Chapter 1656: Pen, ink, color and knife are integrated into one
Looking at the glaze color of this Ru kiln three-legged brush, it is as wonderful as "after the rain, the sky is broken and the blue clouds are broken, and the green waves of the thousands of peaks come out"!
In addition, the soil is as fine and moist as jade, and the body is like Dong body. Its glaze is thick and fragrant, bright like jade but not dazzling.
Even the five tiny sesame nail marks on the bottom of the vessel are very pure.
This engraved three-legged washbasin has a plain and elegant glaze color, soft and delicate, rich and moist like jade, and noble and majestic.
Such porcelain, even if it is a modern imitation, is of great collection value.
Chen Wenzhe really didn't expect that besides him, there would be people who could imitate Ru kiln porcelain to such an extent.
In particular, the circle of imperial poems on it is also very imitated.
The bottom of this plate is engraved with a poem written by the Spring Emperor of Qianlong in the Jiawu Year (1774).
The blue ice is cracked and covered with fine lines, and the secret weapon is still preserved inside.
In ancient times, the Bing family was ranked first in the present, and only people could sigh like this.
Therefore, when it comes to engraving porcelain, we must mention Emperor Qianlong of the Qing Dynasty.
He wrote countless poems throughout his life and liked to have people engrave them on porcelain.
It was because the royal family liked it that after the late Qing Dynasty, porcelain that used steel drills or stones as tools to depict landscapes and figures on the fired white porcelain was even more unique, which made it a new ceramic decoration technique. .
During the Republic of China, Yuan Datou once ordered someone to engrave the portrait of King George of England.
Because of its realistic shape and lifelike appearance, it is well received.
Later, porcelain carving developed and gradually became a profession.
The craft work of porcelain carving has formed a traditional art that integrates painting, calligraphy, and engraving, as well as pen, ink, color, and knife.
It is not easy to use special tools to carve out various images and patterns on the surface of porcelain and porcelain plates.
This kind of craft usually also refers to sculpture crafts carved on porcelain and porcelain plates.
Engraving on porcelain is also called "embroidery" on porcelain, and it shows the skill in every moment.
The earliest extant carved porcelain dates from the Daoguang period of the Qing Dynasty.
From Tongzhi to Guangxu, Deng Shiru, a painter and calligrapher in Shendu, wrote, painted and carved on porcelain, which promoted the development of porcelain carving.
Hua Fa's porcelain carvings are mainly meticulous landscape paintings, using knives instead of brushes, and he can use them freely, and taught them to BJ Zhu Youlin, Chen Zhiguang and others.
In the twenty-eighth year of Guangxu (190), the School of Crafts Bureau of the Ministry of Agriculture, Industry and Commerce of the Qing Dynasty established a porcelain engraving department.
Zhu Youlin was the first graduate and later stayed at the school to teach.
His handed down works include "Poinsettia" and so on.
Special knives used for porcelain engraving are made of high carbon steel and diamond.
The top is tapered, making it easier to carve and chisel on hard porcelain surfaces.
Porcelain engraving mainly involves the following processes. The first is to write or draw with ink on white porcelain.
Next, use a drill to score and chisel according to the ink draft on the porcelain.
Traditional techniques include the drill method, the double hook method and the scraper method.
The drill method is to use a small wooden hammer to evenly hit the high-carbon steel drill to form an arrangement of points of different sizes, density, and depth on the surface of the porcelain to form the required picture or font.
The double hook method is to use a sharp diamond knife to score along the outer contour of the font or picture, using double lines to express the font and picture.
The scraper method is to first use the double hook method to carve the outline of the calligraphy and painting, and then scrape off the enamel between the double lines for color filling.
The last process of engraving porcelain is to fill in color, usually with black.
Types of carved porcelain include stationery, tea sets, bottles, plates, porcelain plates, etc.
The style of porcelain carving is simple and elegant, and it pays attention to carving. This technique is not simple.
Chen Wenzhe felt that he had learned it again this time. He had never been exposed to this kind of porcelain carving technique before.
However, just because he has done porcelain engraving does not mean that he has no foundation at all.
After all, master-level carving skills are not in vain.
Therefore, he can learn a lot just by looking at this modern carved porcelain work in his hand.
Especially the manual porcelain carving process, he can see it in great detail.
The manual porcelain engraving process is mainly divided into material selection, pattern rubbing, engraving, coloring and drying.
Now he knows that no matter which process, the most important step is the sharp chisel.
The porcelain carving technique is made by using sharp chisels and chisel points to form a surface, showing the porcelain carving technique in depth and without losing the charm of painting, and it is made into calligraphy and painting works.
The main themes it represents are portraits of people, objects with a strong sense of blockiness, three-dimensional Buddha statues, stone carvings, etc.
The flat knives used are divided into three types: large, medium and small, and are the main tools for carving porcelain.
The technique is to use a knife instead of a pen, and use the different changes of the blade to carve into lines, blocks, surfaces, and the effect of combining virtual and real.
It can express figures, calligraphy, landscapes, flowers and birds and other art forms.
For line engraving, it is best to use a natural diamond engraving knife, which is used to engrave lines on light glaze.
Combined with punching lines, special line quality images such as fine brushwork figures and feathers can be engraved.
Then there is the mixed carving, which uses sharp chisels, flat knives, and diamond knives to carve works of a variety of complex artistic styles.
Especially the carving of small and medium-sized utensils is even more charming.
The last step is coloring. The ancients all used ink as the main color and used monochrome.
Today's engraved porcelain works have switched from special oil paints to a variety of coloring techniques such as acrylic paints and enamel pastel paints, so that they can fully achieve the color tone of fine art works.
At present, the main coloring methods include meticulous painting and retouching, multi-layer painting and dyeing, accumulation dyeing and other coloring techniques, so as to achieve the effect of "permanent color and ink" that will never change color.
After the porcelain is carved, ink is added. In modern times, in order to make the porcelain carving art more beautiful, ink and color are used.
The porcelain carving style is simple and elegant, and pays attention to carving. It can not only reflect the traditional calligraphy and painting artistic style, but also maintain the crystal clear surface of the porcelain, forming a unique effect.
Chen Wenzhe discovered that he can learn new technologies just by looking at them!
Therefore, no matter what time it is, we cannot do things behind closed doors.
This time, because he was too popular abroad, he hid in the factory for such a long time.
The limelight should be over now, right? Chen Wenzhe was holding a large red-glazed plate with a thoughtful look on his face!
When he saw this large plate, he thought of the Chenghuang Temple Antique Market, so this thing could only come from there.
The red color is already very dazzling, not to mention that this plate looks so new.
New, but not necessarily a modern imitation.
And this plate should be an authentic one from the Qing Dynasty, and it is from the early Qing Dynasty. It is probably the work of Emperor Kangxi of the Qing Dynasty.
】
Turning it over and looking at the bottom of the plate, sure enough, on the bottom of this Kangxi red-glazed monochromatic plate, there is the six-character double-line regular script "Made in the Kangxi Year of the Qing Dynasty" on the bottom.
It's a pity that no one believes that such a formal deposit is genuine.
Even Chen Wenzhe thought it was fake when he first saw it.
I can't help it, it looks too new.
If it were not for the discovery of interesting carved porcelain and a fine imitation of a Ru kiln three-legged washer, Chen Wenzhe would never have paid special attention to this plate.
Now he realized that he seemed to have underestimated Li Jinli.