0530 Chapter Eleven: The Chaotic World (Section 33)
"Let me look into it."
Zhen Cheng fiddled with a large bag of clones in his sleeves and tried to perceive the gods from the five-dimensional perspective.
A spatial structure that seemed to have layers of double shadows that I saw for the first time when I ascended to the godhead unfolded before my eyes.
At this time, Zhen Cheng already understood the meaning of the rules represented by each layer of double images, but he was still not used to being suddenly photographed with such a large amount of information in front of his eyes.
As Senior Sister Justice said, becoming a god does not mean you can fight like a god. There is also a long process of trial, familiarity, and mastery that needs to be gone through.
Among all space ghosts, cosmological constants such as gravity, electromagnetism, and mass density are the easiest to understand and capture.
Those true gods who move mountains and fill seas with a wave of their hands, build walls with air, and crush people to the ground with huge gravity are just scumbags among gods.
To create thoughts in the collective subconscious of dreams, or to find the path to reverse reality from abstract language vocabulary like Zhen Cheng, is the high-level knowledge of the gods.
Theoretically, there is no limit to the laws that a god can control. But the more alienated one is from the way of sublimation, the difficulty of understanding and mastering it will increase exponentially.
Generally speaking, it only takes a few months or even a few days for top geniuses to master the laws that their own way of sublimation points to.
But if the same god wants to master the application of the second type of law, it will take at least thousands of years.
Those laws that can be seen clearly but cannot be controlled from the five-dimensional perspective of gods are like listening to a piece of music for ordinary people. You can be sure of what you hear and feel the emotions in it.
But if you want to master it, it is equivalent to asking you to play the music immediately after hearing it.
Keep the original speed and make sure not to miss a single chord texture.
What's even more exaggerated is that this piece of music is constantly continuing and changing. You will never be able to repeat it through rote memorization and repeated practice.
The only way to master it is to be familiar with the rules of harmony, melody and texture patterns, and then infer the sound pattern of the next section in advance.
This is your path to sublimation along the way.
At the moment, Zhen Cheng's perception is focused on the laws of space. She cannot understand how these laws operate, let alone use them again.
But the traces of laws left by these little clones in time allowed her to "see" what happened before the laws of this place.
First, there is the imprint connecting the door to the same room on the third floor; next, there is the twisted and grafted stairwell on the second floor...
Pushing back step by step, Zhen Cheng suddenly realized that the twisted guy who first fell out of the cupboard was not a mutant of the original ancestor Thetis, but an unlucky candidate from the Society of the Past.
Among the marks where [their] abilities were used, it was a spatial attack directed at Zhen Cheng himself.
Perhaps the masked man who controlled [them] at that time did not have relevant experience. This failed attempt proved that [their] power was not enough to break the laws derived from a god's own godhead.
That miserable guy with upside down limbs and head actually died in Zhen Cheng's place. Her godhead prevented [their] power from acting directly on her.
The unlucky ghost was at the critical point of the attack and therefore suffered most of the backlash from the Space Law.
And from the slanted metal face on the masked man's corpse, we can see that as the initiator of that attack, he himself was not much better.
The backlash of his dislocated facial features made his next series of attacks even more difficult and unscrupulous. Only in the end did he have to admit in despair that his master's arrangement had no way of defeating the enemy.
In the final analysis, all the arrangements in this "trap" are designed to stifle the growth of the successor to the seat of "Murder of the Preface Poet", and are not prepared for the completion of the "Preface Poet" as a god.
"Destiny" has a deep plan, taking advantage of every opportunity and laying traps. The previous series of experiences of being plotted by others and always being on the passive side even made Zhen Cheng look up to the hostile "destiny".
Unfathomable awe.
But standing in her current position, she has just realized that Qu Yun is not unable to keep up with the plan of "destiny", but chooses to use force to overcome skill, and makes herself and Sister A invincible through the incredible speed of promotion.
.
With such a layout, no matter how many murderous intentions the opponent planted a hundred thousand years ago, they would probably be the first to fall behind. After missing the initial opportunity, they would completely lose control of the situation step by step.
If this switch is used as the idea of a training method, why Qu Yun allowed "fate" to successfully leave a back-up plan at every critical point is worthy of a question mark.
The method of cultivation is to make all participants think they are acting for their own purposes, but in fact they are promoting the plan of the executor.
And Qu Yun's move not only made "Destiny" think that he was in control of the overall situation, but even made the [Poet of Murder] 100,000 years later mistakenly think that the enemy was in control of the overall situation, and worked desperately to improve his realm.
They are all interconnected and cannot be separated from each other. Without any link, the current situation will not develop, but any link will inevitably happen because of the correlation with each other...
Zhen Cheng was taught another lesson today.
"I probably figured out how to use [their] power." Zhen Cheng carefully savored the causes and consequences of everything that happened in his hometown world, and analyzed their power of laws based on what he had learned.
When Justice heard this, she was not moved at all, as if it was a matter of course.
If you want to turn changing the rules of the world into your own instinct and integrate it into a part of your godhead, you must have something to do with your own way of sublimation to do it in a short time.
But for extraordinary beings and gods who want to use the laws of space, but their own way of sublimation does not contain relevant elements, [their] existence is equivalent to recording music into musical notation that originally required immediate listening and recording.
As long as you can read music, you can play the same sound according to the music.
The methods of reading music were all included in Qu Yun’s course a week ago.
At that time, Zhen Cheng and Ai Luogensi probably didn't know what they were learning. They just thought it was some kind of natural science that uses a high-dimensional perspective to analyze basic physics.
But presumably Justice and other senior students who already possess divine status may have already guessed part of the teacher's plan at that time.
"If you want to find the boundary manager, you can't escape from the connection with the laws of Lamarck's game." Zhen Cheng took one hand in his sleeve and played with a lot of similar clones. He felt something and said:
"It's too late to think of ways to take you with me. Everyone, just wait a moment. I'll be back soon."