Chapter 1866: Zhang Heinv, no one can compare with her
The only one of the donors recorded in historical records is "Zhongdafu Xingbijia Zheng Guogong Wei Ying".
"Old Book of Tang·Biography of Wei Zheng" says: "In the early days of Shenlong, my uncle Yuzi was crowned Duke of Zheng."
During the reign of Wei Zheng and Emperor Taizong, he was granted the title of Duke of Zheng.
His son Wei Shuyu and his grandson Wei Ying were both granted the title of Duke of Zheng.
It can be inferred from this that this building was built during the Shenlong period (705-707) or later.
It may be thought that the emperor and empress in the picture are Tang Zhongzong Li Xian and Empress Wei.
The base of this tower is larger, and its body should also be tall and majestic. The inscribed sutra should be "The Sutra of Dharani on the Top of the Buddha".
As a general rule, in addition to engraved scriptures, there should be detailed inscriptions on the pillars.
Record the reason for building the building, name, year, month, etc.
It is a pity that it is missing, leaving unsolved mysteries, waiting for the discovery of new materials and in-depth research.
The original name is "Epitaph of Nanyang Prefect Zheng Liang", also known as "Epitaph of Zhang Xuan".
He Zizhen, a calligrapher of the Qing Dynasty, commented on it: "The seal script is divided into regular script, and then there is a kind of beauty, a beauty is perfection, but it is thick and ancient, and there is nothing comparable."
It not only inherits the charm of the Northern Wei Dynasty, but also develops the regular script of the Tang Dynasty;
Looking at the other stone carvings around, there are many types, such as the Han Dynasty Shi Xi Zhen, the Tang Dynasty stone incense, the Yuan Dynasty stone turtle inkstone, the Qing Dynasty stone drum, etc. They are all exquisitely carved, full of interest, and of high ornamental value.
There are seventy lines of regular script, each line has seven crosses, totaling 881 characters.
I must say that this one is the worst. Among the other epitaphs, the "Epitaph of Yao Yan of Tang Dynasty" should be the least valuable.
It is not as majestic as the northern stele, but also has the gentleness and elegance of the southern stele. It can be called the best calligraphy of the Northern Wei Dynasty.
The author of the epitaph, Liu Zhirou, was the brother of Liu Zhiji, a famous historian in the Tang Dynasty, and also a low-level official and celebrity.
In the Tang system, the emperor's son was named princess, the prince's son was granted the title of princess, and the prince's son was granted the title of county lord. The "food real title" was the source of income.
There are not many epitaphs in the Tang Dynasty, such as Yao Jue's epitaph, which dates from the seventh year of the Kaiyuan period of the Tang Dynasty.
Its strange structure, weak momentum and small changes are unparalleled by other calligraphy styles.
I have never thought that there are not so many ancient stone sculptures and carvings in China.
Looking at the slightly deserted factory, Chen Wenzhe looked thoughtful.
The imperial edicts of the Tang Dynasty were specially written on hemp paper and archived, and many of them have been preserved.
The Wei stele was inherited from the Han and Jin Dynasties, and from the Tang and Song Dynasties. It holds a particularly special position in the history of calligraphy in your country.
Looking at these exquisite moments, Chen Wenzhe felt that as long as he bought them back, he could immediately create an exhibition hall of exquisite moments.
I also know that there are not many stone inscriptions outside the Pei family's ancestral tomb in Xishan, and there are very few stone inscriptions and inscriptions under Mount Tai, which dominates the seven mountains.
The calligraphy of the annals is exquisite and ancient, with simple and luxuriant peaks and ridges, a flat, square and sparse structure, and few references to the official meaning, which is quite clumsy.
Appreciating each piece of carved art feels like time has frozen, transporting you back to this era.
It looks like a factory outside, rather than an open-air museum.
"Huh? Doesn't it even have a similar epitaph?"
The calligraphy layout of this Zhi is rigorous and the font is beautiful, close to regular script. It still retains the strong style of regular script in the early Tang Dynasty.
The most important thing is that there are so few inscriptions. I must have never seen the original one. How did the boss outside copy it?
Chen Wenzhe hates inscriptions and stone carvings, and has no natural respect and intimacy for stone cultural relics.
In the Tang Dynasty, an eight-province system was implemented. The imperial edict was drafted by the Zhongshu Province, reviewed by the Menshang Province, and implemented by the Shangshu Province.
And what about behind the eyes? There are so few inscriptions and inscriptions from so few dynasties gathered together, it is really spectacular.
Yao Jue studied hard since he was a child and wrote Ming classics. During the Wu Zhou Dynasty, he was appointed governor of Dingzhou and other seven states, and he was famous for his good governance.
Although this epitaph is a formal calligraphy, the writing style is strict and clear, the writing style is sharp and clear, the style is restrained, and it is naturally elegant.
However, Chen Wenzhe didn't care about this, because such a complicated stone carving had been copied and placed in front of his eyes.
Zhang Xuan's nickname is Bai Nan. Because he avoided the name taboo of Aixinjueluo Xuanye, Emperor Kangxi of the Qing Dynasty, the people of the Qing Dynasty popularly called it "Zhang Bai Nan's Epitaph".
In recent years, few people have paid much attention to the collection of inscriptions, and it is obvious that many epitaphs have been imitated.
During the reign of Emperor Zhongzong, he was granted the title of Duke of Xuancheng County, the former Palace Li Prince Zhan Shi, Secretary Supervisor, and Minister of Household Affairs.
These are definitely not mass-produced products. Are they too expensive?
For example, the Epitaph of Yu Wenxian of the Northern Zhou Dynasty, the Epitaph of Du Can of the Sui Dynasty, the Epitaph of Luo Chong of the Tang Dynasty, etc.
"Epitaph of Zhang Bainan", "Bainan" is pronounced as hè/ru.
The strokes use both center and side strokes, as well as square and round strokes, in order to achieve a balance between hardness and softness, creating a vivid and elegant style.
The "People's Bank of China" under the seventh set of RMB that you are familiar with now belongs to "Zhang Bai Men's Body".
Yao Jue was a native of Jingzhao for ten thousand years. His ancestor Yao Silian was a famous historian in the early Tang Dynasty. He co-authored "Book of Liang" with Wei Zheng.
Epitaphs have both historical document value and calligraphy artistic value, and they are increasingly valued by people.
However, in those places, no matter how many monuments there are, they are all very miserable, and they are not gathered together.
The seven sides of the stone and the cover are engraved with various patterns. Among the continuous arabesque patterns, various winged animals and birds are engraved. The shape is unique, the flight is smooth, dense and beautiful, and it is a masterpiece among the patterns on the monument.
There are no 70 volumes of "Shaoxun of the Han Dynasty", 70 volumes of the collected works, and no old or new "Book of Tang" has been published.
This stone edict fragmentally reproduces the official document form of the Tang Dynasty imperial edict, and does not include the official titles and names of the officials responsible for the eight provinces.
His brushwork is vigorous and solemn, his stipples are sharp and thick, his artistic expression is strange and elegant, and his bone technique is penetrating.
Not yet, there are still some antiques out there! The number of epitaphs, statues, tablets, pagoda inscriptions, engravings, etc. may be as small as tens of millions.
It records in detail Yao Jue's family, hereditary succession, official history, and life story.
It turns out that I have visited the Forest of Steles in Chang'an, and there are so many inscriptions here.
The one at the front is usually the epitaph of Zhang Bainan, and the text below it is said to be the best in the Wei stele. It is exquisite and ancient, steep and simple.
Why are there so many exquisite stone carvings not sold?
Chen Wenzhe saw a piece of Luo Chong's epitaph, which was from the eighth year of Tang Xianqing's reign.
Another thing worth cherishing is "Tang Feng Ji Wang Shen's eighth son returned to the county head system", which states that the eighth son of Ji Wang Li Shen, the tenth son of Emperor Taizong Li Shimin of the Tang Dynasty, was granted the title of succumbing to the county head.
The main strokes are square and round, and the horizontal strokes are either round and square, or square and round, with long strokes and twists and turns. The corners contain the meaning of division and official script. It is a multi-purpose pen without the meaning of calligraphy.
This stone was copied and carved by the governor of Guishun County to commemorate and show his identity, and was buried in the tomb. It is a precious material for studying the imperial edicts of the Tang Dynasty.
This stele was inscribed in the first year of Putai in the Northern Wei Dynasty (AD 781). There are traces of the place where it was unearthed. The original stone has been lost, and now only the cut table in the He Shaoji collection of the Qing Dynasty remains.
He died in the seventh year of Kaiyuan (714) at the age of seventeen.
Or is it because these are the boss’s hard work, so they are not for sale?
The word "knot" is slightly flat and the body contains momentum.
This annals is small in shape, low and narrow by more than 0.9 meters each, with a total of more than 2,000 words.
Emperor Kangxi of the Qing Dynasty once praised the stele of the Wei Dynasty: it is rich in flesh and blood and has a natural structure.
Among other things, some of the more unknown ones have no statues of white men. That monument looks like something from the Sui Dynasty.
And when you walk among the countless inscriptions, you often feel the vicissitudes of history and the weight of culture.