Just this touch gave Chen Wenzhe a psychological foundation.
As for whether to use the Sui Marquis Pearl and activate the Golden Light Bagua to see the history of this thing, Chen Wenzhe still needs to think carefully.
The lessons I learned after sleeping for two nights and one day are still vivid in my mind.
In addition, the fact that he was almost thought to be 250 years old was also related to his mental trance.
He doesn't want to use his ability randomly now, at least he has to wait until he has rested before using it.
Of course, you still have to use it when you should, but you just have to see if it’s worth it.
"Brother, you also like cloisonné?" Seeing Chen Wenzhe looking at the big jar with a fascination, the stall owner smiled on his face.
"If you like it, can you take a closer look? If there's no problem, I'll take it."
Chen Wenzhe didn't raise his head, he was still looking at this thing.
Only when he got closer did he realize that this big jar was really big. It was the largest artifact he had ever seen or touched.
"It's definitely no problem. By the way, let's make an agreement first. This thing will only be sold for 31,120 yuan, and we won't give you a penny."
"Okay, let me take a look first."
Isn't the reason why it's so obvious just because the price has been set long ago?
Chen Wenzhe was a little amazed when he looked at this cloisonné enamel jar with a large lid made in the Xuande year of the Ming Dynasty.
This thing does not seem to be a modern handicraft. After taking a closer look and tapping it a few times, I found that the copper tire inside does not seem to be simple.
At the very least, it uses a red copper body, and the body is thick and heavy. Moreover, the glaze is also very complicated. At the very least, the gemstone light on it cannot be emitted by ordinary glazes.
Touching the glaze and looking at the copper tire, Chen Wenzhe fell into deep thought. If this thing reaches the present time, it will definitely be an important item.
After thinking about it carefully, Chen Wenzhe's copperware making inheritance was started again.
Whether it was cloisonné or the previous filigree enamelware, he had learned it through inheritance, but it was only at a basic level.
Cloisonné was probably most famous in the Qing Dynasty. During the Qianlong period of the Qing Dynasty, it began to be fired again, with many varieties and good results.
At that time, although it could not be compared with the Jingtai and Chenghua periods, the products produced after Hongzheng were by no means inferior.
Although there are utensils from Kang and Yong that appear today, however, upon careful examination, they are no different from those made by Qianlong. They were actually made by Qianlong and were engraved with the year of Kang and Yong, but were not made by Kang Yong.
Generally speaking, the copper quality of the tires in the Ming Dynasty was better, mostly red copper, and the body was slightly thicker, so the shapes were mostly antique. The glazes used mainly to imitate bronze were all natural mineral materials, with deep and lifelike colors. The red statues
Ruby red, green like turquoise.
The blue color of this piece seems not to be sapphire blue, but to be lapis lazuli?
And the gold on it is gold plating!
In fact, as soon as he got his hands on it, Chen Wenzhe was almost certain that it was a genuine product.
Why is it so certain? After all, Chen Wenzhe didn't resort to any tricks.
In fact, it's very simple. It's just the prediction and gold plating on it. I won't talk about the gold plating. The thing is made of pure gold.
As for the glaze, it is because of the various colors on it, such as ruby-red red glaze, and blue glaze like sea water, which are not simple.
I took a few steps back and looked at the big can as a whole!
This dragon-patterned lid jar is more than 60 centimeters high, and its belly diameter is about fifty or sixty centimeters. On the rim, there are six characters "Made in the Xuande Year of the Ming Dynasty" and a line of narrow edges.
Just now, Chen Wenzhe seemed to be still in his belly, and he saw the words "Queen Supervisor".
This jar with a large lid has a crystal-clear appearance and bright and eye-catching colors.
The shape has a straight mouth, short neck, sloping shoulders, bulging belly, circle feet and orb button cover.
The whole body is decorated with cloud and dragon patterns. The dragon patterns are fierce, the five claws are rotating like windmills, the eyes are wide open, the mouth is open and the teeth are exposed, soaring between the sky and the earth, giving people the majestic momentum of being the only one in the world.
The color of the whole thing is bright and eye-catching, the red color is rich and deep, and combined with the large area of yellow color, the blue color is no longer obvious.
In addition, extremely rare black paint is used, which gives it a heavy feel.
The mark on the artifact indicates that this jar was made during the Xuande period and was used by the Ming Dynasty court.
Xuande was created earlier than Jingtai, so naturally we cannot say that this is cloisonné.
This craft was introduced to my country from the Arab region in the Middle East in the late Southern Song Dynasty. It was called "Dashi Kiln Ware" in the Song Dynasty.
In 1352 AD, Hulagu, the grandson of Genghis Khan, the founder of the Yuan Dynasty, led the Mongolian army on an expedition to the Arab Empire and captured a large number of skilled craftsmen from the Arab Empire.
These craftsmen were brought back to the Mongolian grasslands to produce daily utensils for the Mongolian nobles. As a result, the copper-embedded cloisonné enamel wares that had been popular in the Arab Empire were also mass-produced and became popular among the Mongolian nobles.
"Stones from other mountains can be used to attack jade." Imported products such as copper-embedded filigree enamelware were quickly integrated into the extensive and profound traditional culture of the Chinese nation, developing and evolving into a bright artistic pearl with a distinctive
National characteristics and profound cultural connotations.
It integrates painting, crafts, carving, inlay, smelting, metallurgy, gilding and other skills, and is famous for its elegant shapes, complex patterns and beautiful colors.
Therefore, as long as he uses his hands, Chen Wenzhe is likely to learn many skills. Not to mention the filigree enamel craft, he can also learn more about painting and sculpture.
He will definitely learn the cloud and dragon pattern in painting, and he is a master in the painting technique of the cloud and dragon pattern.
Smelting and metallurgy, he also received the inheritance when he acquired the technology of making copperware, and he can also deepen it this time.
The newly learned techniques seem to be inlaying and gold plating.
However, this large-lidded jar also involves the glaze preparation using Takara-yaki technique.
He will definitely learn the four-color glaze formulas of gold glaze, blue glaze, black glaze and red glaze.
And after learning so many glaze recipes from the Ming Dynasty, can he also make Chenghua doucai in the future?
The more things you learn, the more you can understand and even comprehend them.
At this time, Chen Wenzhe was having an ideological struggle. Should he directly start the independent inheritance? Or should he use the backtracking skills first?
Go back and look at the history of this thing, especially the entire production process.
It's like watching a tutorial and telling a story. This feeling is really great.
How refreshing is it to see secrets that no one else can see?
Now looking at this large lidded jar with copper body and cloisonné enamel with cloud and dragon pattern, Chen Wenzhe became more and more satisfied with it.
If this thing is real, I am afraid that even if it is sent to the National Palace Museum, it can be treated as a treasure.
Old as new, it must be a treasure!
This saying means that if an old thing looks new, then it must be a treasure.
This thing looks very new and even gives people a dazzling feeling.
If such a dazzling thing is said to be an old object with a history of five or six hundred years, I am afraid not many people will believe it.
However, for those who know something, they will definitely be ecstatic when they see this kind of thing.