With a long history, there is such a benefit: there are many good things left by our ancestors.
Not to mention other dynasties, just the late Qing Dynasty and the Republic of China, there are many porcelains worth seeing.
For example, some famous porcelain pieces in the new pastel porcelain and light crimson color porcelain also have great potential for appreciation.
However, if you want to buy porcelain tiles and wait for their value to increase, you can't limit yourself to the Qing Dynasty and the Republic of China, and there is a lot of knowledge in them.
From the perspective of vessel type, generally speaking, the value of ornamental ware porcelain pieces is higher than the value of living ware.
Those porcelain pieces that are relatively small in quantity, relatively well-made, and relatively strange in shape are more popular in the collection market.
At the same time, try to collect porcelain pieces that can reflect the characteristics of the entire vessel. The so-called "sky" and "earth" pieces (those with rims and feet) have a large amount of information and relatively high research value.
Now that there are people speculating, as long as you don't become a receiver, if you let the speculators become a receiver, it is not impossible to consider medium and long-term investment.
If you can grasp the market and "nurture" and "cover" appropriately, you can also obtain higher market value.
In addition, hitting "regional differences" is also an effective means of purchasing and collecting.
Due to differences in aesthetic concepts, purchasing power and consumption levels, the market prices of the same ancient porcelain pieces in different regions are different.
Zhang Yijie and Cao Qingchun know these things well, but as soon as they encounter something that may be good, they become enthusiastic and think about buying it. What if it is true?
What they were interested in this time was a very valuable fragment.
Among them is a palm-sized broken piece of Ru kiln porcelain, but can it be real?
When it comes to appraising Ru kiln porcelain, Chen Wenzhe still has a certain degree of confidence even without cheating, because in principle, Ru kiln is a kind of celadon.
In addition, the body color of Ru kiln porcelain is delicate. There is a small amount of copper element in the body soil. If you look at it under the sun, you will see signs of slight redness and a slight light yellow color.
The glaze color of Ru kiln is generally agate, and the appearance is azure, mostly light blue, but also has green, dark green, moon white and other glaze colors.
By comparing these characteristics one by one, it is very easy to identify the porcelain entering the kiln.
Now Chen Wenzhe has conducted in-depth research on the hair color of copper and Baoshao.
So when he saw this piece of porcelain, he knew that this so-called Ru kiln porcelain piece was a modern imitation.
Not to mention anything else, this piece of celadon is so big that it looks like a large incense burner or a fragment on top of a large jar.
Your kiln has no big tools, is this just a joke?
One of the five famous kilns in the Song Dynasty, it is located in Ru, Nanhe Prefecture.
In the late Northern Song Dynasty, Ru Kiln became a special kiln for firing royal porcelain for the palace, and its products were celadon.
The utensils handed down from ancient times include plates, dishes, washbasins, bottles, bottles, bowls, lamp holders, narcissus basins, etc.
These are all small instruments, none of them are large, and this is not without reason.
Everyone knows that the beauty of Ru kiln lies in its azure color, and its preciousness lies in its agate glaze.
But the Ru kiln porcelain that we can find and understand that has been handed down are all very small.
There are just no big ones. The existing vessels that we have that can be certified as Ru kilns are relatively small, and most of them are practical vessels.
Of course, many people will say that using this to deny a possible Ru kiln artifact or Ru kiln fragment is a bit one-sided and arbitrary.
Indeed, many dynasties in history have said that there were no large weapons. For example, during the Chenghua period of the Ming Dynasty, it was also said that there were no large weapons in Chenghua.
So where is the line between big and small? No one can draw this line.
As far as the Ru kiln is concerned, we now think that the largest size of the Ru kiln should be a three-legged dowry.
The three-legged dowry is also called the three-legged Zun. The "Lian" and "Zun" are both small containers for putting things, but there are some differences.
Lianqian is generally used to place small items such as mirrors, jewelry, etc.
Zun is actually a kind of wine vessel, used to hold wine."
The three-legged dowry handed down from Ru kiln is only 12.9 centimeters high, 18 centimeters in diameter, and 17.8 centimeters in bottom diameter. It is so big.
Taking Chenghua Porcelain as an example, Chenghua Porcelain also later discovered large jars, so it is very difficult to define the size.
When we say there are no large vessels, we generally mean that there are no such large vessels, but in many other dynasties of our country, there are such large vessels.
Without big tools, it can only do so for a simple reason: it cannot produce big tools.
At that time, Ru kiln was used as porcelain for the palace, especially for the emperor. It was actually a utensil used in daily life.
At that time, it had not yet risen to the level of display porcelain, and due to the firing conditions at that time, no large vessels were produced.
Judging from the unearthed kiln site, a large number of residual utensils and no large items were unearthed.
Therefore, at a glance, Chen Wenzhe knew that the things the stall owner brought out must be modern fabrications.
Coupled with the old marks on it, Chen Wenzhe didn't even have the desire to get it.
"Is there anything else? If it's like this, there's no need to look!"
"Ah? Why?" Cao Qingchun became anxious before the stall owner said anything. Of course, he was anxious because he wanted to know the reason.
"The Ru kiln does not have large vessels. This piece of broken porcelain is too big, and it is obviously the fragment of a large jar. The Ru kiln in the Northern Song Dynasty was used to make daily porcelain for the royal family. I have never heard of firing large jars."
, has never been unearthed, even when excavating Northern Song Dynasty kiln sites, fragments of large jars have never been found."
Chen Wenzhe made it so clear that the stall owner simply stopped talking.
"Young man, you know your stuff? There are quite a few people doing porcelain tile business in Huangjia Village. Almost every house has a few pieces packed in the bottom of the box. Come, come and take a look at this piece of mine."
As he said that, the stall owner next to him also took out a piece of porcelain from behind his stall.
Chen Wenzhe took a look and saw that it was still a fragment of Ru kiln, and it was a porcelain base.
It looks like the bottom of a plate. The fragments are not small, but they are much smaller than the fragments on the big jar.
If it is the bottom of a plate from Ru kiln, even if it is damaged, it will still be of high value.
It's a pity that this piece of broken bottom is not complete, only a small piece.
This one is obviously not fake at first glance. Anyway, at a glance, Chen Wenzhe didn't see any flaws.
This is even more powerful. Although he didn't believe that these were really broken porcelain pieces from Ru kiln, Chen Wenzhe walked over without hesitation. What if it was true?
"Can I get started and take a look?"
Seeing that Chen Wenzhe was interested, the old man who looked to be in his fifties or sixties stood up and opened the box he was sitting on.
Seeing his actions, Chen Wenzhe frowned.
Each of the stall owners here seems to be sitting in a wooden box, but the things inside are all garbage.
"Don't frown. I'm different from them. The collections I have here are all old at least."
Chen Wenzhe was a little helpless. The stall owner probably took out the fish for fishing.