Chen Wenzhe is very rich now. It can be said that he is as rich as the country.
But what's the use of having so much money? He can't sleep three feet away, and he can only eat three bowls at a time.
Therefore, for him now, friends are the most important thing.
When he becomes prosperous, he naturally wants to take care of his relatives and friends.
Of course, care is care, and he won't give it away in vain.
Besides, his classmates like Cao Qingchun don't need him to give them away for free, because they are really capable.
"Then you're welcome. I've really prepared a lot of good things for you this time. Look at this carved porcelain, it's a specialty of Dahai City!"
Seeing Cao Qingchun's proud look, Chen Wenzhe felt even more satisfied.
Otherwise, Cao Qingchun should be rich. Some of the things he told him were actually done for him!
He used the internal engraving technology to make snuff bottles before, and he also learned the top internal engraving technology through a snuff bottle.
However, compared to porcelain engraving, snuff bottle engraving focuses too much on technique rather than real technology.
It's different when it comes to porcelain engraving, which is also called porcelain engraving.
Special knives and colors are used to "embroider" the porcelain formed out of the kiln, so it is called "brocade on porcelain". This technique is a type of ceramic decoration.
Porcelain carving creation includes calligraphy, painting, seal cutting and other traditional Chinese cultural elements.
Our country has a long history of porcelain carving, which was spread in Dahai City and began in the mid-1940s.
Modern porcelain engraving technology not only inherits the skills and styles of its predecessors, but also makes bold innovations in craftsmanship, creative style and themes.
Its artistic characteristics include the skill of chiseling, engraving, and engraving;
The color imparted by chaffing, rubbing, dyeing, and dots is vivid and simple.
In the traditional porcelain carving art style, they incorporated the unique beauty and ana of Wuyue culture in the south of the Yangtze River.
It highlights the knife skills and the contrast of color levels, making it show the characteristics of hardness and softness, making it unique.
Cao Qingchun didn't know which company's collection he had picked up, but he actually made a series.
The porcelain carvings placed in front of him at this time were not complicated, just a set of large plates.
It's just that these plates have been around since the Ming Dynasty, through the Qing Dynasty, the Republic of China, and now.
The art of porcelain carving began in the Ming Dynasty and became popular in the late Qing Dynasty.
Just from this point, we can see that Cao Qingchun definitely put his heart into collecting these things.
The plates in front of Chen Wenzhe are a kind of arts and crafts products that are engraved with calligraphy and paintings on glazed and fired plain porcelain.
The carvings include figures, flowers, birds, landscapes, etc.
The composition of the work is fresh and the lines are smooth.
The characters depicted are vivid and lifelike, and each piece has high ornamental and collection value.
This kind of carved porcelain work is not complicated to make. The production process is to first carve dots and lines with the tip of a knife, and then apply ink and wax.
That is, pictures of landscapes, flowers and birds, or writings in various calligraphy styles appear on the porcelain surface.
It not only maintains the traditional calligraphy and painting style, but also brings into play the characteristics of the crystal clear porcelain surface, which complements each other and lasts for a long time.
Porcelain carving first originated among the people. In the late Ming and early Qing dynasties, there was already a profession specializing in ceramic carving.
However, most of them were mainly flat carvings, dotted and line compositions, and their artistic expression seemed monotonous and plain, which did not attract the attention of the world at that time.
Until the late Qianlong period, due to the needs of the ruler's royal use, the imperial court specially set up a "manufacturing office" and produced many excellent porcelain carvings.
At the end of the Qing Dynasty, the manufacturing office was disbanded, and some porcelain carving artists lived in Dahai City. This skill was passed down in Shanghai.
There are two basic methods of porcelain engraving: one is punch engraving, and the other is hand engraving.
The former is easy to express the flavor of gold and stone, while the latter is easy to express the flowing and elegant lines.
However, both require the author to have a profound foundation in calligraphy and painting, and more importantly, the author needs to learn how to use a knife for engraving on metal and stone, and have the skills to hold the knife to carve and use the knife instead of writing.
At the end, Chen Wenzhe discovered that Cao Qingchun had a back-up plan, which was a large screen.
He knew that this should be a modern work.
However, don’t think that modern works are necessarily inferior to ancient works.
For example, this kind of porcelain-engraved screen is the pinnacle of porcelain-engraved works achieved by modern craftsmen combining ancient craftsmanship.
It can be said that this kind of work is the result of years of continuous digging, exploration, and repeated trials.
This is the result of porcelain carvers from Dahai City who pioneered the unique methods of carving, engraving, grinding, chaffing, rubbing, and dyeing into works such as large-scale screens.
Coupled with a mahogany frame, it not only has artistic appreciation, but also has a certain degree of practicality, thus showing a new style of porcelain carving.
The pinnacle of porcelain carving is to build a vast world within a small area.
It is obviously not easy to reach this state, so the porcelain carvings in front of you are all exquisite.
Is it simple to use a knife as a pen and porcelain as a paper?
As the saying goes: "If you don't have diamonds, don't do porcelain work."
Porcelain carving is regarded as a unique skill in my country's traditional handicrafts because mistakes in creation are irreversible.
Carving is carried out on the glazed porcelain. Against the bright background of the porcelain plate, the fine dots chiseled by the carving knife create a vivid picture.
Or the mountains and flowing water, or the beauty of the country, or the hundreds of birds paying homage to the phoenix.
In a thickness of one millimeter, there is a vast world.
In fact, such technology did not arise out of thin air during the Ming and Qing Dynasties.
Any skill has its origin, or its original origin.
The earliest porcelain carvings can be traced back to the Qin and Han Dynasties, when the method of peeling and chiseling porcelain glaze was called "peeling jade".
During the Wei and Jin Dynasties, the literary style was rich and prosperous. While enjoying porcelain, emperors, officials, and literati would inscribe paintings and poems on them for permanent preservation.
The decoration of Ding kiln porcelain in the Song Dynasty is a typical example of carving patterns on the porcelain blank and then applying glaze and firing.
Of course, the actual porcelain engraving on the glaze began in the early Qing Dynasty.
At that time, the art of porcelain carving was very prosperous, especially the porcelain carving works represented by the famous seal carver and calligrapher Deng Shiru and the famous porcelain carving artist Hua Fa had reached a very high level.
In the late Qianlong period, the "Forbidden City Construction Office" was set up in the palace, and porcelain carving truly developed into a new porcelain decorative art.
From then on, craftsmen forcibly transformed man-made handicrafts into "wonderful craftsmanship" that looked like nature.
After the founding of New China, the art of porcelain carving developed to a new stage.
At this time, porcelain carving artists taught their skills to apprentices, and professionals conducted research and innovation on porcelain carving and improved porcelain carving tools, making the ancient folk art of porcelain carving shine with dazzling brilliance.
Creating unique porcelain-engraved gifts to promote the art of porcelain-engraving is the spirit of craftsmanship and the mission of artists.
The beauty in the chest and the porcelain in the hand are withered thousands of times and finally come true.
During the production process of this kind of work, if you are not careful, the fragile thin wall will be broken.
Therefore, the birth of every finished product is hard-won!
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