After thinking about it carefully, it seems that there are three pieces left. Since we have the enamel color materials, let's make a yellow ground enamel plum pattern bowl first.
In their factory, the most indispensable thing is small bowl embryos to be dried.
These embryos can appear here, naturally they are all exquisite products made by masters.
Therefore, Chen Wenzhe only had to slightly refine the vessel before it could be glazed and used directly.
The small bowl imitated this time has a slightly outward rim, curved walls, and rounded feet.
The inner wall is white glaze without decoration, and the outer wall is painted with yellow ground, pure and flawless, with a plum blossom painted on it.
The plum blossom branches are slanting horizontally, and the red and white plum blossoms are delicate and gorgeous.
A five-character poem is written on one side: "I only say that the flowers are snow, but I don't realize that there is fragrance."
The first part of the poem is signed with the seal seal "Xian Chun", and the lower part is signed with the seal seal "Shou Gu" and "Xiang Qing".
On the inside of the base is blue material with the four-character inscription "Made in the Yongzheng Year" in colorful regular script. It is obvious that this is a fine small bowl from the Yongzheng period.
And it is yellow glaze enamel. It can be said that apart from this being a small bowl, whether it is yellow glaze or enamel, it is synonymous with high price.
It turns out that Chen Wenzhe has made a lot of yellow glazed porcelain, so naturally he won't make more this time.
The next thing he made was a pastel pheasant and peony plate. This porcelain must be of high quality, but the specific age needs to be verified.
This plate has a curled lip, folded rim, shallow belly, ringed feet, and no mark.
The whole body is covered with white glaze, the interior of the plate is decorated with pastel colors, the folded edge is painted with brocade ground for consecration, and the interior of the consecration is painted with miscellaneous treasure patterns.
The inner bottom is painted with pheasant and peony patterns, lined with travertine, magnolia and chrysanthemum patterns, and the outer wall is plain.
The decorative style of this plate is close to the pastel porcelain of the Kangxi period of the Qing Dynasty.
In particular, the decorative methods of consecrating the brocade around the rim and filling the center with patterns are very common among the pastel utensils of the Kangxi period.
It can be inferred from this that this artifact should be an early work of Yongzheng.
By this time, there were not many porcelains that Chen Wenzhe wanted to make, and it seemed that there was only the last one left.
This is a doucai Ruyi'er garlic bottle. Chen Wenzhe has never made this kind of bottle before.
However, this is also a piece of Yongzheng porcelain, and from this we can also see the status of Yongzheng porcelain in history.
The last few pieces of the top ten precious porcelains are almost all from Yongzheng, which explains the problem very much.
The mouth of this garlic bottle is garlic-shaped, with a tight neck, flat shoulders, a round belly, a circle foot, and Ruyi ears placed symmetrically between the mouth and shoulders.
The outside of the bottle is decorated with bucket colors, the mouth is decorated with back patterns, and the mouth of the garlic head is painted with branches and flowers.
The neck is ribbed and has three layers of decoration, namely curly grass, flowers and banana leaves.
Ruyi cloud patterns and deformed lotus petal patterns are painted on the shoulders and shins respectively.
The abdomen is painted with six groups of broken branches and flower patterns, with lotus patterns in between.
The blue and white double circle on the outsole is signed with the blue and white "Yongzheng Year of the Qing Dynasty" double-line six-character regular script on the inside.
Porcelain garlic bottles were popular in the Ming and Qing Dynasties, and were most common in Jingzhen kiln products. The varieties include blue and white, multicolored, blue and gold, etc.
The garlic bottles of Jingzhen kiln in the Ming and Qing dynasties include blue and white, multicolored, pastel, as well as blue glaze, sauce glaze and other single-color glaze varieties.
The Jiajing garlic vase of the Ming Dynasty is decorated with piles of plastic dragons on the shoulders;
The Chenghua garlic vase of the Ming Dynasty only has a petal-shaped mouth, and the ears are randomly piled.
The Ming Zhengde garlic bottle has a halberd on the belly of the bottle;
The Wanli garlic bottles of the Ming Dynasty tend to be simplified, and there is no garlic in the mouth, but the shape of the vessel is tall and blue and white are the most common.
….
The shape of garlic bottles in the Qing Dynasty tends to be light and beautiful.
Yongzheng's garlic vase, in addition to this piece of doucai porcelain, there are also enamel garlic vase with flower pattern.
The origin of its name should be based on its appearance!
It has a straight mouth, a slightly slanted mouth, a round belly, and round feet, with a height of 17.5 cm, a diameter of 2.7 cm, and a foot diameter of 5.2 cm.
Made during the Yongzheng period of the Qing Dynasty, it has the four-character inscription "Yongzheng Year System" written on the inside of the blue material.
The whole body is painted with enamel, the outside of the mouth is painted with a drooping and deformed Ruyi head pattern, and the inside is painted with lotus flowers.
The neck has two raised chord lines, the middle one is
Four flowers, with mountain rocks and peonies painted on the belly
The ink inscription on the shoulder reads: "A cluster of beautiful flowers" and "Cold wind blows from all sides", two lines of a five-character poem.
The upper part is "Beauty", the lower part is "Jincheng", and the "Xu Ying" rouge color seal.
The whole picture integrates poetry, calligraphy and painting, with profound and timeless meaning, making it a fine product among porcelains.
This is one of the common bottle styles in Jingzhen Kiln during the Ming and Qing Dynasties, imitating the bronze garlic pot from the Han Dynasty.
They generally have a long neck, sharp shoulders, round belly, round feet, and the mouth of the bottle is like a garlic, so it is named after it.
Shaped like a garlic head with a slightly longer neck, it can also be called a tiger claw bottle.
To appreciate Yongzheng's treasures, you need to pay special attention to their aesthetics.
Different from Qianlong's, Qianlong's antique treasures all use the word "busy", and prosperous can also be described in the same way.
However, the antique treasures of the Yongzheng period were affected by the cultural background.
Antique porcelain from the Yongzheng period all reveal a very elegant aesthetic style, especially some that resemble the aesthetics of the Song Dynasty people.
It is also for this reason that people actually appreciate Yongzheng's antique porcelain more than Qianlong's.
But not everyone thinks so. In different eras, porcelain of each period needs to be appreciated from different cultural backgrounds.
For example, the Jun-glazed garlic vase is considered to be in line with the highest aesthetics of Yongzheng porcelain.
Therefore, there were many porcelain imitations of Jun kilns during this period, including garlic bottles imitating Jun kilns.
The whole shape of this kind of porcelain is very beautiful, and the first opening has a converging shape.
In addition, with the long neck going down, there is a sloping shoulder.
Does this kind of aesthetic feel familiar?
It is estimated that Yongzheng absorbed the aesthetics of porcelain from the Song Dynasty at that time and made similar garlic bottles.
In addition, the most eye-catching thing about the whole porcelain is the change of the bulging belly and sagging, and finally the circle-foot finishing.
The bottom of the entire porcelain is engraved with four characters and two lines of the Yongzheng Year System in seal script.
It is a very beautiful treasure. The most dazzling and eye-catching thing is the Jun glaze color.
Most of the beauty of Yongzheng porcelain is also presented in the glaze color.
When admiring this kind of garlic bottle, you have a unique sense of beauty.
And the most important thing about this treasure is that the whole body is covered with Jun glaze color.
There is also a dull blue-green color, combined with some purple-red lines that interweave and flow.
This kind of glaze color is still timeless even now, and the coordination and integration of the entire glaze color are particularly beautiful.
This kind of glaze color created during the Yongzheng period is like an outline of green mountains and green waters, forming a landscape of its own.
Compared with blue and white porcelain, the shape of this garlic bottle is more unique.
In addition, combined with the glaze color of this kind of Jun porcelain, it is particularly attractive and has become the object of collection.
It is a pity that there are not many garlic bottles of this type, and the quantity in existence is also very small. In the entire auction market, the price is getting higher and higher year by year.
Good things don’t have to be expensive. People’s lives have improved, and now they have money, ordinary people can also collect them.
Things are more valuable when they are rare, but there are still many types of fakes in the market, so you need to look carefully before making a move.
[It has been running stably for many years. It is comparable to the old version of the book chasing artifact. It is used by old bookworms, huann. 】
Crazy thoughts
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