It's a pity that Chen Xingchen has a thief's heart but not a thief's hand, so he definitely won't be able to make such a great work.
Therefore, he could only take a look at Chen Wenzhe to see if he would be happy with Liexin and follow suit to make a Wendan teapot.
However, Chen Wenzhe seems to have stopped paying attention to him at this time.
This makes Chen Xingchen's dream of collecting a Wendan teapot made by Chen Wenzhe a bit difficult to realize.
After gathering his thoughts and making the pot carefully, he now thought of the last step of the pot-making process, which was an action that Chen Wenzhe seemed to have done unnecessarily.
He also imitated Chen Wenzhe's movements, dipped his hands in water, and carefully figured out the final molding process of this Wendan teapot.
He knew the final effect of Chen Wenzhe's pot-making process, which was the layer of gleaming light.
Although he didn't say much, Chen Xingchen knew that this seemingly useless process in the end should be related to Yingying Baoguang.
He knew that he would definitely not be able to create the kind of effect that Chen Wenzhe had, but he should just do his best and obey fate. Maybe if he did it too much, he would suddenly achieve it?
Two Wendan teapots can be made, followed by the Dengding teapot.
The body of this pot is round and has three legs (the flow and the handle serve as two ears). It is also called a "lamp tripod pot" because of its "three light protruding feet".
This kind of pot has a simple and plump body, smooth lines and full of tension, which embodies the subtle beauty of the lamp tripod pot.
The lid is integrated with the body, and the knob, spout, and handle adopt hidden transitions. The whole pot is more elegant, enchanting, and captivating, and it fully embodies the charm and glamor of purple sand.
!
If this one is subtle, then the next beauty pot is not coquettish.
A bead, as the name suggests, does not require much explanation.
The shape of a bead is solemn yet innovative, elegant yet charming, which makes people take photos of it, making them feel ashamed and dare not blaspheme!
Especially the fine sand texture adds a bit of feminine charm.
Holding it in your hands is like getting close to a beautiful woman with skin as smooth as gelatin. You can only feel it but cannot express it in words.
A bead shaped like a watermelon pot can make a person's mind pure and quiet, and can wash away the irritable mood in the world. The reason is because there is a saying: When a melon is like a melon, one often lies down and uses the melon to soothe the mind.
The most important thing is the last two words: Calm down!
Calm down your thoughts and make another dragon egg pot.
Dragon egg teapot is a classic type of purple clay teapot. Its sleek and cute shape is deeply loved by teapot lovers.
This kind of teapot is small and exquisite in workmanship, with a smooth and round body, like a girl's skin that can be broken by blowing on it.
The short mouth is straight-shaped, the handle is easy to hold, and the flat round beads are full of girlish charm!
The ball-shaking teapot is a typical traditional geometric round teapot, and it is also one of the best representative styles of purple clay teapots.
Its basic shape is a pot knob, a lid, and a pot body, which is composed of three sequentially arranged spheres: small, medium, and large.
The ampulla is a big ball, and the lid is a small ball. It looks like a small ball is placed on the big ball, so it is called a ball-shaking kettle.
On the edge of the lid and the edge of the mouth of the teapot, there are two burning lines of different thicknesses. This double line, thick at the top and thin at the bottom, is like a graceful and graceful woman in ancient times, charming but not vulgar!
The pear-shaped pot is made from pear. The overall shape is like a pear, and the graceful figure is like a beautiful woman. She stands tall and graceful, dancing with the wind, showing her lively and seductive attitude.
This pot is entirely composed of arcs, circles and curves, with a dignified and beautiful shape, especially the two arcs connecting the spout and body, which are smooth and vivid.
The handle on the handle is warm and comfortable. Holding this pot in the palm of your hand, you can feel the various charms of purple sand.
The Siting teapot has an elegant style, soft curves and a sharp mouth, just like a woman as graceful as a golden dragon and as graceful as a swimming dragon!
The Siting pot style has left its name in the history of red clay pottery due to its beauty and elegance.
A common proverb in southern Fujian: One is Wuming, the other is Siting, the third is Mengchen, and the fourth is Yigong.
If a delicate dragon holds its head high, the woman's graceful appearance and charm are outstanding.
Teapots like beauties with different expressions kept appearing in Chen Xingchen's hands.
He seems to have understood the true meaning of life, and seems to have opened up the two channels of Ren and Du. He has inexplicable confidence in making this kind of purple clay pot with its own charm and various shapes.
If you are confident, it will be very easy to make. If it is easy, it will be beautiful to make.
Seeing the beauty pots being produced in his own hands, Chen Xingchen has completely let go of himself.
As for Li Jinli, looking at Chen Xingchen at this moment is like looking at a pile of banknotes. This is the password to his wealth!
Compared with the fruits, pears and dates in the ribbed pot, this beauty pot is the true meaning of life. No wonder this pot type is called the most classic and popular among the purple clay pots.
Comparing people with each other, Li Jinli felt that he liked them all, so why shouldn't others like them?
Since you all like it, let’s take the money!
He had a strong feeling at this moment that he wanted to shout to everyone entering the store: I, Li Jinli, pay for it!
Chen Wenzhe ignored the few guys who fell into the eyes of money or fell into the trap of beauty.
He is already immersed in his own world at this time, and he wants to break through himself, but this is not easy to do.
And by making teapots, he discovered that maybe crossing borders is a good choice.
It's easy to put it all together, but it's too difficult to do, so he plans to cross-border development.
Not making wine vessels? He made a statue. This was not a bronze statue, but a clay wine bottle!
Making wine bottles is not that simple, because ancient bronze vessels are no longer practical vessels, but ornamental vessels, or simply used as sacrificial vessels or ritual vessels.
Now Chen Wenzhe wants to make a batch of antique porcelain, especially wine bottles, so he needs to reduce the scale, because it is too big to make.
The Zun is different from other bronze vessels, especially the Four-Yang Fang Zun, which has four sheep heads on the four walls. A simple clay body cannot support it at all.
Chen Wenzhe had already had these ideas, so he did them very quickly.
Since the workshop now specializes in teapots, he made the wine bottles smaller and used them as tea pets, or simply as handles, which could not be used as ornamental objects anyway.
Hehao Ni was reduced to the size of a fist according to the proportion of Siyang Fangzun. At this time, Chen Wenzhe directly used the carving knife.
In just a few strokes, the outline of a statue can be carved out.
The next step is to carve carefully, especially the sheep head part, and then the banana leaf pattern, triangular Kui pattern and animal face pattern on the four-goat square statue. These are very simple. Chen Wenzhe carves them at will. Once the statue is covered with the body, it is over.
Already.
Instead, there are sheep heads on all sides, which need to be carefully carved.
It is not difficult to carve a sheep's head with curled horns, because Chen Wenzhe has made many sheep's head pots before. Now it is definitely not difficult to carve a sheep's head, and it is even very easy to do.
The sheep's head and neck protrude from the outside of the vessel, and the sheep's body and legs are attached to the belly and feet of the statue.
At the same time, the shoulder decoration of the Fang Zun is engraved with a high-relief dragon pattern with a snake body and claws.
In the middle of the four sides of the statue, where the two sheep are next to each other, each has a pair of horned dragon heads, protruding from the outside of the vessel, from each right shoulder of the square statue, winding in the middle of the front room.
At this time, the carving of a Four-Yang Square Zun is completed.