Chapter 30 The history of destruction etched in the temple, the tainted Sun King
In the Golden Country, the power that initially hindered Helena and his exploration of the Bronze City no longer exists.
The "enchantment" that prevented Helena from searching for the missing person was actually a spatial barrier that separated the current underground world from the Bronze City.
But since Bu Shun led everyone to the Golden Land in person, this barrier has automatically disappeared.
……what does that mean?
Both Bu Shun and Helena knew it well.
What is more intuitive is that Helena has been able to easily open a direct passage to the temple through the mirror field system.
You must know that at this moment when all these protections have not been eliminated, the power that protects the foundation for the Seven Deadly Sins is also protecting Norton's temple. Even someone as strong as Helena is not willing to rashly invade the carefully laid out layout of a dragon king.
field of.
And Helena's current strength, based on the mental standard she summarized, is level 100...
——The limit of the fourth level!
"Isn't there a trap?" Looking at the swaying firelight behind the passage in front of him, Old Tang couldn't help but swallowed his saliva, with a worried look on his face: "I always feel like something will jump out as soon as I pass by!"
"Don't worry, the temple will not be in danger."
Bu Shun smiled slightly and took the lead: "As long as you are by my side, I will protect you in the face of real danger."
The moment he stepped into the passage, Bu Shun's figure in a white uniform coat disappeared in front of everyone.
Then Helena followed her commander's footsteps into the passage, and Lu Mingfei and Chu Zihang also eagerly picked up their weapons and walked side by side into the unknown space.
At this point, no one else has time to hesitate.
No one would want to stay alone in this endless purgatory without the backbone of the chief gentleman. Caesar frowned and supported Chen Motong, and followed Ye Sheng and the others quickly into the passage, leaving Old Tang alone looking at the passage in despair.
Why was I, an inconspicuous little person, involved in this terrifying and fantastic journey?
Old Tang thought that he should be scared, but for some reason, he felt inexplicably relieved.
Maybe it was his own misunderstanding, the young man scratched his head.
Finally, he also entered the boundless darkness.
…
…
Walking into the passage, Old Tang only felt a tremor.
It feels a bit like walking into a train car that has just started moving. With a slight shaking feeling, the body starts to move in a certain direction.
However, after about three or four seconds, it has already "arrived".
This is the side hall of the temple, and the golden metal is cast into the walls of the palace.
The eternal flame swayed in the bronze lampshade on the wall, illuminating the slightly empty space.
Countless spaces similar to bookshelves are scattered everywhere in an orderly manner, and iron books are placed in them.
Full of a...civilized feeling.
Civilization, civilization.
Ever since hybrids were recorded, the dragon race seems to have never been regarded as a civilization by arrogant humans.
Rather, they are a group of intelligent beasts with great power.
But the scene in the library before us proves that the "dragons"... are definitely not beasts.
Recording what happened in the past is accumulating wisdom and remembering history - this is the symbol of civilization.
Old Tang, who was the last one to walk out of the passage, had just landed and his eyes had just adapted to the new environment when he saw Lu Mingfei and his party standing together, looking up at something.
"What are you looking at?"
His curiosity aroused, Old Tang moved closer to Lu Mingfei and looked up like him.
What comes into view is a huge mural that fills the entire bronze ceiling - perhaps it should be called an etching?
Lu Mingfei shook his head and lowered his voice subconsciously: "It seems... something like history?"
Mural painting is an ancient and traditional way of recording. The Dragon Clan is used to recording important things on bronze buildings. This custom probably originated from Norton - because he is the king of bronze and fire.
The four dragon kings control different elemental fields, have different personalities, and use different methods.
For Norton, bronze is a material as familiar and convenient as flesh and blood. Coupled with the birth of alchemy, it became the cornerstone of dragon civilization. Eventually, the habit of using bronze as a carrier spread to the entire dragon clan...
After all, ordinary dragons are not capable of recording history in wind and light, plants and soil.
The surface of the bronze they saw at this moment was carefully painted with abstract but exquisite colorful pictures using various metallic pigments.
In the painting, an orange sun shines on the vast earth, and giant trees grow on the ground. But this is not the barbaric primitive era, and the creatures on the ground are not giant beasts matching the giant trees, but each one grows from the tree.
A little person growing out of a tree.
Like a dwarf.
The pictures also carry descriptions in dragon script, which facilitates the interpretation of the pictures by those who come after them.
The number of characters is not large, but the characters of the Dragon Clan are extremely complex abstract symbols. The meaning expressed by one character is likely to be equivalent to a large paragraph, and even contains corresponding spiritual imprints.
Lu Mingfei and Chu Zihang are not yet able to read such complicated dragon texts... However, there are professional masters here.
Helena spoke:
"The text above records the events of a race called Muria about 28,000 years ago."
"This race is a race that has received the blessings of the king and is born with gifts. It grows from the giant trees rooted in the lava underground."
"They developed excellent biotechnology, were able to use the energy of light, and established a prosperous civilization on the earth... However, this stupid and pathetic creature actually spied on the power of the sun."
"They intended to dominate the sun that gave them gifts and the power of infinite light, so as to reach the height of kings... It was this greed that ultimately led to their destruction."
Helena's voice paused slightly: "In the end, the king's anger turned into meteors and rain of fire bombarded the earth, completely wiping out this stupid race that dared to offend the king's divine power... and the roots of the giant trees where they lived were also burned.
, the world thus returned to an environment of fire and heat.”
This chapter is not over yet, please click on the next page to continue reading the exciting content! Everyone in the group was fascinated by it, even Chen Motong was no exception.
At the end of the mural, there is a picture of a seven-horned dragon embracing the sun, releasing endless flames and light, wiping out everything on the earth...
The exquisite strokes depict the god-like dragon in the most gorgeous way, as well as the sun embraced by him, and the earth turned into scorched earth, which can even make the viewer feel the burning feeling in the heart.
no doubt.
What this mural records... is the destruction of the so-called "Third Sun Age".
Muriatto Requiavi was the civilization of the Third Sun Period recorded in Mayan legends. According to secrets, it was destroyed by the fire rain of meteors. Among the dragons, only the King of Bronze and Fire fits this description.
But Bu Shun remembered the scene of Norton's destruction when he first entered the historical reconstruction instance.
But Chu Zihang, who is a good student, is confused: "Does this mean that the destruction of the Third Solar Age...actually happened in Svartalfheim?"
This can indeed explain why there are no traces of the Third Solar Age on the earth, because the destruction of this civilization actually happened in the world "next door" to the atrium.
The Mayans may have obtained some vague records from the Murias who fled to the Atrium, and they eventually became part of the doomsday prophecies and were passed down to their era.
But the problem comes again.
What puzzled Chu Zihang was that Norton's genus... wasn't a dwarf?
In records like this temple mural, those that do not include the Riddler must be very accurate. The Dragon Text describes the Murians as a people who were born with the gift of the king. In other words, they belong to a certain dragon king.
!
The Murias growing out of the trees in the mural appear to be similar to dwarfs, but they are obviously not the same species.
And I can't feel their connection with Norton, the Lord of Bronze and Fire... According to the description on the mural, not only are they not good at forging, they don't even use metal! Instead, they grow all kinds of strange plants!
Lu Mingfei complained: "They look like they came from the set of Plants vs. Zombies."
In terms of painting style, this race is not the same as Norton. It is not as "well-matched" as the dwarf and the Lord of Bronze and Fire... It gives people the feeling that, ah, Norton's attributes should be like this.
Regarding Chu Zihang's question, Helena shook her head and said softly.
"According to legend, the place where the Muria people live is called the Mu Continent. It is a fertile land rich in products."
"But in the world of dragons, the place where they live is called Muspelheim..."
"That's the territory of another Dragon King."
Lu Mingfei and Chu Zihang shrank in miniature. At the same time, they thought of the secrets they learned in the gray capital Coinya Hiss.
The Lord of Bronze and Fire—there are two of them!