There are not enough documentary records, and no real artifacts have been found to prove it. Much of the history is full of doubts.
In fact, the more cultural relics are unearthed, the more suspicions will sometimes arise.
Regarding the "Shaan Ji" mentioned before, academic circles can roughly divide it into four categories and seven versions regarding the historical events and character relationships involved in this inscription.
The first theory is that Zhou Yuan's archaeological team, who presided over the excavation report of the tomb, believes that the content described in the inscription refers to Xiji's mission to Korea.
Xi Ji was sent by the Queen of Zhou to pay an audience with Han Hou's wife Nai Xi, and was rewarded by Han Hou.
The second type of theory is that some scholars believe that Naishi is the wife of the Marquis of Han.
As the wife of the Marquis of Han, Naishi may have gone to Wang Ji to participate in some kind of activity.
After the event, Wang Si asked Xi Ji to send Nai Si back to South Korea.
On this basis, some scholars believe that Nai Xi went to Wang Ji just to have an audience with Wang Si, and then Wang Si sent Xi Ji to escort Nai Xi back to his country.
The third theory is that Ji Ji went to South Korea or Nanyan Kingdom to marry Nai Shu.
Scholars who advocate this theory pronounce one of the characters as "roy" and "train" as "ying".
However, there are different understandings of the host who is marrying, and it can still be divided into three different views.
First, He Jingcheng and others believe that the historical events recorded in Xiji Gui are that Xiji was ordered by Wang Si to go to South Korea to welcome the wife of the royal family.
That is to say, Naishi is the bride who will marry into the Zhou royal family.
Secondly, some scholars believe that this Gui was Wang Si’s order for Xi Ji to marry Nai Simi in Korea, and the Marquis of Han gave Xi Ji and Nai Simi a shell and horse.
Thirdly, it is believed that the destination of Xiji’s mission was not South Korea, but the country of Yan whose surname was Si, and Xiji was under the orders of Wang Si;
The word "Nai" sounds similar to the sound of "Zheng", and its place should be in the southwest of Chengcheng County, WN City, Western Shaanxi Province.
He went to the Kingdom of Nanyan to welcome the marriage of Naishi's official, and presided over the marriage between the princes of the Western Zhou Dynasty who served externally and the princes who served internally.
The fourth type of theory is that it is believed that the chicken sent by the old man means that the concubine is getting married.
Bi Si was the wife of the Marquis of Han. What is recorded in the inscription of Xi Ji Gui is that Xi Ji sent Bi Si to get married on the order of Wang Si, and the status of Bi, Han and Xi were verified.
After careful analysis, the above four categories and seven statements are all deficient or unreasonable.
In fact, it is also faster to study history. Because Chen Wenzhe has a golden finger, it is easier for him to understand the truth of history.
However, understanding is understanding, so how can he let the world understand and recognize what he knows?
Therefore, some real historical evidence becomes more important.
Looking at the Xiji Gui in front of him, Chen Wenzhe was really surprised.
The most important thing is that the boss in front of me is definitely a big collector!
Chen Wenzhe simply looked through the photos and found that his home contained at least nine tripods and eight guis, which were the specifications only for emperors.
It's a pity that this guy deliberately looked very mock-like when taking pictures, right?
The Xiji Gui is quite clear, but the other nine tripods are too vague. The most important thing is that they are piled up together. After taking a group photo, he can only clearly see the few Gui in front.
However, even by looking at the photos, Chen Wenzhe can confirm that these are not high imitations.
Qiyun is a thing that sometimes really exists.
Especially in the eyes of an expert like Chen Wenzhe, sometimes he can generally feel the authenticity of something just by looking at it.
You don't need to look at the details, just look at the charm and form, and you can get an almost complete picture.
Jiuding Bagui, this thing is absolutely rare.
In particular, we could vaguely see some bird-shaped bronze vessels and bronze vessels with animal mask patterns.
Of course these are not important, the main thing is the bronze tripod they cover.
From the exposed corner, Chen Wenzhe actually saw a demonic figure, which made Chen Wenzhe even more itchy.
Legend has it that Xia Yu once collected Jiu Mu's gold and cast a Jiuding under Jingshan Mountain to symbolize Kyushu, and engraved figures of demons and monsters on it to alert people and prevent them from being harmed.
Since the legend of Yu casting the Nine Cauldrons, the cauldron has developed from an ordinary cooking utensil to a nationally important weapon.
When the country was destroyed, the Ding Dynasty was moved. The Xia Dynasty was destroyed, the Shang Dynasty was prosperous, and the Jiuding Dynasty was moved to Bo Jing, the capital of Shang;
After the destruction of the Shang Dynasty and the rise of the Zhou Dynasty, Jiuding was moved to Hao (hào) capital, the capital of Zhou Dynasty.
From the Shang Dynasty to the Zhou Dynasty, the establishment of a capital or the establishment of a dynasty was called "Dingding".
From then on, the "Nine Cauldrons and Eight Gui" became the symbol of the central government.
Our country is one of the four ancient civilizations in the world. In the long history, our ancestors created a splendid culture and left us a rich cultural heritage.
In particular, the "Nine Cauldrons and Eight Gui" collected by cultural relics protection units at all levels are exquisite cultural relics from past dynasties that are closely related to the production development and daily life at that time. They are truly exquisite, wonderful, bizarre, and far beyond the reach of any country in the world.
.
These "Nine Cauldrons and Eight Gui" cultural relics and treasures are not only witnesses of the survival and development process of our ancestors, but also accumulated the traditional cultural spirit of our nation.
The vicissitudes of the motherland five thousand years ago, "Nine Cauldrons and Eight Gui", as a world cultural heritage, are well-known in China and are famous in Kyushu.
So what is a tripod? What is a gui?
In fact, for a long time, ancient Chinese people have studied the control and thinking characteristics of the "Nine Cauldrons and Eight Gui". Compared with the "Book of Changes", they have shown a sense of harmony, a sense of order, and an intuitive understanding of "the unity of nature and man".
Features.
The tripod was first used for cooking food in ancient times;
It is the main artifact among ancient ritual vessels;
It is a special product for nobles of all levels;
It is a symbol of social politics and economic power governed by etiquette in ancient times.
Legend has it that Dayu cast the Nine Cauldrons, which was a symbol of unifying the world and establishing the Xia Dynasty.
Gui, an ancient food vessel with a round mouth and two ears.
It began to appear in the Shang Dynasty and lasted until the Warring States Period.
Gui was popular from the Shang Dynasty to the Spring and Autumn Period and the Warring States Period. It was mainly used to place cooked meals.
Gui has many shapes and variations.
Gui in the Shang Dynasty were thick and thick, mostly round at the top and square at the bottom. The body of the vessel was often decorated with animal face patterns, and some had ears shaped like animal faces.
[A novel app that has been running stably for many years, comparable to the old version of the source-changing app, huanyuanapp, that is used by all chasing bugs.]
During the Spring and Autumn Period, Duke Zhuang of Chu once asked Gongsun Man, the envoy of King Zhou Ding, "to determine the size and importance of the tripod."
This makes the word "aspire" to become a special term for coveting national power.
According to Zhou rites, nobles have strict regulations on the types and quantities of the "Nine Cauldrons and Eight Gui" used.
The types and quantities used in the "Nine Tripods and Eight Gui" directly represent the level of the nobility.
The emperor used nine cauldrons and eight guis, the princes used seven cauldrons and six guis, the officials used five cauldrons and four guis, and the Yuan officials used three cauldrons and two guis.
The funeral spirit represented by the Liding system is non-religious.
Complying with the system of burying ancestors is, in consciousness, equivalent to a ritual of allegiance to the old order of honor and inferiority by the new aristocrats they inherited.
Under the feudal patriarchal system of the Zhou people, this order of superiority and inferiority was both political and ethical. This is the spiritual origin of the "Nine Cauldrons and Eight Gui".
For the ancient emperors, the "Nine Cauldrons and Eight Gui" were ritual tools for recording their achievements.
The Shang Dynasty was the first slave country in my country to have written characters.
The civilization of the Shang Dynasty is not only famous for its solemn bronzes, but also for its profound cultural connotation of "Nine Cauldrons and Eight Gui".