typeface
large
in
Small
Turn off the lights
Previous bookshelf directory Bookmark Next

Chapter 286 'Laughing at Wang Liyang's Unwilling to Drink Post'?

To be honest, if you were an outsider and saw the calligraphy that Professor Mu Kairong took out, you might think it was the graffiti of a primary school student.

However, those who are truly knowledgeable will know at a glance that there is something free and easy, a little casual, and a little unrestrained.

Ordinary people would never be able to write such natural and smooth calligraphy works.

Sure enough, the wider the scroll is opened, the more handwriting is exposed, and the unrestrained, free and easy expression becomes more vivid.

"How is it possible? This is "Mocking Wang Liyang's Reluctance to Drink" written by Li Bai?"

The first person to realize that something was wrong was Xiao Xiangqi. After just reading a few words, he knew that this was Li Bai's "Mocking Wang Liyang's Reluctance to Drink"?

"What? How could it be Li Bai's "Mocking Wang Liyang's Reluctance to Drink"? Impossible!"

Fan Jiaxuan, who was just sitting aside with a smile, became serious. He hurriedly approached and took a closer look.

"Is it really Li Bai's authentic work? Lao Mu, you've made it big this time!"

Li Mingsheng was a little emotional, Professor Mu Kairong really knew how to play and dared to play!

Chen Wenzhe looked at Mu Kairong and then at Xiao Xiangqi. The two of them cooperated tacitly, all because of this painting?

Chen Wenzhe must know about Li Bai's "Mocking Wang Liyang's Reluctance to Drink". He learned about it through the video.

However, this so-called authentic work by Li Bai is highly controversial, and the calligraphy is probably still in neon.

Chen Wenzhe knew the whole story because he watched Ma Dudu's video.

In a video, Ma Dudu said that there is an authentic work of Li Bai in Neon, and he has not asked for it back until now. He has seen it with his own eyes!

It is already a consensus among domestic academic circles that Li Bai's authentic works are difficult to find.

At present, there is only one authentic work of Li Bai known to be circulating in the world, which is the "Tie on the Upper Balcony" stored in the Palace Museum in Shendu.

"Up to the Balcony Post" has also been particularly touted by domestic self-media, calling it Li Bai's only authentic work.

In fact, in addition to the "Tie on the Upper Balcony", there is another authentic work by Li Bai that exists in the world, which is the "Tie of Wang Liyang's Reluctance to Drink" collected by Neon.

At that time, Chen Wenzhe was very curious. What was the origin of the post that Ma Dudu wrote about "Mocking King Liyang for Reluctance to Drink"? And how was it lost overseas?

Later he learned that in the 1980s, "Mocking Wang Liyang's Reluctance to Drink" was discovered in Neon.

This post is 67 centimeters long and 26.4 centimeters wide, and is inscribed with the two characters Li Bai.

The content of the copybook is a poem written by Li Bai, which is similar to a poem to persuade people to drink.

The "Wang Liyang" written in the poem is not a personal name, but a surname plus a place of origin or the place where he held an official position.

The most classic one is Liu Bei in "The Romance of the Three Kingdoms". In addition to Liu Huangshu, he is also called Liu Yuzhou.

As we all know, Li Bai was a famous "wine monk" in the prosperous Tang Dynasty, and he reached the point where he could not have fun without drinking.

Therefore, Li Bai's "Mocking Notes on Wang Liyang's Reluctance to Drink" is unanimously considered by the academic community to reflect his heroic spirit.

This is why Chen Wenzhe felt so wild when he saw those words.

"Mocking Wang Liyang's Reluctance to Drink" was exiled to Neon mainly for two reasons.

First, Li Bai is a representative figure of poetry in the prosperous Tang Dynasty and is respected as the "Immortal of Poetry". Neon Xin admires the prosperous Tang Dynasty and is naturally interested in Li Bai;

Secondly, Neon attaches great importance to collecting domestic literary and artistic works and is particularly good at preserving them. The most typical example is that if Peking University wants to study Chinese classical books, they often go to Neon to repurchase them.

In addition, according to information from the neon academic community, Li Bai's "Mocking Wang Liyang's Reluctance to Drink" was written in the twelfth year of Tang Tianbao (AD 753), and was later presented to the neon envoy to the Tang Dynasty who had close contact with him.

As a result, "Mocking Wang Liyang's Reluctance to Drink" was brought to the Neon Collection.

"The Post of Mocking King Liyang for Refusing to Drink" was originally stored in the Chikushi Kannon Temple in Neon, and was later collected by the Hosokawa family, the most famous Neon in the Edo period.

After passing through several times, it was collected by Asuka Ningbo, a collector in Kyoto.

This authentic work of Li Bai has extremely high standards in Neon and is defined as an important cultural property.

Neon's cultural relics grading system is very similar to the domestic cultural relics grading system. Important cultural properties are basically equivalent to national first-class cultural relics.

Neon academic circles also attach great importance to "Mocking Wang Liyang's Reluctance to Drink Post" and have conducted carbon 14 testing.

The test result is about plus or minus thirty years of AD 700, which is basically consistent with the era in which Li Bai lived.

Neon also took "Mocking Wang Liyang's Reluctance to Drink" to China for appraisal, and the academic community unanimously believed that it was an authentic work by Li Bai.

Xie Zhiliu, a famous calligrapher and painter in my country, later saw the "Poster to Mocking King Liyang for Reluctance to Drink" and believed it to be an authentic work by Li Bai.

In fact, before her death, Mrs. Xie Zhiliu, Chen Peiqiu, asked the cultural relics department of our country to pay attention to Li Bai's "Mocking Wang Liyang's Reluctance to Drink".

It can be seen that the older generation of academics are still looking forward to the return of the national treasure to the motherland.

However, this matter is also very troublesome, involving many aspects, and cannot be explained clearly in a few sentences.

Of course, it would indeed be a good thing if the authentic calligraphy of Li Bai could be returned to the motherland.

Looking at the "Mocking Wang Liyang's Reluctance to Drink" in front of them, everyone fell into silence.

This one cannot be the neon one, so this thing is very interesting.

"Up to now, there is still controversy in China about the neon thing, right?" Xiao Xiangqi broke the silence and spoke first.

"Any authentic product that suddenly appears will inevitably be controversial!" Fan Jiaxuan said seriously.

"Professor Li, what do you think?" Mu Kairong looked at Li Mingsheng.

Li Mingsheng is not very good at appraising porcelain, coins, or even jade, but he is truly the top expert when it comes to history.

Li Mingsheng thought for a moment and said: "The post on the balcony and this one are completely different styles. If it was not written by one person, then only one of them is true. I think the post on the balcony is more in line with the public's perception.

Li Bai’s impression, Li Bai should write like that.”

"This is not the one for neon appraisal!" Fan Jiaxuan was a little helpless.

Xiao Xiangqi smiled and said: "It's all the same. If the neon one is wrong, ours may be right."

"Haha, it's not easy to do, but it's not without a chance. Carbon 14 proves that it's no problem at the same time. It may also be written by other literati at the same time. Therefore, the people over at Neon still have doubts. I went to the balcony to post

I saw it in the Forbidden City, and it was really domineering." Fan Jiaxuan said.

"I think the neon one might be real. After all, someone made carbon 14. I haven't heard of any scientific identification of balcony posts in China!"

Suddenly, Yang Chengyu, who had a very weak sense of presence, spoke.

At this time, Professor Mu Kairong said with profound meaning: "Regardless of whether it is true or false, it is true if you can get it back!"

Everyone was stunned for a moment, and then all looked at the works on the table.


This chapter has been completed!
Previous Bookshelf directory Bookmark Next