wishes.
In this way, it would be very convenient if he wanted to study some antiques that he didn't have in hand.
He can clearly see many unique characteristics of antiques, and he can study them however he wants.
Except that they cannot be touched, all the features of the antique can be enlarged along with the picture to see it more clearly.
For example, the tear marks on the current Ding Kiln porcelain tripod are also a major feature of Ding Kiln.
After all, the Ding kiln was the kiln entrance thousands of years ago. No matter how high its level is, some defects are inevitable.
This is the limitation of the times. Their technology at that time limited their craftsmanship, such as the common "wax tears" on the glaze.
This "tear mark" is caused by uneven glaze application and glaze water dripping when fired.
The lower part of the vertical glaze is like a wax tear-shaped bulge, and the lower part of the spherical surface is light aqua.
The phenomenon of tear marks is only seen on Ding kiln porcelain in the Northern Song Dynasty. Ding kiln porcelain from the Tang to the Five Dynasties did not have this feature.
This is because the glaze applied in Ding Kiln in the Tang Dynasty was relatively thin and the body glaze was very tightly bonded, so there was no glaze flow.
However, the glaze in the Northern Song Dynasty was thick and yellowish, with large and numerous bubbles in the glaze. The glaze layer hung down and flowed with the vessel during the sintering process, forming tear marks.
This kind of "tear stain" usually only appears on the outside of the dish.
Of course, not every Ding kiln porcelain has "tear marks", but it is easier to identify if it has "tear marks" than if it does not.
Seeing such clear and standard tear stains, Chen Wenzhe really couldn't figure out whether this porcelain tripod was actually the fake.
No matter what, with this kind of appearance and this kind of craftsmanship, Chen Wenzhe is more willing to believe that it is the white porcelain tripod, a precious treasure from the Northern Song Dynasty.
The control picture turned over, exposing his legs.
There are not many types of bases for Ding kiln utensils, and there are mainly two types: flat bases and ring feet.
And its ring foot has obviously different characteristics from the ring feet of other kiln mouth artifacts.
These characteristics are reflected in the Ding kiln wares that were over-fired after the mid-Northern Song Dynasty.
Due to the invention of over-firing, the circle of the utensil can be covered with glaze and the exposed area can be moved to the top of the utensil.
However, the appearance of the glazed vessel is not so perfect.
Generally, the foot surface always appears to be not smooth enough. The foot surface is the part of the foot that contacts the ground.
This part has thick glaze in some places and thin glaze in other places. If you touch it with your hand, you will notice the unevenness.
All Ding kiln ring-footed vessels of the Northern Song Dynasty, that is, those using the covering firing method and glazed ring feet, all have this feature.
In addition, there are two types of ring feet in Ding kiln ring feet: large and small.
Bamboo silk brush marks can often be seen on the soles of the large circle foot implements, and the brush marks are in the form of concentric circles.
This phenomenon does not exist for small circle feet. However, regardless of the size of the circle feet, the feet are very shallow and the foot walls are narrow. The small circle feet dig the feet no more than the shoulders and almost have no hooks.
The last point in identifying kiln wares is deformation.
Most of the Ding Kiln utensils, especially bowls, have some deformation.
If you turn the whole device upside down on the table, you will clearly see this feature.
Of course, this is a high-quality porcelain tripod, and it will definitely not be greatly deformed, otherwise it will not be left as a fine product that will be passed down through the ages.
"It's unlikely that this is a replica!"
When Chen Wenzhe looked at this valuable treasure, he would not think that the masters of the Ming Dynasty must be more powerful than the modern masters of imitation.
Judging from the imitations of Ding kiln currently on the market, the tear stain phenomenon can be achieved and is enough to resemble the real thing.
Bamboo brush marks are not difficult to remove, but the deformation of the utensils cannot be caused by human effort.
Even if it is done intentionally, you can still see unnatural traces.
Finally, Chen Wenzhe's eyes fell on the colorful Taotie pattern on this porcelain.
At this time, when he saw these Taotie patterns, he was no longer as surprised as when he first saw them.
"Is this sauce glaze? Or call it black? Is it kiln transformation?"
The black color change of Ding kiln is still very famous, and it is not even worse than the change of the kiln of Jian Kiln.
Among the five famous kilns in the Song Dynasty, Ding kiln was the earliest kiln mouth, the kiln mouth with the richest varieties, styles, and decorations, and the kiln mouth with the longest firing history.
Ding kiln products were not only favored by consumers at that time, but also favored by the court, becoming a historical monument of porcelain in the Tang and Song Dynasties.
For example, the kiln transformation of Ding kiln is also widely spread, and there are even many poems expressing this phenomenon.
For example, Qilu, Yongding kiln's black mutated bamboo hat.
Meteors suddenly fell into the night sky, leaving several lines of condensation in the sky.
It is as bright as a shooting star and as beautiful as a dream.
The white waxy bones are strong and thin, and the dark camel spots are thick and bright.
The unique xuanqing is in the shape of a bonnet, and there is almost no trace of the Ding kiln handed down from generation to generation.
If you are not knowledgeable, but are proficient in literature, when you see this kind of poem, you might think it is a praising starry sky?
Even if you have some professional knowledge, you might think it is a compliment, right?
However, this is the poem about the transformation of Ding kiln into bamboo hats and lamps.
Such a beautiful sentence describes the Ding kiln porcelain from thousands of years ago! Your latest reading progress detected is "Chapter 1,148 The red ground carving the Hongfu Qitian covered bowl"
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