After just a few glances, Chen Wenzhe put down this fragment. It seemed that it was not from the Tang Dynasty, but from the Northern Song Dynasty.
I didn't look carefully because there were a lot of broken porcelain pieces here.
Didn't that guy across from you dig up the ruins of an ancient kiln?
Only in ancient kiln ruins can porcelain pieces from various eras be unearthed.
I picked up a piece again, and this one was naturally very different, because it was obviously a three-color pottery.
However, this piece of porcelain is a three-color ware made of twisted porcelain.
This piece should be a twisted body porcelain produced in the Tang Dynasty, but it is also very broken. When it is complete, it should be a figure figurine.
Tire-wrapped products from the Tang Dynasty, as a special category of tricolor ware, are now uncommon.
This decorative technique of twisting two or three types of clay with different shades together to form strange patterns is different from all porcelain.
All porcelain uses glaze transformation in terms of color expression, and the texture part mainly forms the shape.
The tire of the tire twister has both the functions of shape and color. It has to be said that it is a wonderful flower among ceramics.
This kind of twisted-body porcelain among the three-color wares is even more wonderful among the wonderful.
Picking up two broken pieces of porcelain, they both have unique craftsmanship characteristics. I guess this is not luck, but the result of careful selection.
Chen Wenzhe couldn't help but raise his head and glance at the young man, and at this time, the young man also happened to be looking at Chen Wenzhe.
Through the two broken pieces of porcelain that Chen Wenzhe picked up, the young man knew that Chen Wenzhe knew his business and was a master, so he didn't mind smiling back.
Seeing the young man's smile, Chen Wenzhe was stunned for a moment, and then realized that only when he knows the goods can he pay a high price!
Chen Wenzhe knew that this time, he would have to pay a price again.
At this time, he thought that when Yi Nian Tang first opened, he could get valuable equipment worth millions, or even tens of millions, by spending only a few hundred thousand at most.
But at this time, as he became famous, it was almost impossible to find a big mistake.
He shook his head and put down his thoughts of picking up bargains.
Chen Wenzhe did not take action again, but looked at the pile of porcelain pieces. It can be said that all the porcelain pieces here are typical of twisted porcelain.
Three colors, yellow glaze, green glaze, blue glaze, at a glance, almost all the classic glaze colors in twisted porcelain are available here.
Fragments of cups, bowls, three-legged plates, rectangular pillows and other types of utensils have also appeared here.
His repair skills are not low, so after seeing these fragments, he can often complete the shape of the instrument in his mind immediately.
Of course, what he saw at this time was more than just fragments. When making up his mind, he didn't have to rely entirely on his own guesses, because there was also the Sui Marquis Pearl to help!
Maybe it was because of the new craftsmanship, or maybe it was because of the strong historical accumulation, but the Sui Marquis Pearl was launched immediately.
Through his eyes, he saw many beautiful shapes and the unique texture of twisted porcelain.
For example, the fragment of the small bowl is quite large and can be easily recognized as a small bowl.
This bowl is a common string pattern bowl in the Tang Dynasty. The mouth is turned outward, the bowl is shallow and almost vertical, and a string pattern is raised in the middle of the bowl, which circles the foot.
The three-legged small plate is of shallow type, with the edge of the plate folded flat and the bottom of the plate flat, with three short breast feet underneath.
In addition to these small utensils such as bowls and plates, the largest thing should be the porcelain pillow.
Chen Wenzhe could tell that among the broken porcelain pieces here, porcelain pillows were the largest in number and of many types.
Maybe it was because of the different types that the young man opposite brought several pieces of this kind of broken porcelain at once?
For example, there is a very obvious rectangular small pillow, which was a popular style in the late Tang and Five Dynasties.
The production method is roughly to cut the prepared twisted tire blank into thin slices and then glue them into shape.
Generally, the bottom is not twisted. After drying in the shade, the four corners are rounded, a round hole is dug on the back, and finally the blank is glazed and fired in the kiln.
It can be seen from this that the production process of twisted-body porcelain is more complicated than that of ordinary color-glazed porcelain.
Among these twisted porcelain tiles, there is also a small pillow. Three groups of circular flowers are twisted on the pillow surface and arranged in an equilateral triangle on the pillow surface. The three groups of flowers are roughly the same, forming a very decorative picture.
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This kind of twisted tire seems to imitate the lacquerware craftsmanship.
This craft is not simple. It is called the immortal splendor for thousands of years. In fact, it refers to the traditional rhino paint craft, also called rhino craft.
This is a popular form of lacquer art expression. "Rhinoceros skin" is not rhino skin, but is often filled with yellow, red and black colors. The texture is often like rhino skin or tiger skin, so it is often called
Known as "rhinoceros skin" or "tiger skin lacquer", it specifically refers to a decorative craft in ancient lacquerware production.
Anyway, the effect produced by doing this is very special and beautiful.
Once again I couldn't help but glance at the young people across from me. They were really awesome. The fragments I selected were all extremely representative.
There were a lot of fragments, and Chen Wenzhe didn't look at each piece more, so he picked up a few pieces again.
There are actually words on the fragments of these porcelain pillows. No wonder they were specially selected.
Porcelain tiles with inscriptions have absolutely different values than those without inscriptions.
Looking at Du and Pei above, Chen Wenzhe knew that these were the "Du Family Flower Pillow" and the "Pei Family Flower Pillow".
This kind of porcelain pillow is still handed down from generation to generation. You should know that there are many hand-wrapped fetal pillows handed down from generation to generation, and many of them have been scattered abroad.
There is one in the collection of the Maritime Museum. That porcelain pillow also has three groups of flowers on the pillow, and the four characters "Du Family Flower Pillow" are engraved on the bottom of the pillow.
There is another one in China, with the four characters "Pei Family Flower Pillow" engraved on the bottom.
It can be seen that this type of porcelain pillow in the Tang Dynasty was called "flower pillow".
From this we can also know that there were workshops specializing in the production of flower pillows at that time, and famous people such as "Du" and "Pei" appeared.
However, many of these porcelain pieces are from the Northern Song Dynasty, not all from the Tang Dynasty.
However, the presence of writing indicates that these porcelain pieces are from the Tang Dynasty, which is more interesting.
In fact, these pieces of porcelain are not important, what is important is the only intact small cup.
Only it can give Chen Wenzhe a complete experience.
This is incomparable to those broken porcelain pieces. I just don’t know what happened to this little cup.
I hope it wasn’t buried along with the broken porcelain pieces after it was fired?
If so, Chen Wenzhe would only be able to see the firing process of this small bowl.
When his eyes fell on the small cup, Chen Wenzhe knew that among the twisted porcelain cups, there were many small cups, some with a slightly taller body and some with a shallower body.
This is just an ordinary small cup, it can be considered a tea cup!
"Can you get started?"
"Okay!" The young man was very satisfied with Chen Wenzhe's attitude.
After all, this small bowl is different from those broken porcelain pieces, so you can't be too careful.
Pick it up gently and you will see that the bowl is quite well-shaped and the mouth of the bowl is a perfect circle when viewed from above.
The overall shape of the vessel is close to that of a jianzhan with a deep mouth and a deep belly. The most special thing is the pattern that goes deep into the vessel's body. This is not painted on.