Each of the masters of antique porcelain has his own unique skills.
Therefore, in real terms, we cannot tell who is more powerful.
Chen Wenzhe can only rank according to the search, and he will learn the craftsmanship of whomever he finds. He has learned too much from the first three, and they are all very important skills and recipes. Due to time constraints, Chen Wenzhe plans to learn this time
The craftsmanship of ten masters.
The fourth place is the highest-level and most luxurious antique master in the porcelain circle.
This person once said arrogantly that if the full score of a work is 100 points, his porcelain appreciation kiln can score 120 points, or even 200 points. If you don't accept it, you will fight.
This person only came to play with porcelain after making money, so he was particularly willing to do so.
In order to make good porcelain, this man specially built a garden in Jingzhen.
He invited the skilled craftsmen from Jingzhen whom he admired to come to the garden to make porcelain. He said that only by cultivating one's sentiments can one make good porcelain.
When making porcelain, he was extremely demanding, especially in terms of materials.
He spared no expense to reproduce all the details of ancient official kilns.
Even the firewood kiln for firing porcelain is a 1:1 replica of the official kiln of the Ming Dynasty.
Not to mention other aspects of this person, just his seriousness and energy are worth learning from Chen Wenzhe.
The fifth one is not simple either. He is Yu Guojian, a master of pottery and a big boss in the porcelain circle, but this one is the most low-key antique boss.
People in the world of martial arts call him "Jiantou". How low-key is this big shot?
Lingu, the first-line kiln pottery man who single-handedly oversees the process, has become famous, but there is no photo of him.
You can't see Tao Ren Lingu even if you visit him. This is probably the highest state of invisibility!
Hidden away from the market, Yu Guojian has been engaged in the antiques industry before making tea sets, which is somewhat similar to Chen Wenzhe.
Rumor has it that his antique works can almost look real.
Now he is the soul behind the ancient pottery people and the foundation of the pottery people's aesthetic taste and superb skills.
Sixth Art Hall Yu Quanming, this family is even more special because their current head is a post-90s generation.
So why can Yilintang, led by a post-90s generation, become a popular front-line kiln?
There are experts behind the scenes. The core figure of Yilintang pastel art is the third generation successor, Yu Yin’s father Yu Quanming.
People in the circle call him Feitian Guaizi because of his profound attainments in the pastel field.
In 1988, Yu Quanming took charge of Yilintang, which has been designated by the Palace Museum many times to restore cultural relics using the techniques of the Qianlong imperial kiln 300 years ago. It also participated in the reproduction of many top cultural relics in the Palace Museum, such as the famous porcelain mother.
Chen Wenzhe has conducted in-depth research on porcelain mother before, but he still has no confidence that he can replicate this kind of porcelain.
After all, there are too many master-level craftsmanships used on the porcelain mother.
But in 1988, people dared to copy porcelain mother. This is the gap.
These famous families in Jingzhen have profound foundations, and ordinary people really can't compare with them.
However, Chen Wenzhe believes that if he gets married in the future, his children and grandchildren will also be able to form such a family if they have some talent.
As for porcelain-making families like the Yu family, it cannot be said that they are everywhere in Jingzhen, but there are definitely quite a few.
For example, Zhou Jun, the seventh-ranked Zimu Tang, the manager of Zimu Tang at the entrance of a first-line kiln, is no ordinary person in the antique circle. His works have been collected by many top museums.
Even if a master like this is not from a noble family, if he had not been taught porcelain craftsmanship since he was a child, even if he had achieved success, he would not have achieved so much.
For example, Zhou Jun has been studying with Xie Shengwang, the only ceramic family in Jingzhen for seven generations since he was a child.
Later he joined Jianguo Porcelain Factory and became a technical backbone.
In order to improve the aesthetic level of ceramic art, he travels to antique auction houses at home and abroad all year round.
He even hired professional photographers to follow him all year round and collected countless fine works from official kilns of various periods.
There is another important point here. If you collect more, you will naturally become more knowledgeable.
And why can he collect so many? It’s because he has a famous teacher.
A famous teacher can not only teach him how to make porcelain, but also teach him how to identify porcelain.
If you know how to authenticate, you can be a big player in the collection market in China in the 1970s, 1980s and 1990s.
Even if he can't be said to be invincible, it is still very easy for him to accumulate some knowledge and collect a large number of fine products.
With a famous teacher, knowledge, and most importantly, a batch of high-quality products in hand, with such a person and some hard work, do you think it is possible to imitate high-quality ancient porcelain?
No matter what you do, you have to be serious, and the same is true for craftsmen.
If any technology is passed down from generation to generation and still has people studying it seriously, then the achievements will definitely not be small.
This is no exception in the porcelain industry.
For example, the eighth Yaxumu Gusong Qun is a true master in his professional field.
He was so obsessed with studying glazes that he became blind in one eye, hence his nickname Song Eyes.
Song Qun is a leader in the tea porcelain antique circle and overglaze color field.
I started making porcelain in 1992, and around 2000, I went to Jingzhen to concentrate on the production of antique porcelain. Teacher Song’s works are mainly overglaze colors of the Ming and Qing Dynasties, and he has made pastels of the Kang, Yong, Qian and Qing dynasties for almost 30 years.
After many years, my skills are very profound.
Needless to say, the pastel porcelain of the Kang, Yong, Qian and Qing dynasties is definitely high-precision porcelain. As long as it is done well and does not look old to deceive others, you will naturally become famous and become rich along the way.
The ninth one is Yiyun Zhuquan Li Yun, known as the second brother in the circle, and the absolute leader in the field of jdz color glaze.
He has been engaged in antique porcelain making for decades. His low-key behavior is a typical unknown outside the circle, but he is well-known within the circle.
What is most talked about is the revival of the soon-to-be-lost tea powder glaze technology.
He not only restored the original flavor, but also skillfully mastered the characteristics of the tea powder glaze to produce a more varied color.
The tenth one is Xiang Yuanhua from Yuanhuatang of Imperial Kiln, a leading figure in Jingzhen porcelain and antique circles.
He is not only the founder of Royal Kiln Yuanhuatang, but also the inheritor of Jingzhen Imperial Kiln craftsmanship. The Royal Kiln Yuanhuatang he founded is known as the Huangpu Military Academy of Jingzhen Antique Porcelain.
Xiang Yuanhua is well-known in the porcelain circle for his exquisite porcelain making technology.
In order to restore the 600-year-old imperial kiln craftsmanship in Jingzhen, he read ancient books, visited major museums, and acquired countless treasures.
He once led a team to achieve extraordinary results after tens of thousands of experiments, and won the title of Outstanding Expert awarded by the national department.
The above are the 10 antique masters in Jingzhen that Chen Wenzhe knows, ranked in no particular order.
Jingzhen antique porcelain circle Crouching Tiger, Hidden Dragon, there must be many big names who have not been mentioned, but it would have taken a long time for Chen Wenzhe to thoroughly study the craftsmanship of these ten people.
Thanks to a lot of craftsmanship, Chen Wenzhe knows it after just one look.
He is one who is separated by a layer of window paper, and can see through just a little.
After all, his accumulation is really too profound.
Of course, this mainly relies on the Sui Marquis Pearl. Without it, even if he wanted to accumulate, he would not be able to accumulate anything, not to mention that he could easily obtain the secret recipes and inheritance of each family.