This time Chen Wenzhe chose the ribbed pot, but he made more patterns.
Chrysanthemum petal pots, lotus petal pots, various fruit pots, and tree stump and other mimic teapots, as long as he can think of it, he can make one and bake it to see.
To make a purple clay pot, you need to mix the clay first.
After beating the clay strips and making a batch of rough embryos, Chen Wenzhe made another batch of tea cups while drying.
This time it's not a purple clay cup, but porcelain.
"The pastel ingredients have been prepared for a long time, but I didn't know how to prepare them before!"
Looking at the Yongzheng pastel figure in front of him, Chen Wenzhe's face was bright.
He had kept this thing in his hands for a long time, and it finally came in handy.
Through him, using the backtracking skills, I really saw the various formulas of Yongzheng pastels.
"I originally thought about selling it, but now it seems I have to keep it."
After talking to himself, Chen Wenzhe looked at the carmine red enamel porcelain bowl next to him.
He already has a jar with a cloisonné enamel lid, so why does he need this enamel jar?
If you really need money, just sell it.
Professor Tao needs help in this matter, otherwise, his enamel-colored porcelain may not be sold at a high price, or it may not be sold at all.
It’s worth at least 70 million. How many people can come up with so much cash?
There may be many big bosses with assets worth one billion, but there are definitely not many big bosses who can spend 70 million in cash at once.
Withdrawing his gaze, Chen Wenzhe carefully mixed the pastel materials.
The items in his hands are all natural minerals, so the glaze prepared according to ancient methods will be closer to ancient works.
After formulating the Qing palace glaze, he directly imitated the pastel Twelve-Flower God Cup from the Yongzheng period. This is a classic. Although there are hundreds of pieces hidden in the Forbidden City, there are none outside!
A set of cups like this can easily sell for ten to twenty thousand yuan.
This is the price of a modern handicraft. There is no need to make it old or deceive, just sell it as a modern handicraft.
However, it is not easy to imitate the Twelve-Flower God Cup of the Yongzheng Period of the Qing Dynasty, because the Twelve-Flower God Cup of the Yongzheng Period of the Qing Dynasty is not simple.
Chen Wenzhe has definitely never seen the real Yongzheng Twelve Flower God Cup, but through the Yongzheng pastel figure statue, he has seen the firing process of the Flower God Cup.
This is the difference between retroactive skills and independent inheritance. With independent inheritance, you can only obtain knowledge related to activating the inheritance artifact itself.
But looking back, we can see everything that happened around the artifact. It can be said that Chen Wenzhe can see all its experiences.
It was because of this that Chen Wenzhe experienced the experience of seeing the pastel figures left in the Qing Palace Building Office.
Maybe it was because it was also pastel porcelain, or maybe it was made by the same group of people, so Chen Wenzhe was lucky this time and saw the entire process of making the exquisite Twelve Flower God Cup by the palace manufacturing office.
A piece of porcelain has received two complete inheritances. How can this be said to be a blessing?
The pastel twelve-flower god cup made in the Yongzheng period of the Qing Dynasty has clear hand-painted paintings, smooth line drawings, prominent themes, three-dimensional and vivid decorations, regular shape, fine painting skills, round and full glaze color, and fine finishing.
All of this needs to be taken seriously.
Maybe it's because Chen Wenzhe's porcelain making skills are at a high level. Anyway, it's just making, trimming, and carving. It's not difficult at all.
After these processes are completed, it is necessary to apply color and glaze.
Painting means painting with glaze, also called painting.
Regarding this, Chen Wenzhe is also a master.
Orchid in January, plum in February, peach in March, and peony in April.
He was painting and composing poetry at the same time. Anyway, these things were ready-made, and Chen Wenzhe didn't have to create them himself. He only had to be a transporter of words.
After painting one set, I am still not satisfied, so I will do another set, this time with plum blossoms in January, apricot blossoms in February, and pear blossoms in March.
Only by renovating the style can the works be sold more easily!
Besides, repeating the production is also very annoying.
At the end of the month, the nature of the plum blossoms is delayed, and catering to laziness is like a silkworm trying to sleep.
After the Spring Festival was forbidden in Shangyang Palace, he said goodbye to pearls and recited Ernan.
After writing a poem quickly, Chen Wenzhe felt that he could express himself freely, without any restraint of imitating his predecessors.
This is a master's craftsmanship. He is imitating the works of his predecessors, but he will not imitate them exactly the same stroke by stroke.
He imitates ideas, not templates.
The blue and white "Yongzheng Year" model on the bottom is not difficult for Chen Wenzhe.
Sets of Flower God Cups were easily completed in Chen Wenzhe's hands.
After everything is painted, it is time to apply glaze, which is still not difficult for Chen Wenzhe.
The hand must be steady and the speed must be fast. The thickness of the glaze is all controlled by speed. This is all based on experience.
This is the advantage of a master who has many skills. He can do everything with ease.
Therefore, whether it is making a pot or making a tea cup, Chen Wenzhe can do it as easily as picking something out of a bag.
Once you start working like this, most of the day will pass.
After all the works in the morning were put into the kiln for firing, Chen Wenzhe was free.
"There's something wrong. After learning so many things, you finally have something of your own, right?"
Chen Wenzhe touched his chin and thought about it carefully. Ever since he learned how to make porcelain, only those mobile phone protective cases can be regarded as his own works. The others are either high imitations or old.
The things he makes now cannot be said to have no artistic value, but they do not have his own characteristics, or that he has not blazed his own path, nor has he left the mark of the times!
When people pass by, they leave their names, and when geese pass by, they leave their voices. Who wouldn’t want to leave a name in history?
As a craftsman, the best opportunity to leave a name is to produce the best and most exquisite works, so that people will naturally cherish his works and let his works be passed down through the ages!
"What are my strengths?"
"Blue and white is the advantage, cloud and dragon pattern is the advantage, drawing, carving, coloring, glazing, kiln firing, these are all advantages."
"In fact, all the advantages are in porcelain making. If we want to talk about the unique skill, it must be the glaze. The unique glaze formula is the real advantage."
"I have just acquired the treasure-firing technology, so I have to use it. When it comes to firing in the kiln, the best thing is temperature control."
"If the temperature control is good, what advantages does it have for kiln firing?"
"It seems like it really has an advantage!"
Suddenly, Chen Wenzhe thought of a kind of porcelain. The success of its firing depends largely on the kiln firing technology.
Just do it as soon as you think of it. Chen Wenzhe plans to make an object-leg bottle.
Elephant-leg bottles, that is, unified bottles, have a wide mouth, a short neck, shoulders as wide as the mouth, a straight-tube body, a flat bottom, and a shape like thick elephant legs, so they are also called "elephant-leg bottles."
Because "tong" and "tong" are homophonic, it has the implication of "unification of the world".
This kind of bottle was mostly seen in the Shunzhi and Kangxi dynasties in the early Qing Dynasty, and the varieties include blue and white, and colorful.