Before Ye Ying was about to sneak into the house of green friend Rie Hui, Gu Xing had planned to arrange for Naya to take action and take out the living figure doll on his behalf, but Naya showed firm opposition.
Gu Xing instantly understood: Midorito Rie's home is probably scarier than Yoshida Mamoru's studio. Does this also mean that Midorito Rie's rule level is actually higher than Yoshida Mamoru's?
Not being able to control that much, Gu Xingyu followed the rules of Gray Eyes and appeared behind Ye Ying in an instant. A paper airplane flew out of his hand and flew in front of Ye Ying.
Opening the paper airplane, Ye Ying saw the word "Danger" written in a hurry.
She turned around and the faceless director had disappeared.
"Of course I know the danger."
She murmured to herself and opened the door of Midori Rie's house. There was a lock on the door, but it did not contain any weird rules. Any investigator trainee assistant could easily pick the lock, which was a basic skill they learned when they first participated in the training.
.
The moment he walked in the door, Ye Ying felt a powerful force that seemed to contain the rules of time and space rushing towards his face. His whole person immediately turned into a black shadow - this black shadow did not belong to the category of rules, but after turning into a black shadow,
Night Shadow will temporarily lose its human attributes, reducing the chance of being locked by weird rules.
Avoiding the strange rules at the door of the house, the black shadow stuck to the floor and sneaked into the house. Along the way, Ye Ying smelled the breath left by the living person, and immediately understood that after knocking on the door of Midori Rie's house that day, the soul of the living person had also passed by.
here.
Following the breath of the living person, Ye Ying walked all the way into the innermost room. In the center of the room stood ten neat rows of wooden display racks, with lifelike figures placed on the display racks.
Before carrying out the mission, Ye Ying had carefully studied Midori Rie's information, learned about every doll she had made in the past, and savored the details. At this moment, what was on the display shelf was Midori Rie, who had never been sold.
All figures that have been taken off the shelves voluntarily.
Ye Ying could feel the powerful power of rules emanating from each figure, far exceeding her expectations before entering the door, but she had no idea of shrinking back.
In the darkness, she wandered around the figure house like a black shadow, trying to find the living figure - it must be the only one among the tenth generation dolls that was not bought by the death row inmates.
Soon, Ye Ying found it - there were a total of twelve places for displaying the figures on the last row of display shelves, but only one figure was displayed, which looked empty.
The figure was named Soli by the green friend Rie. He is a male, with a green afro, a flamboyant expression, wearing earrings, hands in his pockets, a green leather jacket on the upper body, and yellowing jeans on the lower body.
Ye Ying has carefully learned about Soli's information. Among the ten generations of figures designed by green friend Rie, except for the sixth generation of Soli, every other generation of Soli has an out-of-the-box personality and full of personality.
There was a thick book placed on the side of Solly. Ye Ying hesitated for a moment, then revealed a slender black shadow and sneaked into the book.
Soon, Yeying understood the entire content of the book and was surprised to find that it actually recorded the first half of Solly's life from a first-person perspective, from his birth to his thirties, every bit of his life and thoughts.
The ups and downs of life and the inescapability of fate have all turned into words of despair. And those words are still continuing, and may not end until Solly dies.
In the detailed description of the text, the book also constructs an extremely real, rigorous, and complex world.
There are equally grotesques and rules, and rules are pitted against rules, and grotesques are pitted against grotesques.
What is different from the real world is that the world in the book has entered the apocalyptic era, where weirdness is rampant on the track of rules, and the surviving humans are eking out an existence in the cracks between rules.
Ye Ying is a little confused whether this book is Midori Rie's prediction of the final direction of the real world, or whether it is just a fantasy world she specially constructed to perfect the characters and background. In short, it makes her despair everywhere.
She flipped through the book carefully and finally saw the name of the living person in the latest chapter - he traveled from another world to the world in the book.
The ability to die as a substitute has become a rule in the book, but the last days are really difficult, and the living are also struggling to survive.
Thinking of the prisoners whose souls were sucked into the figures, Ye Ying immediately understood: what is contained in the figures is the world described in the book - the figures are the world, and the book is a live broadcast of words.
She immediately tried to stretch her hand out of the shadow to grab the figure, but when her fingertips were about to reach out, she felt the strong suction of rules wandering outside the shadow - the power of these rules did not come from inhalation.
Figures of living souls, their owners are other dolls in the house.
Ye Ying immediately thought of two things clearly - first, once out of the shadow, he would be immediately involved in the rules of the figure. Second, the figure that had absorbed the soul of a living person would no longer "eat people".
She thought for a while, and in the form of a black shadow, she began to wander among the display racks, doll figures, and books. She also used the black shadow to explore the world of each book one by one, and finally determined that each book had a detailed record of where it belonged.
The life that the figure character has walked.
"Rebirth of the Great Era of Fighting Waves"
What particularly surprised her was that the twelve dolls on each row of bookshelves were in the same world -
This discovery came from the fact that she could find the names of the remaining eleven figures in any book, and saw their vivid images, distinctive personalities, actions and almost destined fate from the perspective of the main figure.
They talk to each other, collide with each other, know each other, love and hate each other, and become enemies and friends.
The descriptions of the same world in different books complement each other, complete each other, and are slightly different. The details observed by different characters, different perspectives, the psychological activities generated and the different perceptions of the world, life, and other characters,
Making the whole world more real, more full of contradictions, and more nuanced.
Immediately afterwards, Ye Ying made another important discovery - the ten rows of bookshelves actually recorded ten parallel worlds.
Many characters among them intersect, overlap or miss each other. Some characters exist in this parallel world, but completely disappear in another world; some characters are important in this world, but are insignificant in the other world;
Some are the embodiment of evil in this world, and some are saints who sacrifice themselves to save the world in another world.
Their original origins are undoubtedly the same, but due to the different decisions made by the twelve figures, they took completely different trajectories and headed for parallel and intertwined endings——
In some worlds, humans finally defeated the grotesques and became peaceful; in other worlds, they were completely reduced to grotesque playgrounds and headed for the apocalypse; in some worlds, humans and grotesques are still competing and colliding one after another; and in some worlds, more terrifying grotesques are ushering in.
With the advent of the epidemic, the future becomes unknown and confused.
Ye Ying read almost all the worlds and all the figures in the figure house at a speed that was unbelievable to him. His inner world was severely shocked and shaken, and he almost doubted whether the real world he was in was real.
The world of existence.
Or perhaps, it is just an insignificant one among thousands of parallel worlds.
Finally, she returned to the figure doll where the soul of the living person was sucked into it.
She suddenly figured out what she should do to take away the living people from this terrifying and bizarre hand-made house——
――――――
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(The following continues from above)
After writing his last words and matters that needed to be explained in the black shadow, Ye Ying calmed down his agitated mood, stretched out an arm outside the black shadow, and grabbed the figure doll...
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