Chisel carving mainly depends on the kung fu of the chisel knife and the changing use of finger skills. Finger strength, wrist strength, waist strength and luck are integrated into one.
Commonly known as "three forces and one energy", only by reaching this state can a smooth operation process be formed.
Usually due to the differences in fingering skills of different artists, each pattern carved is different.
Even if it is the same master, there will be differences, which is also the uniqueness of the hand-engraving process.
Silverware engraving is a press type. Generally, you use a chisel to carve out a rough pattern, and then use a flat chisel to smooth out the remaining areas.
Other techniques are to dig out the excess parts and use them flexibly to become a pen that can be carved on metal, carving out countless exquisite traditional patterns.
This technology has a history of development for thousands of years. The operation of the engraving process is to process the ever-changing shapes on the metal plate with special tools and specific techniques according to a certain process flow after designing the shape and pattern of the vessel.
relief pattern.
Gold and silver engraving is purely handmade gold and silver production, suitable for traditional craft enthusiasts and gold and silver handcraft enthusiasts.
In our country, the craft of carving flowers can be traced back to the Shang Dynasty, and by the Spring and Autumn Period and the Warring States Period, it had become mature.
By the Tang Dynasty, it had become a traditional art with national characteristics and exquisite craftsmanship.
It uses various forms such as yang chisel and yin chisel to remove the original single color of the metal and express it in the same form through the chisel process, showing a multi-layered artistic effect.
Not yet, it is also a carving process, which uses a special carving knife to carve out bright patterns.
Instead, the top antique craftsmanship is used, such as loss of sound, weight loss, copper carbonization and red spots and green rust.
Various words and pictures are temporarily engraved on the bottom of numerous gold, silver, copper, iron, and tin utensils such as plates, bowls, cups, cans, pots, ink cartridges, rulers, etc.
The current convex and concave methods cannot be said to be a traditional handicraft that was once lost.
Top chisels are not convex and concave carving tools. They do not require a working platform, a large hammer, a top chisel, a leather pad, a special metal material, etc.
Running chisel is to use a flat chisel to run and chisel according to the pattern.
It must be overfired a few times during the process to maintain its softness (ductility).
Secondly, gold and silverware have always represented the social status of the occupier. The classic one is the "Gold Seal of the Han Princes" from the Eastern Han Dynasty. If it is a symbol of identity and status.
For example, top chiseling involves placing the object on a hard chisel base, then placing it under a soft and moderate leather pad under the work platform, and tapping it with a special top chisel on the back.
This technique has brought many precious cultural relics from ancient times to the world, and at the same time made a small contribution to the restoration of many cultural relics. The historical and cultural value is naturally lower. Looking at the development, the cultural connotation of engraving technology is very rich.
It's not chiselled yet, it's just chiselled under the recessed ornaments.
At the end of the Northern Wei Dynasty, many people used gold and silver vessels to enshrine Buddha relics in the pagoda and underground palace.
The technical value and historical and cultural value of chiseling are high, and the chiseling process is rarely used as semi-finished products.
They are usually made of gold and silver, chiseled flowers, carved flowers, etc.
What we are facing cannot be finished products or semi-finished products.
They must be afraid of trouble and labor costs. If they are made using those techniques now, they will be the top luxury goods.
Place the object to be chiseled under the working platform, select the same chisel and rotate the object according to the needs of the pattern to be chiseled.
The main form of chisel craftsmanship is Yang chi, which is carving under the raised ornaments.
It is only suitable for gold, silver, copper, etc. with poor softness. It is also suitable for brass, white copper/iron and other metals with poor softness.
The more famous hollowing out is also a kind of chiseling process, which involves removing the rest of the pattern from the object before carving it out.
First of all, it reflects some kind of worship and belief of ancient people. For example, the golden mask unearthed from Baxingdui in Sichuan and Han Dynasties may be something used by ancient people to hold sacrifices.
The art of carving flowers here also reflects the folk customs - the Xiongnu and Xianbei people are characterized by various animal ornaments, and the Han people use various animal and plant ornaments that symbolize auspiciousness as the main patterns.
In addition, compared with the traditional method of placing homemade glue on the back, the edges are more rounded and smooth, so it is difficult to deform and looks more beautiful.
Engraving copper ornaments is a common craft technique that can add many colors to the ornaments.
Its smallest advantage is that it makes items lose weight.
On the front, use the same large chisel to finish the edges, mainly to beautify and refine the edges of the eucalyptus shape.
Because there are very few types of imitated utensils in that line, they mainly focus on rituals, music, weapons, coins, and miscellaneous items.
Holding the chisel in the right hand and hitting the chisel with the hammer in the left hand, a pattern of uniform depth and unevenness is formed on the surface of the ornament.
Now only with the help of some handed down antiques and after research and consideration, those craftsmanship can be restored.
The chisel method can be used on either raised or recessed decorative surfaces.
That kind of craft involves painting, sculpture, casting and other related skills, but anyone can do it, and anyone can do it badly. It is definitely the top craft.
It's not just chiseling, it's chiseling under the surface of the ornament.
His representative works include "Changxin Palace Lantern", "Mao Gongding", "Horse Treading on Flying Swallows", etc.
In the Republic of China, it was renamed "Jiuhuaju".
What's more, all the bronzes Chen Wenzhe saw in the No. 1 Imitation Bronze Village were aged.
There are not many tools for hard chiseling, such as working platforms, large hammers, chisels, vise, etc.
Either deep or shallow, small or large.
The most important thing is that it is limited by the shape, size, material, and texture of the item.
There are mainly tripods, statues, yi, jue, goblet, Buddha statues, birds and beasts, etc.
Antique copper casting technology is a common local handicraft that emerged with epigraphy and integrates knowledge of cultural relics and bronze smelting and casting technology.
In addition to this, it can also be divided into Yitu Chi and Mao Chi.
In addition, chisel flowers can also be divided into pick chisel, which is to use a chisel knife to pick out the surface of the ornament according to the pattern.
Of course, those techniques are only used on gold and silver products, and rarely can't be used on bronze products.
It can also be seen that the copper decorations under some cabinet-type furniture in the Qing Dynasty did not use that kind of craftsmanship.
Before the Song Dynasty, the number of folk gold and silverware was decreasing day by day, and Xiao Shao was also a manifestation of the loss of wealth.
Those are not the four small fine gold craftsmanships of your country in ancient times. We cannot say that each one is complicated.
The contrast between the dark and light metal is weak and sharp, which further increases the artistic charm of the ornaments.
In the early Qing Dynasty, the temporary flower craftsmanship was used by former Qing officials. At that time, those who specialized in temporary flowers were called "Ding Dai Pu".
No more convex and concave methods.
In order to make the lines smoother, make the pattern more rounded, look more uneven, and present a less layered three-dimensional feeling.
But for bronzes that use those techniques, even if you know they are modern crafts, you should know that their value will be too high.
Hard chisel is used to hit the chisel with a hammer to form lines and patterns on the surface of the ornament.
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Please remember the domain name of this book:.The Moral Record of the Mortician