For example, Wang Qianli's cloisonné factory did not sign an exclusive supply agreement with Chen Wenzhe.
Therefore, after Chen Wenzhe's cloisonné opened the market, the smart people in the antique city immediately followed suit.
In other words, the cloisonné business is no longer the exclusive business of Chen Wenzhe’s family.
However, Chen Wenzhe just doesn't care.
Spring is when a hundred flowers bloom! The market is active and art works don’t have to worry about selling. How can he, a person who makes art, be afraid of not making money?
It was also because of the development of the modern art market in the antique city that Li Jinli thought that instead of buying from other people's factories, they might as well make it themselves!
You know, what skills does Chen Wenzhe not know?
For example, the pair of blue and white underglaze and red porcelain they sold a few days ago, the blue and white underglaze red jade pot and spring bottle with red cloud and dragon pattern, which exuded the light of gemstones, sold for 380,000 yuan.
They were selling modern art, but even so, the jade pot spring vase was also sought after by several foreigners, with prices ranging from 60,000 to 380,000.
In the modern art market, given Chen Wenzhe's age, it is unique that a work can be sold for 380,000 yuan.
There has never been a shortage of discerning people in the art market, and with economic development, more and more individuals, families, and consortiums are investing in art.
They have strength, foundation, and vision.
Aren’t current works of art from the past few decades, hundreds of years, or even hundreds of years from now just antiques?
There is no such family in China, but look at how it is done in the West?
Especially those nobles in the West, how did they accumulate the historical heritage that has been passed down for hundreds of years?
If you don’t know how to create, why don’t you know how to learn?
Therefore, some wealthy people nowadays not only collect antiques, but also collect works by some great modern and contemporary artists.
On the road to collecting, if you only collect antiques, the road will be narrow.
However, if we guide the whole people to collect modern fine products, the road will become very broad.
And in this way, more great artists can be born.
Only when you have enough to eat can you have the strength to create.
Only when you can make a fortune and make your wife and children worry-free about food and clothing can you inspire better inspiration and produce better works.
An hour later, Li Jinli drove Chen Wenzhe to a science and technology park.
The streets here are lined with trees and there are small factories on both sides of the streets.
Chen Wenzhe's Yi Niantang Porcelain Workshop is also located in one of the small factory areas. It can also be regarded as a high-tech factory.
The car drove into a small factory area, but no matter how small the factory area was, it was larger than Chen Wenzhe had imagined. Especially the rows of steel frame factory buildings inside were shocking to see.
"So big?" Chen Wenzhe almost blurted out when he saw the situation inside.
"It's very big, but we only rented a few, the smallest factory building over there, and the small building next to it, which was originally intended to be a canteen, but we rented it as a dormitory, um
, there is a room on the first floor that can be used as a canteen.”
Chen Wenzhe followed Li Jinli's finger and looked at a small building next to him.
Indeed, if you don't look carefully, you won't notice that there is a small section isolated here.
It was only slightly blocked with a simple fence, which was very crude.
Except for a small building, the rest of the place is occupied by a steel-frame factory building.
In other words, this small separated factory only has space for one factory building and one small building.
The small building is a dormitory, and there is a small canteen on the first floor.
Opposite the small building is the entrance to the factory. Walking inside, it feels a bit empty.
At this time, some people were renovating, and the most conspicuous ones were the electric kilns.
There are large and small electric kilns, and electric kilns are clustered together in a corner of the factory building.
In another corner, a group of people gathered together and were having sex in full swing.
Chen Wenzhe and Li Jinli walked in and did not attract the attention of these people. However, Chen Wenzhe noticed two acquaintances in the crowd.
One is Chen Xingchen. I wonder why this kid ended up in his factory?
Looking at his serious look, is he learning to make a teapot?
The other one was seriously talking to Niba, but he was Chen Qinghu, whom he hadn't seen for more than half a year.
During this period of time, although Chen Wenzhe did not go home, his contact with Chen Qinghu continued.
He didn't expect that at that time, he just casually told Chen Qinghu about the money of making teapots, and he really took it seriously.
Since then, I have been in constant contact with Chen Wenzhe, and all my inquiries were about making teapots.
It happened that Chen Wenzhe was sorting out various inheritances recently, so he sent him a copy of some of the pot-making techniques he had sorted out.
Also, sometimes when making teapots, he would also shoot some videos, which were regarded as teaching videos. If Chen Qinghu needed them, he would also send them a copy.
Unexpectedly, he really persisted.
After these seven or eight months, if he works hard enough, he can become a proficient person by now.
Chen Wenzhe and Li Jinli were watching from outside without disturbing Chen Qinghu's performance.
Whether you are firing gold bricks, firing porcelain, or making pots, mixing mud is the first and most important step.
I don’t know if Chen Qinghu can handle the purple clay used now.
Anyway, judging from his movements, he is quite fast and skillful.
If the pot-making movements can reach this level, he can reach the level of third-level worker.
That is the level of advanced basics. If you go further, you can enter the professional level, which is not easy.
Chen Wenzhe was very optimistic about Chen Qinghu. Just by looking at his skillful movements, he knew that Chen Qinghu must have shed a lot of sweat in the past seven or eight months.
I saw him making clay sheets, wrapping the body around the tube, attaching the negative film, making the handle, mouth and buttons, gluing other parts together and trimming them later, and finally firing them in the kiln.
Chen Qinghu made a teapot very quickly and very skillfully.
This made Chen Xingchen and others who were a little careless at first look dumbfounded.
As art workers with a professional background, they really didn't realize that Chen Qinghu, who was born in Yeluzi, could make pots so fast.
And all of this is inherited from Chen Wenzhe.
Chen Wenzhe inherited the pot-making technique from Master Wang Yinchun. One of its characteristics is its high speed.
The plain teapot among the purple clay teapots has nothing fancy. It is just a short, fat little man who looks honest and cute. This is Chen Wenzhe’s classic shape.
"Come, let me work with you to make a purple clay pot!"
Perhaps because he was happy to see Hunter Xin, or perhaps he was unconvinced, after Chen Qinghu completed one pot, Chen Xingchen took the clay he had reconciled and the two of them cooperated to quickly make another pot.
This time it is still a horizontal pot. You make the clay strips, and I will draw the clay strips. You wrap the body around the barrel, and I will start making the spout and handle.