Chapter 638 Steadily entering the Age of Discovery!
[I have logged in to the unowned ship, do I want to register as the captain?]
【whether】
After driving the raft close to the large ship obtained through character synthesis, Yu Liang couldn't wait to climb up the rope ladder on the side of the ship and climb all the way up to the deck.
As soon as he got on the deck, Yu Liang received a reminder from his personal page. This was a rare prompt box message in recent days. If it weren't for this prompt box message, he would have almost thought that he had lost contact with the official website of Guitan World.
This kind of news also cheered up Yu Liang's heart. At least it showed that the world of ghost stories had not completely lost control of this copy.
The situation is not bad enough to get out of control.
Yu Liang studied the option of registering as a captain, which basically meant giving up the ownership rights of the original raft and instead acquiring this two-masted sailboat, which was huge compared to the raft.
Naturally, there was no need for too much hesitation. Yu Liang quickly chose the identity of registered captain and officially became the owner of the sailboat.
——
ketch
Length: 24 meters
Tonnage: 245 tons
Ship type: basic type II
Active Captain: Yu Liang
crew:(……)
Through the three-dimensional model display of the ship on his personal page, Yu Liang had the most basic understanding of the entire ship.
As an illiterate person in navigation, his greatest achievement in this field was to sail a six-square-meter raft on the sea for three days and three nights.
However, An Buchen in this state may have given him the best thing he could get, so he naturally wanted to make good use of this gift package for newbies.
The ship model can be "boat" by default, and mixed as a radical with "lead" that has lost its metallic texture, thus obtaining the "ship" character, and the noun character will directly become a physical object and appear in the copy space.
Yu Liang recalled that even if he was blind, he could still identify it. The two-masted sailboat now revealed by making the character "boat" was the one that was originally in the drifting bottle.
The two models are very similar, just the proportions are different.
This shows that the ship that can be embodied by the character "boat" depends largely on the model of the "boat".
The "boat" in the previous character synthesis was a two-masted sailing ship in a drifting bottle, so after synthesizing the "boat" character, he got such a two-masted sailing ship.
Of course, what is in this floating bottle is just a ship model toy after all, and it is not a very professional and detailed model. Therefore, the result of the AI analysis in the glasses is a mixture of several ships without a fixed name.
To put it bluntly, it can only be said to be a sailboat, a two-masted sailboat that uses wind power as the main force and manpower as the supplement.
After boarding the ship, Yu Liang could feel the size of the ship, but after the AI explanation, he also understood that such a two-masted sailing ship could only be regarded as a medium-sized ship, and it was incomparable with the large ships of the same era, let alone
There are also some modern and even modern very large ships with a displacement of tens of thousands or even hundreds of thousands of tons.
Combining the information he got from Wangcheng Bookman, Yu Liang basically made some guesses that there was a cruise ship on this endless ocean.
I'm afraid there are some models of large warships, ships and even modern warships in this dungeon world. The "ship" characters synthesized using them may be real warships, ships and modern warships.
It's okay to bully a two-masted sailboat and a raft, but if it really encounters something like a cruise ship, I'm afraid it will be torn to pieces in an instant.
Generally speaking, the current ship is an ancient ship from more than ten centuries, with a wooden structure as a whole, and only the lower half of the hull below the waterline is laid with copper plates.
There are some empty wooden barrels on the bottom floor, which are probably used to store grain and other goods. However, Yu Liang's ship is brand new and has nothing, so the bottom floor only has a large number of ballast stones to resist buoyancy.
The second floor should be the crew room, with about ten bedrooms, dressing rooms, kitchen, etc.
In addition, there is the superstructure, including Captain Yu Liang's forecastle and the fat and slightly bloated poop.
The ship is not too big, but it can still easily accommodate dozens of people. However, to successfully drive such a ship requires a certain number of people. At least Yu Liang alone will never be able to drive it normally.
Fortunately, Yu Liang is no longer alone.
After acquiring an entire ship, Yu Liang's own abilities have been greatly liberated. Now he still has a six-slot inventory and a four-slot character slot, but the stamp slot and monster slot have not been unlocked, but the alienation
A lot of abilities have been unlocked.
There are many strange creatures that can be summoned, which just makes up for the current shortage of manpower.
Under the limitation of the overall strength of the kaitan creatures, Yu Liang still prioritized summoning the kaitan creatures that could work, and first launched the entire ship.
The first is the 37 little paper figures. Although they are slightly smaller in size, overall they are definitely the most suitable crew member.
They are highly intelligent and have the physical fitness of a normal adult. Some operations that cannot be completed by a small body can be completed by merging into a large paper man. This is a unique skill taught to them by "Zhi" a long time ago.
This is equivalent to having twenty normal crew members, which is enough to start the sailboat and enter normal operation. Secondly, the remaining cosmic strength can also summon two strange creatures with a T1 gradient. After thinking about it, Yu Liang
I chose the Scrooge and the Snake-Eating Dream Dragon.
As a steward-like character, the Scrooge is naturally the most suitable to serve as the first mate. It can help Yu Liang reduce the pressure of taking charge of a ship, thereby enjoying the benefits and better bringing out the writer's own character characteristics.
And the words of Snake-eating Menglong...
Now it is also suppressed by the ocean, so it can only maintain a slender body of about ten meters. If it is longer, it will be exposed to the range of the ocean and be greatly suppressed, and there is a risk of losing consciousness and sinking into the sea.
Even so, with its floating ability and full resistance, it is still the most perfect player in "fighting" at sea. It can easily destroy the vitality of other ships, and even directly penetrate some small and medium-sized ships, causing them to leak.
sink.
This chapter is not over yet, please click on the next page to continue reading the exciting content! From this point of view, its ability in gang fighting is even more exaggerated than that of T1 warriors like Li Chaoniang.
Perhaps the frontal combat effectiveness is not good, but its opponent is never a normal target, but the ship itself.
The remaining T1 monster creatures to be selected include the Whistle Beast Mother and the Human Snake. The Whistle Beast Mother is indeed good. It can produce a near-constant supply of Whistle Beasts to assist in combat, but Yu Liang doesn’t know what he can give to the infant Whistle in this sea.
Beasts are parasitic, and the whistle beasts produced can only be used in combat. Their intelligence level cannot understand complex work instructions.
As for the human snake...
Yu Liang had thought about using him as a trump card. After all, the two-dimensional human snake could entangle small and medium-sized ships and sink them into the ocean.
It's just that this kind of sinking requires special rescue by human resources, otherwise the human snake will become a disposable shipwreck and can only sink small ships.
Furthermore, it is too inconvenient to have such a huge creature on board, which will affect the normal operation of the ship. It is far less worry-free than eating a snake.
Coil it into a ball and throw it into the utility room, throw it into a dog bowl and create some dream energy, which is enough for Snake Eater to stay for a day.
Anyway, this guy is immersed in his own dreams every day, so he doesn't need to go out for too many activities. At most, he can just bask in the sun during the day.
In the end, the last remaining summoning limit was successfully used to get two Cao Ying mecha pilots. Their strength was not high, but their abilities should not be underestimated.
There are two bone machine guns, two Cao Ying mechas and two boxes of ammunition in the six-slot inventory. The mecha pilots are not very effective in combat, but they can definitely take on the task of combat sailors after boarding the mecha.
You can also do some simple tasks that require physical strength, such as carrying goods, etc. It will be very useful as a helper for paper people.
At this point, the manpower required for a sailboat has been gathered, including the captain, first mate, helmsman, navigator, main and mate, helmsman and deckhand, and there are three sailors who are ready to go into battle at any time.
It seems that in the end, Captain Yu Liang has no work to do, and may have to enter the kitchen on the second floor to prepare food for the crew for the next day.
After Yu Liang got on the boat, because he could not carry the original raft, he packed up all the resources and took it away, restored the raft to its original size of 1*2, and destroyed the raft after boarding his new boat.
Since you can't take it away, you might as well destroy it. You can't leave it to the indigenous people on the island, right?
Two heavy-duty bone machine guns are placed on the top of the forecastle and the top of the poop respectively. They have an excellent shooting range and can provide the most basic fire support for the ship.
Of course, it is impossible to rely on a bone machine gun to sink other ships. Only a 35-pound heavy gun can do that. The bullets from the bone machine gun hit the deck with no pain at all, and the enemy ships will not take them with them.
Bloody.
Heavy machine guns are considered a powerful weapon in normal dungeons, but in naval battles...
It can barely be regarded as a light cold weapon and is of no use.
The function of the bone machine gun is to kill sailors on the deck of enemy ships, or to attack some small creatures in the ocean.
Such as Bucket Man.
The ship successfully set sail about two hundred meters away from the island. When Yu Liang looked back, he saw bunches of torches burning on the side of the island close to the ship, and vague figures of people flashing continuously.
They are all island natives who came after Paper Man Xiao Yi for stealing the white gem. They should not be the sect disciples of Tong Ren An Buchen, but a third party force.
Although Yu Liang's boat was parked very close to the island, these people with torches still only dared to stand on the shore and howl something, and did not dare to cross the water while Yu Liang was counting the boats.
Come closer.
Now, Yu Liang determined the direction and strength of the wind, set the sail on the ship and sailed with the wind, and was away from this troubled island almost in the blink of an eye.
This scene is a bit like the protagonist in some anime leaving the island of Novice Village by boat. The villagers on the shore are desperately shouting blessings, hoping to bless the protagonist group to have smooth sailing and a smooth return.
"Record the wind direction and strength, deduce the direction and speed of our ship, and try to draw the most basic navigation chart." Yu Liang came to the small lookout above the main sail and ordered the AI in his eyes to analyze the navigation chart.
Record.
Although it is known that the entire dungeon is most likely an ocean without borders, as long as these islands are not randomly refreshed textures in inferior online games, it is necessary to record the sea maps.
Besides, the island where An Buchen is located...
Yu Liang felt that he would probably come back again in the future.
After all, he couldn't leave An Buchen behind, right?
Judging from the information revealed by An Buchen, she was born to be a barrel person. She had already become a barrel person as soon as she entered the dungeon, and this will not change with her own will.
Just like the countdown in the biochemical mode, if it mutates, it mutates, and there is no way to recover.
If she had a choice, she would definitely not want to appear in the form of a barrel man.
Besides, this is the little fairy An Buchen. If there really is a conventional method to transform a barrel person into a human being, it is absolutely impossible for her to use it.
From the looks of it, some of the created characters scattered throughout this dungeon may have mutated into barrel men...
That's bad news.
Yu Liang now urgently needs a sane and human created character to help him and answer his questions, otherwise he really doesn't know what his current main mission is.
Finding Xue Wubin and S1 definitely counts as one, finding out the truth counts as another, and the last thing is to make the strategy as perfect as possible.
These things are all clueless.
Forget it, let’s study the upgrade route in the world view of the dungeon first.
After getting the ship and just walking out of Novice Village, Yu Liang became very curious about the "technology tree" of this world.
This chapter is not over yet, please click on the next page to continue reading! Larger ships are equipped with more synthetic props, and you can even upgrade the ship and other aspects through technology advancement.
At least try boldly, verify carefully, and bravely step into the age of iron and even firearms, right?
The basic settings of this dungeon are similar to those of the game. The improvement of technology will not be too cumbersome. Things such as firearms and steam engines should not require players to wait hundreds of years for development.
First of all, the first step is to collect a large amount of resources and materials floating on the sea. This requires making a filter for the ship, and collecting the floating objects on the route into the ship while sailing slowly.
For this reason, Yu Liang made subtle modifications to the ship on his personal page. With the assistance of AI, he could design a relatively complete plan.
Arrange simple thick ropes in three rows of palm leaves, and then cross-arrange them to get a net bag. After mixing and stacking them, you can synthesize them to get a filter with smaller holes.
Yu Liang installed the filter on the front of the hull, and then assembled parallel driftwood on both sides of the cabin. They are like pipes, which can intercept the material resources collected by the filter and guide them to the corresponding area.
Two groups of paper figures were arranged in the gathering area to gather these resources and transport them onto the ship. The other two groups of paper figures sorted and packaged the resources. The Cao Ying Mecha transported the packaged resources to the storage room on the third floor.
middle.
It is worth mentioning that the resources on the ship can be accessed from a distance by the captain. The resources stored in the three-story storage room can be directly used by Yu Liang in the captain's room for synthesis and construction, which is very user-friendly and convenient.
.
Through repeated synthesis experiments and AI analysis records, the technology tree controlled by Yu Liang has grown rapidly, and the number of things he can produce has gradually increased, and his level has improved.
Well, how did he see the level increase?
It's very simple, that is, the quality of the materials randomly refreshed around the ship has become higher.
What started out as palm leaves, discarded plastics and ore blocks gradually turned into high-grade fabrics, metal smelting blocks and simple molds.
It's the same as picking up trash, but the quality of the trash is improved. This must be the hidden upgrade mechanism of the dungeon.
This upgrade mechanism is probably closely related to the richness of the technology tree that Yu Liang has mastered.
In many days of experiments, it was almost inevitable that Yu Liang discovered a detailed setting across technologies.
Strictly speaking, this is a conflict between the local setting of the dungeon and the larger setting of the Kaitan world.
Character synthesis.
The synthesis of noun characters can create cross-generational equipment that transcends the current technology tree.