Li Tianqiang is very helpless about forging tombstones because there are too many masters of forging tombstones at home and abroad.
Not to mention anything else, our good neighbors to the east, the Little Devils, have a group of professional people who specialize in imitating epitaphs, stone tablets, etc.
By this time, Chen Xingchen already knew that Chen Wenzhe would definitely not go to Yi Niantang Ceramics Factory immediately.
He had no choice but to follow Li Tianqiang to the newly built Yi Niantang Community Clinic.
Chen Xingchen feels magical every time he sees the signboard of Yi Niantang Community Clinic, which has been renovated in an entire community.
Such a large community, located in the center of Dahai City, is actually a community clinic?
Are they planning to start a fight with the Mayo Clinic in the ugly country?
It is a pity that this domestic clinic has been established for too short a time and is a private clinic. This kind of hospital does not have much development prospects in China.
Even if Li Tianqiang had the idea to poach old doctors and experts and cultivate his own young talents, it would not be possible to support a strong hospital in a short time.
Of course, Li Tianqiang did a good job, and now this community clinic is very famous.
If he really follows his ideas, coupled with Chen Wenzhe's huge financial resources now, maybe he can really make a name for himself.
Therefore, it is a last resort. Flattery really depends on talent!
For example, Li Tianqiang, this guy's villain talent has been fully utilized!
Chen Xingchen sighed helplessly. At this time, he had to admire the two brothers of the Li family.
Especially when he saw this hospital, he had to admire it.
At least they have diagnosed a lot of difficult and complicated diseases, and they have already become famous!
Walking into the community, no, into the hospital, in the original sales office, now the outpatient hall, Chen Wenzhe saw a wall of honor separated by a glass?
Chen Wenzhe didn't see many honors inside, but he saw a few stone tablets.
The most eye-catching thing is definitely the big tombstone. If you put this thing in the hospital, are you really not afraid of being smashed?
Not only was no one smashing it, but there were quite a few people watching these quilts. Especially in front of one of them, there were even more people surrounding it.
Chen Wenzhe liked to join in the fun, so he also went over to take a look.
"You even have "Dong Meiren's Epitaph"? You are really capable!"
Looking at a stone tablet blocking the door, Chen Wenzhe smiled.
But when he took another look, he realized that the things that could be displayed here by Li Tianqiang must be of some value.
So he could see that this stone tablet was a good imitation. At least the inscription on it was copied from the earliest rubbings of the tombstone unearthed.
[Recommended, Yeguo Reading is really useful. Download it here. yeguoyuedu. You can try it soon.]
You must know that the difference here is huge.
Unfortunately, although this stone tablet may have been imitated for a long time, it cannot be the original.
This kind of tombstone has been in China for a while, but it is very popular and widespread.
Being popular and widespread is not a good thing in the antique world, as it means that these things are rampant.
The most famous one is "Dong Meiren's Epitaph". Many people have imitated this very famous stone tablet.
This stone tablet is a funerary inscription commemorating Dong Mei’s life and deeds.
Dong Meiren (AD 578-AD 597), the concubine of Yang Xiu, the fourth son of Emperor Wen of the Sui Dynasty, was a native of Bianzhou. Her first and last name are unknown.
Dong died of illness in the seventeenth year of Kaihuang's reign at the age of nineteen.
Yang Xiu had deep feelings for him, so he wrote an article of condolences and carved an epitaph for him and buried him with him.
The epitaph was unearthed in Xingping County, Western Shaanxi Province during the Jiaqing period of the Qing Dynasty. It has 21 lines of regular script and 23 characters in the line. It is called the "Epitaph of Beauty Dong", also known as "The Epitaph of Beauty Dong".
The original stone was destroyed by war in the third year of Xianfeng (AD 1853). Even today, even the rubbings are very rare.
The last place where this stone tablet was stored was in Dahai City, but could this thing be real?
The original stone of this stele was unearthed in Xingping County during the Jiaqing period of the Qing Dynasty. It was acquired by Dahai Lujun and Qingguan of Xishaan Xingping, and returned to Dahai Xu Weiren (Zishan).
The Xu family cherished it very much and took the stone from Guanzhong to the sea. They named it "Sui Xuan" and extensively expanded it.
It is said that the ink used is thicker and the calligraphy and painting are thinner.
In the third year of Xianfeng (AD 1853), the original stone was destroyed during the peasant uprising war of Daida Xiaodao Society.
Xu's rubbings are rarely circulated, and the unearthed original rubbings are particularly rare.
The most famous rubbings now should be hidden in Shendu Library, Shendu University Collection, Neon Mitsui Library, and Xu Weiren's rubbings.
The stone tablet does not exist, and only the rubbings have been handed down to the world.
The rubbings of "Dong Meiren" can be roughly divided into three categories. The first category is the rubbings in Guanzhong when they were first unearthed.
This kind of rubbings are mostly made with light ink. The so-called "cicada's wing" version means that the ink of the rubbings is extremely pale and as thin as a cicada's wing, which can accurately reproduce the handwriting of the original stele.
This type of rubbings is rarely circulated and is extremely rare.
The stone tablet in front of Chen Wenzhe was obviously copied from this kind of rubbing, otherwise it would not be so similar.
In addition, there is also a collection of inscriptions by Chen Jingtao (Qizhai) in Dahai Library, which is the best version of this kind.
The second category is the rubbings made after Xu Weiren moved the stele to Dahai City.
It is said that the ink used in this kind of rubbing is too thick, perhaps because the rubbing hand is not good at it.
The ink color of the rubbings from this period covered a lot of the writing on the original stele, and the strokes became tiny and muffled.
According to some experts, when comparing the rubbings from the Dahai period with the rubbings from the Guanzhong period, "it is doubtful that they were made from the same stone. After careful examination, the stone flowers, calligraphy and painting are all consistent, and there is no doubt that they were made from the same stone."
Such rubbings are more numerous and of relatively lower value.
The third type of rubbings are the rubbings that were re-engraved after the monument was destroyed.
Thinking of this, Chen Wenzhe had some ideas.
Especially the second type of rubbing, is it actually considered to be fake?
Chen Wenzhe's knowledge and strong memory are working now.
Therefore, when he looked at the stone tablet in front of him, he paid special attention.
This stone tablet was destroyed during the Xiaodaohui uprising, but no one saw it with their own eyes!
Besides, how can a stone tablet be damaged?
Did you smash it on purpose? Or did you set it on fire?
Everyone knows this is a treasure, but who would bother to smash this treasure?
Even if the rebels of the Little Knife Society are all illiterate, why don't they go grab some other treasures? They still have time to destroy a stone tablet?
No matter how you look at this legend, it seems a bit fake, like a smoke screen!
When the Little Knife Association revolts, not to mention Dahai City, even the entire domestic environment is not good.
Taking advantage of this incident, is it possible to hide this stone tablet?
If this is the case, is it possible that the stone tablet in front of me is real?
Thinking of this, Chen Wenzhe became serious.
However, he didn't really think that it was genuine.
However, since it was placed here by Li Tianqiang and placed in the most conspicuous place, there must be something to it.