Chapter 1647: Earth and fire are the blessings, and the universe is the lamp
In the 1970s and 1980s, three state-owned ceramic manufacturers produced three types of ceramic products: fine pottery, stoneware, and glazed tiles.
Since the raw material quality requires less iron content, the carcass should be white after firing.
Therefore, the soil materials in Shen'e Town cannot meet the requirements.
Because the soil from Shenge has a slightly higher iron content and is mainly suitable for Jun porcelain, we turned to the white clay mined in towns such as Mojie, Xishan.
Most of these white clay mines are located in Shanggou, Hougou, Laozhuang, Matong, Wenwan, Heigou and the adjacent Tongzhuang and Datangou (belonging to Jiushan Township) areas in Mojie Township, so most of the Tuotu horse gangs are also Mojie people.
At that time, those who dug earth wells for mining and those who delivered the earth worked together, and they were very hospitable.
There are several large groups of tuotu horse gangs, and the animals used are mainly mules, with a small number of horses.
Depending on the materials used by each factory, some of them send soil to state-owned porcelain factories.
Some are sent to Junci No. 1 and No. 2 factories.
The soil provided includes white clay, alkali stone, flower soil, black clay, bauxite, etc.
They all packed the soil on the first day, using long, round canvas bags.
Generally, one bag holds one hundred kilograms, and an animal can carry three bags of three hundred kilograms.
There are also strong young men who carry a small bag of dirt on their backs in order to earn more money by carrying it to the factory.
At that time, a pound of soil cost about 1.5 cents, and a small bag of soil weighing 30 pounds was worth more than 40 cents.
According to the consumption level at that time, it was more than enough to satisfy one meal.
The caravans usually set off with their animals at four or five in the morning.
They took shortcuts through mountains and ridges and walked on winding paths.
Whenever an animal’s hooves slip when it encounters an uphill slope and cannot go up, a few people will have to pull forward and push back to help the mules go up.
We walked all the way to Shenhe, about eight or nine o'clock.
The caravan team arrived at the processing workshops of each factory. After weighing the materials, they began to unload the materials, dumped the soil on the designated mound, and then went to the financial office to settle the accounts and get the money.
By this time I was feeling hungry, so I went to the entrance of the old street.
He led the animals to the river slope, tied them up, and came to the stall selling miscellaneous vegetables.
I would spend 20 cents to buy a bowl of mixed rice, then buy another one to burn and eat with vegetables.
This is the most pleasant thing for the native people. After eating, people will feel relaxed and full of energy, because they no longer have to walk and can ride a mule or horse back home.
In the early 1990s, with the development of the economy, cars and tractors began to transport soil, and the method of transporting soil by animals gradually disappeared.
Groups of caravans carrying locals gradually disappeared, and "the bells ringing in the mountains and the caravans come" became a permanent memory in the hearts of Shenge Ceramics people.
However, it is with such batches of professionals that ceramic factories can always have enough high-quality porcelain clay.
Chen Wenzhe's place is no exception. Only higher-quality porcelain clay can make higher-quality porcelain, such as the lamp in front of you.
"Hey, this one is so rare!"
While walking and watching, Chen Wenzhe was able to review the porcelain clay and see the conditions of the people who collected the clay at that time.
However, when he saw the small lamps, he stopped.
"This is a very famous Zhijun lamp in modern times!" Chen Xingchen walked over with a smile.
Zhi Junzhan? Chen Wenzhe looked thoughtful.
The new porcelain products invented by modern people are not simple, such as this Zhijun lamp.
Earth and fire are the blessings, and the universe is the lamp!
It is not easy to make a vessel of this type well.
Being able to make flowers out of a lamp is very rare in my country's ceramic industry.
It was just such a sentence that led to the birth of Zhijunzhan.
Of course, a lot of adjustments have been made to the shape of the device.
A tea cup is a type of drinking vessel, and elegant scholars call it a "tea cup", indicating that its material is ceramic.
Its shape is between a bowl (bowl) and a cup (cup), and is different from cups and tea bowls.
It was popular in the Tang and Song dynasties, and often appeared together with words and phrases related to tea and tea drinking in poetry.
The cup is not only a practical utensil for drinking tea, but also a beautiful object for literati to appreciate and appreciate.
Jun porcelain is also a representative of the culture of the Tang and Song Dynasties. Jun porcelain began in the Tang Dynasty and flourished in the Song Dynasty.
With its creative high-temperature copper-red glaze, Jun porcelain broke the porcelain production pattern of "green in the south and white in the north" since the Tang Dynasty.
During the Jin and Yuan Dynasties, the Jun kiln system became popular throughout the country and had a profound influence. It is also famous for its natural glaze color.
This kind of porcelain is in line with the highest realm of Taoism, "Tao follows nature, and heaven and man are one", and has been regarded as a treasure by all ages. There is a saying that "gold is valuable, but Jun is priceless".
For the craftsmen who are Jun porcelain people, the pinnacle of Jun porcelain is the product of the culture of the Song Dynasty.
The cup is undoubtedly an innovative breakthrough in the existing barriers of Jun porcelain shape, and it is also the best carrier to carry the cultural tea drinking trend.
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Therefore, "zhan" has become the condensation of traditional spirit, personal style and the needs of the times.
This innovative cup is named "Zhijun Cup", which is quite heroic in the sense of "In this world, who else can I do?"
"Zhijun lamp" is completed by the three principles of design, which are classic, beautiful and practical, which are vividly reflected.
"Dian" means integrating classic culture and craftsmanship, embodying the charm of Chinese culture and displaying the essence of traditional craftsmanship.
The instinct of design is to pursue "beauty" and comply with the laws of formal beauty.
Such as symmetry and balance, simplicity and unity, harmony and contrast, proportion, rhythm and unity of diversity.
The designed works must not only meet the basic functions, but also solve the problems commonly encountered during use. This is called utility.
The Zhijun lamp is very simple. Its prototype comes from the Luohan bowl and the chicken heart bowl, but it is slightly modified to fit the shape of the lamp.
But in the eyes of Chen Heng, a master of Chinese ceramic art, "Zhijun Zhan" is not simple.
They are all classic shapes of the Song Dynasty and one of the symbols that can represent my country's ceramic plastic art.
The lines of the Arhat lamp are steady and strong, which means that heaven is moving vigorously and a gentleman strives to constantly strive for self-improvement.
The chicken heart lamp has soft and natural lines, symbolizing the earth's terrain. A gentleman carries his virtues, and its cultural weight is self-evident.
Some hand-made skills are gradually being lost even in the traditional ceramic industry. Some can be restored, but some things will be buried and forgotten.
The production of "Zhijun lamp" relies entirely on hand-drawn molding, mineral earth glaze, and firewood kiln firing.
Once the shape is decided, production comes naturally.
Each of the clay bricks showed its appearance after the craftsmen's careful trimming.
However, Jun porcelain used to be ornamental and used for drinking tea.
Therefore, if you want to innovate, you must first release the charm of Jun kiln, and then the shape of the vessel.
Therefore, if you want to innovate Jun porcelain, you must solve all hidden dangers from the source, which is the formula and raw materials.
In this process, the clay and glaze must be studied one by one.
Ganges soil, Xisi soil, tofu stone, green alkali stone...
These materials have been used for thousands of years, and scientific inspection reports have also verified their safety.
Quartz, feldspar, hematite.
These need to check the analysis report to see if any unsafe factors are found.
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