Chapter 1930: Silence sets off movement and echoes each other
By comparing the above porcelain embroidered piers with various decorative techniques and different sizes, we can briefly understand some of the differences in the shapes of porcelain embroidered piers in the late Ming and Qing dynasties.
The top surfaces of porcelain embroidered piers in the late Ming Dynasty are often upwardly convex to varying degrees.
However, the pier surfaces in the Qing Dynasty were flat or slightly concave;
The porcelain embroidered piers of the late Ming Dynasty are slender and have soft lines.
By the early Qing Dynasty, they were more refined, elegant, smart and compact.
As it developed to the middle and late Qing Dynasty, it began to become taller, thicker and thicker, and its lines became tougher.
These exquisite porcelain embroidered piers are not only practical, but also ornamental and decorative. They are the perfect integration of porcelain making skills and seating culture during the Ming and Qing Dynasties.
Among wooden utensils, embroidered piers are just an insignificant item.
However, this is a commonly used thing. If you study it carefully and come up with some, whether it is a porcelain pier or a wooden embroidered pier, you can add some interest to life.
Especially the porcelain pier among porcelain, which Chen Wenzhe had never seen before and had never thought of.
Porcelain piers cannot simply be described as porcelain stools. They are living utensils of the ancients, also known as benches.
Perhaps in order to straighten their spines, the stubborn people molded clay into the shape of a stool and smelted it with fire, thus creating a porcelain pier.
As long as it is porcelain that he has seen or looked at, there is nothing Chen Wenzhe cannot do.
For example, if the porcelain pier is supplemented with colorful brocade cushions and a dressing table is placed next to it, it is clear that the beauty is not just gone but the warmth is still there.
Chen Wenzhe naturally wanted to study such a masterpiece.
From ancient times to the present, people have always strived to make their lives more comfortable.
The development and evolution of Xiudun also reflects the social politics, economy and culture at that time to a certain extent.
Compared with the indoor porcelain pier, it appears slightly thinner.
"Imitation of porcelain piers is the first choice, and then I will create my own!"
There are two small peonies in full bloom in relief in the middle of the pier wall. The lines are dense and uneven, and the color is dry and soft.
In the early days, people did not have utensils such as stools and chairs. Instead, they used the ground as a mat, at least with some cattails and animal skins as a mat.
Then draw some interesting patterns to make it both practical and ornamental.
The seventh is to display ornamental utensils, such as various ornamental vases, flower pots, snuff bottles, figures, Buddha statues, etc.
Moreover, it occupies a unique position in the history of the development of ceramics and furniture, so it has certain research significance.
It is a vat tire with sauce glaze. There is a circle of breast nail patterns carved on the lower and upper abdomen, the arrangement is disordered, and the grains are shriveled.
During the Ming and Qing Dynasties, porcelain piers, as a common piece of furniture, were only in small numbers, spread over a wide area, were rich in types, and were gorgeously and exquisitely decorated.
Because it is rarely in the shape of a drum, it is not also known as a drum stool or a porcelain drum.
The predecessors have not dated the porcelain piers from Qing porcelain piers to porcelain piers in the Qing Dynasty. They believe that the porcelain piers in the Kangxi Dynasty were arched, the porcelain piers in the Yongzheng Dynasty were concave, and the porcelain piers in the Qianlong Dynasty were flat.
Soon, Chen Wenzhe returned to Dahai City and came to a newly opened factory.
The abdominal wall is also engraved with a Chinese character pattern that does not include names, making the whole picture dynamic and echoing each other. It not only conveys the meaning of glory and wealth, low official and high salary, but also alludes to the sense of kingship that only you are the only one.
Few of the existing porcelain embroidered piers date from the Ming and Qing dynasties, while more are found in the Song and Yuan dynasties.
During the Qing Dynasty, it continued to be pushed back, creating a glorious low point for Porcelain Dun.
There are eight most common categories of porcelain in China: first, eating and living utensils, such as dishes, plates, jars, pots, cups, as well as sleeping pillows, porcelain piers, etc.;
Of course, making those requires learning from scratch, so Chen Wenzhe plans to make a batch of porcelain piers first, then wood carvings, and stone carvings and bronzes first.
This should have happened around 600 AD, which is far enough away from today.
This is a woodware factory, and there are also some small porcelain kilns here. After all, that factory was built according to my requirements.
Porcelain embroidered piers became popular rapidly during the Ming and Qing dynasties, but the number of porcelain embroidered piers increased rapidly before the late Qing Dynasty.
The eighth is stationery supplies, such as pen holders, pen washers, basins, pen holders, etc.
For example, placing a porcelain pier against the edge of a kang, and placing two pairs of dragon and phoenix shoes on the pier, will create a sense of tenderness and sweetness.
Two things that are related to each other, once they are paired together, they know what will happen.
Even when sitting, it is from the floor to the stool, from the stool to the chair, and from the chair to the sofa. With the changes of the times, it becomes increasingly thoughtful.
This evolution retreated to the Song and Yuan dynasties, and the variety of designs and colors of porcelain piers gradually decreased.
There are no handles on both sides, they are hollow and shaped into a majestic lion's head, which is a decorative technique inherited from the Ming Dynasty.
There are different opinions on whether it is accurate or not.
Now that he has encountered something he has never seen before or done before, he is naturally a little excited.
The pier is 30 cm low, the abdominal circumference is 126 cm, the face diameter is 35 cm, and the abdomen is slightly bulging.
By the Jiaqing and Wanli years of the Ming Dynasty, porcelain piers had reached their peak, with both style and decoration reaching a certain low level.
The long-standing traditional culture can always give people classic expressions that are surprising but also intentional.
It makes no difference. Anyway, porcelain embroidery piers were more popular during the Ming and Qing Dynasties. There were only a few production kilns and the production volume was relatively small.
If it appears in the palace, its appearance will be even more exquisite and unique.
Of course, there was not only no porcelain kiln, but also a large foundry outside, which was prepared for casting bronzes.
The shape and decoration of porcelain piers contain rich cultural information. Different patterns represent different cultural connotations.
At present, I have not collected a small batch of precious hardwoods and tree roots, and I have also purchased a small batch of other rare stones and precious stones.
Now you can see it in costume movies and TV shows, especially on the eldest sister of the little family, who is rough yet elegant.
There is no significant difference between the porcelain piers of the Ming and Qing Dynasties. In the Ming Dynasty, the pier surfaces were generally raised, while in the Qing Dynasty, they were rarely flat.
It is said that as early as the Sui Dynasty, there were no porcelain piers, and they were called celadon large porcelain piers.
The porcelain pier is an original utensil with national characteristics created by the Chinese people in actual life according to their needs.
The discovery was startling at first, but later it became surprising.
It is said that the porcelain pier is derived from the imitation of the fumigation cage. The fumigation cage must be leaky, and the same goes for the porcelain pier.
The difference is not too abrupt, and you will know whether the raised pier is comfortable to sit on.
Now there is no porcelain pier behind Chen Wenzhe. It was originally a pair and was a sitting object in the pavilion in the courtyard of the ancients.
Porcelain is one of the representatives of your country's culture. Your country is known as the country of porcelain. The English word cha does not mean ceramic.
The craftsmanship of porcelain piers condenses the essence of the ancient porcelain-making art.
Archaeological excavations found fragments of green-glazed drum-shaped piers from the Song Dynasty. The decorations were without drum nails and the colors were bright, proving the existence of porcelain drum piers in the Song Dynasty.
In addition to porcelain lining, your country does not have embroidered piers or rattan piers, but it is always worth visiting porcelain piers for its scenery.