It is said that the golden ratio of "four or six cards" is not an accurate value calculated by Zigang himself. It should belong to the concept of the Qing Dynasty. However, this legendary golden ratio is also an improvement made in the shape of his brand during the Qing Dynasty.
This must be an important reason why this jade tablet is considered to be a Qing Dynasty imitation.
It's just that the 46 Pai was improved in the Qing Dynasty, but who said Lu Zigang didn't make 46 Pai?
Lu Zigang himself did not calculate the precise value of the four-six card, but what he actually made was the standard four-six card.
It's just that this concept was perfected in the Qing Dynasty. These are two different things.
Touching this jade tablet, Chen Wenzhe was a little hesitant. If he used independent inheritance, could he obtain the memory of a master through this jade tablet with a somewhat simple carving technique?
After all, there are only two lines of characters, and there are some simple character patterns on the front, and there are no other patterns. Even if you can get the craftsmanship above the master, it seems that there are only some simple carvings, right?
And what Lu Zigang knew was not just his jade-carving skills.
Many things can be seen from the memory of this jade tablet.
This is Lu Zigang's portable jade. With this jade plaque, Lu Zigang's life experience can all fall into Chen Wenzhe's eyes.
This is the difference between backtracking skills and independent inheritance. By backtracking, you can see more things.
Therefore, Chen Wenzhe saw Lu Zigang's method of carving jade, but he did not see the so-called Kunwu Sword in it.
The jade carvings produced by Lu Zigang carefully select materials, most of which are sapphire and some of which are white jade.
Mutton-fat white jade was also a treasure during that period, otherwise he would not have left a piece of mutton-fat white jade and carved two sentences as his own jade.
The more he watched, the more Chen Wenzhe admired Lu Zigang.
In addition to carving jade, he was involved in everything from bamboo, wood, stone to inlaying, that is, inlaying jade and inlaying treasures, and he achieved extraordinary results in all of them.
Among them, he is best at round carving, openwork carving, negative carving, inlaying gold and silver wire, inlaying gems, etc.
It's a pity that Chen Wenzhe can see the craftsmanship of these things, but it is definitely impossible to learn them all through independent inheritance, and to learn the craftsmanship that is better than that of a master.
If you want to use achievement points to learn one item at a time, too many achievement points will be consumed.
If you had to focus on a few studies, it goes without saying that you would definitely choose Zhuoyu.
Lu Zigang is famous for his jade carving, so naturally his jade carving skills are the most powerful.
His jade carving skills are known as the "unique skills of Wuzhong", and his reputation is well deserved.
After just watching for a while, Chen Wenzhe saw a lot of exquisite carving techniques.
For example, convex lines, hollow carvings, negative lines, etc.
In addition to these techniques, Lu Zigang is particularly good at flat surface reduction techniques, which can produce artistic effects similar to bas-reliefs.
His works imitate the Han Dynasty in many shapes and take the method from the Song Dynasty. They are quite ancient and have the artistic characteristics of empty, floating and detailed.
The seals he uses are also very special. They usually use seal-type seals, with either positive or negative characters.
After watching Lu Zigang carving jade, Chen Wenzhe also began to understand that the legendary carving of jade with a knife was purely a misinformation!
Legend has it that Lu Zigang carved jade with a knife and kept it secret. After Lu's death, this technique was lost.
The reason why many people believe this theory is that it originated from "Taicang Prefecture Chronicles" published in the 15th year of Chongzhen in the Ming Dynasty. The original text is: Lu Zigang used a knife to carve jade. When Zigang died, his skills were not passed down.
It was a little earlier, but Xu Wei at that time had a poem that said, "Kunwu will never be able to fight until the end of the battle."
As for the Kunwu knife, it is said that it can cut iron like clay. If there was such a knife, it would be possible to carve jade with it.
Therefore, "Taicang Prefecture Chronicles" records the use of knives to carve jade, which must have been influenced by the "Kunwu Dao" in Xu Wei's poems!
Now Chen Wenzhe knows better that the so-called carving jade with a knife is just a misunderstanding.
In the 16th century, due to the style of seal cutting led by literati such as Wen Peng and He Zhen, it emerged in the Jiangnan area centered in Suzhou City. Many literati were keen on appreciating the calligraphy of the carved knives on the seals, which were well-proportioned and elegant.
This atmosphere inspired Lu Zigang.
He used tuoji, which is a jade grinding tool, to create the effect of carving a knife on high-hardness jade material.
Therefore, those literati who did not understand mineralogy and technology mistakenly thought that Lu Zigang could directly carve jade with a knife.
Lu Zigang did not tell the truth. The effect of this was that the rumor of using a knife to carve jade was circulated for 50 years.
At this time, the official history of the local chronicles was officially recorded in the "Taicang Prefecture Chronicles". From then on, it continued to fool the Aiyu people for four centuries.
"Using a tuo to imitate the effect of a carving knife is also a unique skill!"
After reading the general memory of the jade plaque, Chen Wenzhe felt not only admiration, but also admiration.
Above the master, it is above the master. It is definitely not comparable to the craftsmanship of ordinary masters.
Especially those masterpieces by Lu Zigang, the practical craftsmanship is even more wonderful.
Unfortunately, those good things that have been passed down to this day are generally hidden in major museums, especially the National Palace Museum, which has the largest collection.
And Chen Wenzhe didn't even have many opportunities to take a look at the collections in that kind of place.
Maybe when by chance, those treasures are put on display, and Chen Wenzhe happens to encounter them at this time, he will be able to feast his eyes on them.
Unfortunately, such opportunities are hard to come by.
As for the chance of taking a chance and initiating independent inheritance, the hope is even slimmer.
After taking the elevator and arriving upstairs, the family members were ready to be discharged from the hospital. Chen Wenzhe could only go upstairs to help pick up some odds and ends.
At this time, he could no longer care about regrets and couldn't ask what other antiques were for sale in this hospital.
I went home, settled down with my little niece, and had another lunch. It was already afternoon.
The afternoon was short, and Chen Wenzhe didn't go anywhere. He planned to open another kiln to bake some porcelain for daily use.
These days, he gets up early every day and makes a batch of porcelain every day.
Now there are many twelve zodiac pots in his studio.
It's just that an ordinary person can have a lot of this kind of thing in his hand, and he will never use so much at home.
Therefore, the demand for porcelain for daily use is still greater.
There is no shortage of teacups and teapots, as well as dishes and plates. Chen Wenzhe has never made them specially.
The mud you made up in the morning is still there, so it's not a hassle to make dishes.
Chen Wenzhe has already shown signs of reaching the master level in embryo drawing technology, so now he is more proficient in doing it. It is not an exaggeration to say that his skills are close to master at this time.
Press and pull the bowl embryo to form one.
With the help of the drawing machine, this thing was pressed out by his dexterous hands as a ball of mud rotated, very quickly.
When the blank drawing machine rotates rapidly, centrifugal force will be generated. Controlling this force is the basic principle of blank drawing.