As soon as the nimbus was thrown, it slowly floated behind Angel's head.
There was a circle of golden flames on the edge of the nimbus, and a quiet fire light also bloomed at this time.
Moreover, the light wheel is still turning slowly and firmly.
Looking from a distance, Angel looks like a god descending into the world against the background of the halo.
Angel raised his eyes to look at Laplace, with a certain brilliance in his eyes, and whispered: "Since you have seen the gods, why don't you worship?"
Looking at Angel whose tone suddenly jumped, Laplace felt a black and bold question mark pop up on his forehead.
"...Are you here?"
Angel calmed down his exaggerated expression, coughed twice, and said unnaturally: "It's nothing, I just suddenly thought of a line for a drama."
Laplace: "..."
She understood. Angel probably just came back from Ben Bo, and the tone of his speech was affected.
"I almost thought you were influenced by dark logic." Laplace shook his head.
"Dark logic?"
Laplace said casually: "You can understand it as an uncharacteristic behavior, which is dark logic. This is the saying in the Nonoan world."
Angel nodded in realization and did not ask any further questions.
Immediately afterwards, he summoned his magic hand and removed the halo from the back of his head.
He did suddenly think of a certain line just now, so he acted it out smoothly. Just like some people who pick up a perfect stick can't help but say: If you hold this stick when you are a child, all the flowers and grass will be gone.
.
Pretty much the same truth.
However, apart from suddenly jumping out, Angel also had a reason for using this light wheel.
"I want to test how far it can move away from the user."
Since you want to use the light wheel as a "live camera" that follows you everywhere, you must do your best.
For example, when it follows the "anchor", at what distance and in what direction does it need to be located to have the best view?
For this reason, Angel wants to test its data.
After listening to Angel's story, Laplace raised his eyebrows, thinking of the scenes when he watched Angel's "live broadcast" many times before.
It has to be said that the scenes during Angel's live broadcast can be called art.
It makes the audience not feel the live broadcast at all, and even feels like they are there, as if they themselves are participating in it.
But Laplace knew that this was just an illusion.
When she walked forward, she couldn't see the scene behind her, nor would she raise her head to look at the sky.
Those overlooking shots of the city, blank shots of the sky, and the third perspective from behind were all deliberately done in order to create a sense of immersion for the audience when Angel used illusions to live broadcast.
The perspective of those who witnessed it is not as clear as the viewers watching the live broadcast.
"So, when you test these data, you want Sigimund to learn what you mentioned before..." Laplace recalled for a moment and hesitated: "Lens language?"
Angel glanced at Sigimund, who looked like an inverted triangular hill next to him, and shook his head silently: "No, learning this cannot be done overnight."
"I just want to try to see if I can modify this light wheel and make it a 'plug-in'."
External installation, referred to as plug-in.
At first, Laplace didn't understand what it meant, but with Angel's explanation, she probably understood.
It's similar to the tentacles Angel made for the Fuwa Heart Mirror.
Functional equipment mounted externally.
In Angel's view, the "Following" skill of the Nimbus is very good, and it can ensure that it will always follow Sigimund. But if the Nimbus is used as a live broadcast camera, the image projected into the Sea of Empty Mirrors will always be
Showing the back of Sigimund's head.
This obviously affects their future outlook.
Therefore, in order to avoid this problem, he decided to modify this "live camera" and use illusion to add some external mountings to it. When Sigimund enters a dark corner, he can find the best one by himself without him having to operate it.
lens position.
Although Laplace understood what Angel meant, she still didn't believe it: "Is it really possible to position the best lens position by yourself?"
In her opinion, this should be designed with intelligence in mind, right?
After all, identifying the best lens position requires subjective judgment.
So, Angel is planning to use illusion to create a plug-in with intelligence? Is this really possible?
While Angel was testing the data of the light wheel, he said to Laplace: "You misunderstood, this has nothing to do with intelligence. What I mean is, just keep the golden ratio between people and scenery in the lens."
"Although this method still cannot perfectly present the picture, and in some emergency situations, it may also lead to confusion of the picture."
"But this is the only way I can think of to increase the visual presentation."
As for what Laplace understands as "intelligence", Angel thinks it means "letting AI control the lens", which is very unrealistic... At least he can't create an AI with a powerful lens language now.
.
This requires massive amounts of data.
But Angel is probably the only one who understands the subject of camera language during live broadcasts.
Even Jon is far inferior to Angel in this aspect.
So, where does the massive data come from to feed AI?
However, without the help of AI, Angel's stupid method is actually barely feasible. At least when it comes to static images, the golden ratio between people and scenery is most consistent with viewing habits.
Angel explained a lot to Laplace, but she was still a little confused.
But this was not important, because not long after, Angel said that the data test was over and the "plug-in" was ready.
Angel waved his hand, and a large number of illusion nodes appeared, and then the aura of the nightmare world blended into them, turning into countless dancing green lines.
These green patterns were arranged on the light wheel by Angel.
After a brief flash, the green streak disappeared.
At first glance, the light wheel was unchanged from before, but Angel said: "The arrangement of the light wheel has been completed, and now the last step is left."
Under Laplace's doubtful gaze, Angel looked at Sigimund not far away.
From the beginning to the end, except for the initial glance towards them, Sigimund never paid attention to their conversation. Instead, he lowered his eyebrows and lowered his eyes, presumably simulating the battle in his mind.
"The main plug-in is arranged on the light wheel, and a traction plug-in needs to be arranged on Sigimund. The two sides form a certain cycle of repulsion and gravity, so that the lens can maintain the golden ratio."
It sounds a bit complicated...
But in fact, this application is very simple for wizards.
For example, after some wizards enter the reading state, they will stick "circulating threads" on all the books in the bookshelf. With a thought, any book can be easily pulled to the front by the wizard, and can also be pushed at will by the wizard.
Return to original position.
The "plug-in" created by Angel also follows this principle.
You don't even need to use fantasy alchemy, you can just make a simple shell to achieve the effect.
Therefore, the manufacturing speed of this plug-in is faster than Laplace imagined.
A few minutes later, Angel not only left a traction plug on Sigimund, but also let him take a walk around the Manor of Words.
While Sigimund was walking around, Angel used an illusion to simulate a "live broadcast".
This live broadcast picture is the picture that appears when the light wheel is used as a "camera".
After seeing it, Laplace had to admit that the picture was very stable and the viewing angle was very high. No matter which direction Sigimund was facing, the light wheel could quickly capture it, giving the picture an excellent human scene.
balance.
Of course, there are many flaws.
For example, the focus is entirely on Sigimund, and it is difficult to see other scenes except Sigimund.
Also, once Sigimund moves quickly, the light wheel will constantly change its position in order to maintain a fixed camera position, so the picture will become a little skewed and awkward. You have to wait for Sigimund to stop or reduce the speed.
to return to normal.
However, these are harmless.
This work is uploaded by the organizer~~
At worst, just let Sigimund hold the light wheel and change the camera angle when needed.
Overall, Laplace approves of this "live screen" very much.
She herself had seen various "live broadcasts" in the Sea of Empty Mirrors. There were many with weird viewing angles or normal viewing angles, but few of them were comfortable for her to watch.
But the live broadcast in front of her made her very comfortable to watch.
Is this the so-called "golden ratio"?
Faced with Laplace's question, Angel nodded: "Yes, as long as the proportion is appropriate, it will make people look more harmonious."
And this harmony is why Laplace feels so comfortable for his eyes.
Laplace nodded thoughtfully.
At this time, Sigimund also came back from shopping. At this time, he probably understood what Angel did.
Although Sigimund is devoted to the battle, he also understands the importance of the light wheel. Especially this time when he goes to the dark corner, he needs to find information and present the information to people outside through "live broadcast". The live broadcast screen
The importance rises again...
Therefore, in order to make the lens expressive better, Sigimund also asked Angel for advice on what he should do when encountering a scene where the "golden ratio" does not fit.
Angel did not say anything immediately, but asked Sigimund to log off first and go to the Modern City dungeon.
It's not too late to wait until we reach the hidden waters.
Sigimund immediately logged off without saying a word.
Angel looked at Laplace: "Do you want to go take a look?"
Laplace had actually wanted to go to the Modern City dungeon for a long time, but there were too many things going on outside. Once he entered the dungeon, it would be difficult to get out without clearing the level.
Thinking of this, Laplace became entangled again.
At this time, Angel suddenly said: "If you are worried that you will not be able to come out in a short time, you don't have to worry about that."
Laplace was stunned: "Huh?"
"I have a way to get you out of the copy..."
Not long ago, when Angel went to search the information ocean in the Fruit of Power, although a lot of information about the dark corners was not retrieved, he did retrieve another useful information.
That is, the independence of hidden waters.
Although Hidden Waters is attached to the Modern City dungeon, it is independent from the dungeon most of the time.
When it enters the "independent" state, its ties to the Modern City copy will be minimized.
At this time, it is relatively easy to leave the hidden waters and return to the Crystal Plain of Dreams.
This is also the reason why Angel was able to successfully leave the Modern City dungeon without being bound by cause and effect.
In the same way, as long as Laplace is not contaminated with too much "karma" of Modern City and goes to the hidden waters, Angel can fish her out of the copy through the power of power.
After hearing this, Laplace, who was still struggling with the choice, instantly became convinced.
Since he could leave midway without any worries, Laplace would naturally not hesitate any longer.
"Okay, I'll go to the Modern City dungeon with you."
After the words fell, Laplace also went offline.
Angel returned to the manor hall, summoned Turing, who was still addicted to the code, and placed it on his magic hand to support him.
From the beginning to the end, Turing showed little resistance and was obsessed with the whole process. Except for confirming that it was Angel, he was at his mercy.
After doing all this, Angel left the manor.
When he appeared again, he had arrived at the entrance to the Modern City instance.
At this time, Laplace and Sigimund were also online. The online location that Angor assigned them was also the entrance to the Modern City dungeon.
Without hesitation, the three of them touched the crystal at the entrance to the dungeon at the same time.
Following a period of weightlessness and sinking, the three of them entered the modern city with brilliant neon lights...
…
Although Laplace had seen the prosperity of Modern City through Angel's live broadcast before, when he actually entered Modern City, he still felt that it was obviously different.
The modern city in the live broadcast is gorgeous, prosperous, and full of exotic colors; but when you really come into contact with the modern city, you find that the air is filled with a strong smell of rust, moisture and decay...
"Rotten? The smell of rust?...Moist?" Laplace suddenly thought of something, raised his head and looked, and sure enough, he saw the pouring rain.
She remembered that Angel mentioned that the rain in the modern city was...acid rain.
However, it was obviously raining and they obviously had no roof to cover them, so why didn't the rain fall on them?
When Laplace was thinking this, he saw an invisible membrane above their heads, blocking the raindrops from falling.
She looked back and happened to see Angel put down his hand, the afterglow still flickering on his fingertips.
Laplace immediately understood that it was Angel who isolated the falling rain from the outside world.
Noticing Laplace's gaze, Angel said softly: "I just sensed that the current connection between the Companion Star Lake and the Hidden Waters is quite stable, and it is estimated that it can last for half an hour to an hour."
"This is the garbage dump in the North District, and the nearest roundabout train platform is on a nearby building." Angel pointed to the thirty-story high-rise building not far away that was still flashing neon lights.
"Let's go, hurry up, we should be able to get there in twenty minutes by taking the city circle train."
Angel didn't give them much time to observe the city, but directly hooked his hand and motioned for them to follow.
Laplace also understood that the most important thing now was to send Sigimund to the hidden waters first, and quickly followed him...