Although the area dedicated to high-quality imitation porcelain from the Republic of China was not crowded, every few steps there were people admiring the high-quality imitation porcelain produced during the Republic of China.
Many of them are personal collectors, and they probably come here just for these Republic of China porcelains.
As for the guys on the other side, I'm afraid they are all the same as Wu Er.
In recent years, there have been more and more porcelain collectors, and the concepts and categories of collections have become more and more diversified.
Porcelain of the Republic of China, which has never been taken seriously by people in the past, is now being auctioned at high prices.
However, compared with the official kilns of the Ming and Qing dynasties, which cost tens of millions, some porcelains from the Republic of China that lasted for nearly a hundred years are still affordable to the people, so there is room for appreciation that other porcelains cannot match.
It is for this reason that some people pay special attention to the porcelain of the Republic of China.
The so-called porcelain of the Republic of China refers to the porcelain produced between 1911, the fall of the Qing Dynasty, and 1949, the founding of New China.
In the history of domestic ceramics, the porcelain of the Republic of China was never included in it.
Among the various ceramic books and periodicals published on the market, very few of them write about the porcelain of the Republic of China as a special category, and it was even regarded as "street stall goods" by collectors.
In recent years, many people in the collecting community have begun to specialize in collecting porcelain from the Republic of China, and even believe that good porcelain from the Republic of China is no less good than the official kilns of the Ming and Qing Dynasties.
As time goes by, these porcelains will surely achieve high prices at auction.
This is the conclusion reached by professional analysis. Chen Wenzhe got this conclusion from the gold medal.
And he also knew that some of them were high-end imitations from the Republic of China, which had already fetched sky-high prices.
According to estimates from Gold Medal Auction, the porcelain collection market in the Republic of China will increase by at least 30% every year in the future.
After just taking a few steps forward, I saw an enamel-colored consecrated Landscape Ruyi Wandaizun that was being watched by everyone.
This is still a standard piece of antique porcelain from the Republic of China. It can be regarded as a high-precision porcelain made during a special period.
During the Republic of China, due to the collapse of the Qing government, a large number of Qing Dynasty palace products were lost to the people.
In the early years of the Republic of China, Guo Baochang went to Xijiang to supervise the burning of imitation palace utensils of the third dynasty of the Qing Dynasty in preparation for Yuan's proclaimed emperor.
Under the social environment at that time, the trend of imitating official kilns of the third dynasty of the Qing Dynasty became popular instantly.
Various warlords and political dignitaries have imitated and fired porcelains of the third and third dynasties of the Qing Dynasty in Jingzhen.
This type of porcelain has been highly sought after by the market and collectors in recent years due to its sophisticated craftsmanship, bright colors, the fact that it was mostly fired by craftsmen from the royal kilns at that time and is rarely handed down from generation to generation.
Among them, imitations of enamel porcelain from the Yongzheng and Qianlong periods are the most rare.
In the auction held by Shendu Poly in June 2010, an enamel-colored landscape consecrated by the Republic of China in 1947 achieved a sky-high price of 2.24 million yuan, becoming the highest price for porcelain in the Republic of China at that time.
The one in front of me is definitely not that one, but the price is definitely not low either.
Sure enough, after taking a closer look, I found that the price of this piece was five million.
You don’t want to sell it, otherwise why would you mark it at such a high price?
Chen Wenzhe glanced at Wu Er in the distance, chatting and laughing with some old men.
I’m afraid that many of the things he has here are not for sale, right? For example, those things whose prices clearly exceed the market price!
"Republic of China pastel Jiangxi ten sceneries vase? Height: 23 cm!"
Looking at the bottle in front of me, the painting is a little worse, but the painting covers the entire bottle. This is not bad, and the price is 550,000.
The price is definitely not low, but compared to the previous Bandai Zun, there should be no problem buying this one for collection.
Investment collections are definitely more profitable than various financial management, but you have to have enough vision, otherwise you will lose everything.
Wu Er still has some conscience, and he can still take a look at the replicas of the Republic of China here.
However, many of them are ordinary products!
Boutique ones are things that are relatively large in size.
Large porcelain and porcelain with complex shapes are difficult to imitate, so their prices are relatively high no matter what time they are.
Don’t think that without official kilns in the Republic of China, there would be no fine porcelain.
After the fall of the Qing Dynasty, the previous official kilns were disbanded, and many official kiln painters and porcelain makers who were responsible for manufacturing royal porcelain had to find other livelihoods.
Some entered the Xijiang Porcelain Company established by the Republic of China government to produce ornamental porcelain for the Republic of China government.
Some entered Chunlin Pavilion to make practical porcelain for the Republic of China government.
There are also some people who choose to start their own porcelain kilns to make a living.
From royal palaces to daily utensils, the masters’ exquisite porcelain products were made available to the common people, and their techniques began to be spread among the people.
At the same time, the new types of porcelain created during this period, such as new pastel porcelain and light crimson color porcelain, were also unique and can be called a porcelain art renaissance after the late Qing Dynasty.
For example, the most representative one is the color-glazed porcelain of the Republic of China that imitates the color of the previous dynasty.
Color-glazed ceramics are originally the most strictly controlled varieties in official kilns and are also the varieties with the highest technical content.
Some varieties are quite difficult to fire even in official kilns.
For example, the Kangxi cowpea red glaze of the Qing Dynasty was only fired during the Kangxi period.
By the Yongzheng period, it could no longer be fired due to the raw material formula. The porcelain fired at that time was dark in color and resembled rat skin, so it was commonly known as "suckling rat skin".
In the late Qing Dynasty and the Republic of China, products imitating Kangxi cowpea red appeared in the antique market to the extent that they were almost fake.
Obviously, such a high imitation of the Republic of China must be valuable.
For example, the cowpea red glaze willow leaf vase in the late Qing Dynasty and the Republic of China, and the cowpea red glaze bowl in the late Qing Dynasty and the Republic of China.
These prices exceed one million, and this is the porcelain of the Republic of China.
Going forward further, Lang Yaohong appears.
Langyao red is also a rare variety of copper red glaze, which was only produced in official kilns during the Kangxi period.
However, in the late Qing Dynasty and the Republic of China, imitations also appeared in such a way that it was difficult to tell whether they were genuine or not, so antique dealers had to spend a lot of time to find the key to identification.
The imitation of cobalt blue glaze is also very successful, and other imitations such as tea powder glaze, kiln glaze, celadon glaze, etc. are also relatively similar.
Low-temperature glazes such as yellow glaze, green glaze, rouge glaze, etc. are praised by antique merchants as "famous products without tackiness".
These Republic of China imitations are really extraordinary.
Looking at the imitation Longquan glaze-shaped lotus and phoenix tail vase from the Republic of China in front of him, Chen Wenzhe was also a little amazed.
He has the most say on Longquan glaze, but when he saw the high imitations made during the Republic of China, he could only express his admiration.
Next, Chen Wenzhe also saw plum vases from Ding kiln in the Republic of China, Ruyi flower pots from Jun kiln in the Republic of China, etc.
This is an imitation of the porcelain from the Fing kiln and Jun kiln. From this, we can also see that there were many masters during the Republic of China.
"Jurentang made an apricot flower plate? This pastel is really good!"
This plate is in a festive style, and the glaze is consistent with that of the Qingguan Kiln!
This is not a low evaluation. You must know that such porcelain means that it is fake and almost fake!
What is high imitation and fine imitation? This is it!
The price of porcelain of this grade is naturally not low. These painted porcelains of the Republic of China imitated from the previous dynasty, as long as they are well imitated, the price is not low.