340 When its over, I brush off my clothes and go away, hiding my merits and fame.
Journalists and film critics are certainly right.
This film is really a subversive film about gangster movies.
As far as the title of the film is concerned, since the film is called "Gunfire", gun battles are indispensable.
Just to everyone's surprise, the gunfight scenes in "Gunfire" are different from all other gangster movies in Hong Kong.
In the first scene of assassinating the gang leader Wen Ge in the restaurant, the camera moves slowly, showing the cold killer, the restaurant owner Fei Xiang, with a pistol pointed at him.
The composition of the picture is incredibly beautiful. The coldness of the characters contrasts with the warm tone of the scene. The blend of hot and cold creates a strong visual impact.
The warm light emanating from the restaurant bar reflects on the expressionless face of Feixiang (Wang Jin), on the face of the cold killer, and on the panicked faces of Brother Wen and his subordinates.
The soundtrack of the drum beats, the breathing of the injured bodyguard, and a few still images vividly create the feeling of tension and suffocation.
This expression method is completely different from the gun battle scenes in previous Hong Kong gangster movies. Common ones include the boss holding two guns, turning around and shooting fierce confrontations, flames, explosions, blood splashing, crazy jump cuts and slow motion, or in this chase.
No matter how miserable the death of the person killed in the killing is, how brave the boss is and how brave his subordinates are.
"Gunfire" is just a burst of intensive gunfire, an extremely quiet space and the killer's unusual calmness, and a unique cold feeling comes out.
Such characteristics are perfectly displayed in "Mall Shootout".
Everyone has a gun...
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Journalists and film critics are certainly right.
This film is really a subversive film about gangster movies.
As far as the title of the film is concerned, since the film is called "Gunfire", gun battles are indispensable.
Just to everyone's surprise, the gunfight scenes in "Gunfire" are different from all other gangster movies in Hong Kong.
In the first scene of assassinating the gang leader Wen Ge in the restaurant, the camera moves slowly, showing the cold killer, the restaurant owner Fei Xiang, with a pistol pointed at him.
The composition of the picture is incredibly beautiful. The coldness of the characters contrasts with the warm tone of the scene. The blend of hot and cold creates a strong visual impact.
The warm light emanating from the restaurant bar reflects on the expressionless face of Feixiang (Wang Jin), on the face of the cold killer, and on the panicked faces of Brother Wen and his subordinates.
The soundtrack of the drum beats, the breathing of the injured bodyguard, and a few still images vividly create the feeling of tension and suffocation.
This expression method is completely different from the gun battle scenes in previous Hong Kong gangster movies. Common ones include the boss holding two guns, turning around and shooting fierce confrontations, flames, explosions, blood splashing, crazy jump cuts and slow motion, or in this chase.
No matter how miserable the death of the person killed in the killing is, how brave the boss is and how brave his subordinates are.
"Gunfire" is just a burst of intensive gunfire, an extremely quiet space and the killer's unusual calmness, and a unique cold feeling comes out.
Such characteristics are perfectly displayed in "Mall Shootout".
Everyone, the gun-toting journalists and film critics are right.
This film is really a subversive film about gangster movies.
As far as the title of the film is concerned, since the film is called "Gunfire", gun battles are indispensable.
Just to everyone's surprise, the gunfight scenes in "Gunfire" are different from all other gangster movies in Hong Kong.
In the first scene of assassinating the gang leader Wen Ge in the restaurant, the camera moves slowly, showing the cold killer, the restaurant owner Fei Xiang, with a pistol pointed at him.
The composition of the picture is incredibly beautiful. The coldness of the characters contrasts with the warm tone of the scene. The blend of hot and cold creates a strong visual impact.
The warm light emanating from the restaurant bar reflects on the expressionless face of Feixiang (Wang Jin), on the face of the cold killer, and on the panicked faces of Brother Wen and his subordinates.
The soundtrack of the drum beats, the breathing of the injured bodyguard, and a few still images vividly create the feeling of tension and suffocation.
This expression method is completely different from the gun battle scenes in previous Hong Kong gangster movies. Common ones include the boss holding two guns, turning around and shooting fierce confrontations, flames, explosions, blood splashing, crazy jump cuts and slow motion, or in this chase.
No matter how miserable the death of the person killed in the killing is, how brave the boss is and how brave his subordinates are.
"Gunfire" is just a burst of intensive gunfire, an extremely quiet space and the killer's unusual calmness, and a unique cold feeling comes out.
Such characteristics are perfectly displayed in "Mall Shootout".
Everyone, the gun-toting journalists and film critics are right.
This film is really a subversive film about gangster movies.
As far as the title of the film is concerned, since the film is called "Gunfire", gun battles are indispensable.
Just to everyone's surprise, the gunfight scenes in "Gunfire" are different from all other gangster movies in Hong Kong.
In the first scene of assassinating the gang leader Wen Ge in the restaurant, the camera moves slowly, showing the cold killer, the restaurant owner Fei Xiang, with a pistol pointed at him.
The composition of the picture is incredibly beautiful. The coldness of the characters contrasts with the warm tone of the scene. The blend of hot and cold creates a strong visual impact.
The warm light emanating from the restaurant bar reflects on the expressionless face of Feixiang (Wang Jin), on the face of the cold killer, and on the panicked faces of Brother Wen and his subordinates.
The soundtrack of the drum beats, the breathing of the injured bodyguard, and a few still images vividly create the feeling of tension and suffocation.
This expression method is completely different from the gun battle scenes in previous Hong Kong gangster movies. Common ones include the boss holding two guns, turning around and shooting fierce confrontations, flames, explosions, blood splashing, crazy jump cuts and slow motion, or in this chase.
No matter how miserable the death of the person killed in the killing is, how brave the boss is and how brave his subordinates are.
This chapter is not finished yet, please click on the next page to continue reading the exciting content! "Gunfire" is just a burst of intensive gunfire, an extremely quiet space and the killer's unusual calmness, and a unique cold feeling comes out.
Such characteristics are perfectly displayed in "Mall Shootout".
Everyone, the gun-toting journalists and film critics are right.
This film is really a subversive film about gangster movies.
As far as the title of the film is concerned, since the film is called "Gunfire", gun battles are indispensable.
Just to everyone's surprise, the gunfight scenes in "Gunfire" are different from all other gangster movies in Hong Kong.
In the first scene of assassinating the gang leader Wen Ge in the restaurant, the camera moves slowly, showing the cold killer, the restaurant owner Fei Xiang, with a pistol pointed at him.
The composition of the picture is incredibly beautiful. The coldness of the characters contrasts with the warm tone of the scene. The blend of hot and cold creates a strong visual impact.
The warm light emanating from the restaurant bar reflects on the expressionless face of Feixiang (Wang Jin), on the face of the cold killer, and on the panicked faces of Brother Wen and his subordinates.
The soundtrack of the drum beats, the breathing of the injured bodyguard, and a few still images vividly create the feeling of tension and suffocation.
This expression method is completely different from the gun battle scenes in previous Hong Kong gangster movies. Common ones include the boss holding two guns, turning around and shooting fierce confrontations, flames, explosions, blood splashing, crazy jump cuts and slow motion, or in this chase.
No matter how miserable the death of the person killed in the killing is, how brave the boss is and how brave his subordinates are.
"Gunfire" is just a burst of intensive gunfire, an extremely quiet space and the killer's unusual calmness, and a unique cold feeling comes out.
Such characteristics are perfectly displayed in "Mall Shootout".
Everyone, the gun-toting journalists and film critics are right.
This film is really a subversive film about gangster movies.
As far as the title of the film is concerned, since the film is called "Gunfire", gun battles are indispensable.
Just to everyone's surprise, the gunfight scenes in "Gunfire" are different from all other gangster movies in Hong Kong.
In the first scene of assassinating the gang leader Wen Ge in the restaurant, the camera moves slowly, showing the cold killer, the restaurant owner Fei Xiang, with a pistol pointed at him.
The composition of the picture is incredibly beautiful. The coldness of the characters contrasts with the warm tone of the scene. The blend of hot and cold creates a strong visual impact.
The warm light emanating from the restaurant bar reflects on the expressionless face of Feixiang (Wang Jin), on the face of the cold killer, and on the panicked faces of Brother Wen and his subordinates.
The soundtrack of the drum beats, the breathing of the injured bodyguard, and a few still images vividly create the feeling of tension and suffocation.
This expression method is completely different from the gun battle scenes in previous Hong Kong gangster movies. Common ones include the boss holding two guns, turning around and shooting fierce confrontations, flames, explosions, blood splashing, crazy jump cuts and slow motion, or in this chase.
No matter how miserable the death of the person killed in the killing is, how brave the boss is and how brave his subordinates are.
"Gunfire" is just a burst of intensive gunfire, an extremely quiet space and the killer's unusual calmness, and a unique cold feeling comes out.
Such characteristics are perfectly displayed in "Mall Shootout".
Everyone, the gun-toting journalists and film critics are right.
This film is really a subversive film about gangster movies.
As far as the title of the film is concerned, since the film is called "Gunfire", gun battles are indispensable.
Just to everyone's surprise, the gunfight scenes in "Gunfire" are different from all other gangster movies in Hong Kong.
In the first scene of assassinating the gang leader Wen Ge in the restaurant, the camera moves slowly, showing the cold killer, the restaurant owner Fei Xiang, with a pistol pointed at him.
The composition of the picture is incredibly beautiful. The coldness of the characters contrasts with the warm tone of the scene. The blend of hot and cold creates a strong visual impact.
The warm light emanating from the restaurant bar reflects on the expressionless face of Feixiang (Wang Jin), on the face of the cold killer, and on the panicked faces of Brother Wen and his subordinates.
The soundtrack of the drum beats, the breathing of the injured bodyguard, and a few still images vividly create the feeling of tension and suffocation.
This expression method is completely different from the gun battle scenes in previous Hong Kong gangster movies. Common ones include the boss holding two guns, turning around and shooting fierce confrontations, flames, explosions, blood splashing, crazy jump cuts and slow motion, or in this chase.
No matter how miserable the death of the person killed in the killing is, how brave the boss is and how brave his subordinates are.
"Gunfire" is just a burst of intensive gunfire, an extremely quiet space and the killer's unusual calmness, and a unique cold feeling comes out.
Such characteristics are perfectly displayed in "Mall Shootout".
Everyone, the gun-toting journalists and film critics are right.
This film is really a subversive film about gangster movies.
As far as the title of the film is concerned, since the film is called "Gunfire", gun battles are indispensable.
Just to everyone's surprise, the gunfight scenes in "Gunfire" are different from all other gangster movies in Hong Kong.
In the first scene of assassinating the gang leader Wen Ge in the restaurant, the camera moves slowly, showing the cold killer, the restaurant owner Fei Xiang, with a pistol pointed at him.
The composition of the picture is incredibly beautiful. The coldness of the characters contrasts with the warm tone of the scene. The blend of hot and cold creates a strong visual impact.
The warm light emanating from the restaurant bar reflects on the expressionless face of Feixiang (Wang Jin), on the face of the cold killer, and on the panicked faces of Brother Wen and his subordinates.
The soundtrack of the drum beats, the breathing of the injured bodyguard, and a few still images vividly create the feeling of tension and suffocation.
This expression method is completely different from the gun battle scenes in previous Hong Kong gangster movies. Common ones include the boss holding two guns, turning around and shooting fierce confrontations, flames, explosions, blood splashing, crazy jump cuts and slow motion, or in this chase.
No matter how miserable the death of the person killed in the killing is, how brave the boss is and how brave his subordinates are.
"Gunfire" is just a burst of intensive gunfire, an extremely quiet space and the killer's unusual calmness, and a unique cold feeling comes out.
Such characteristics are perfectly displayed in "Mall Shootout".
Everyone, the gun-toting journalists and film critics are right.
This film is really a subversive film about gangster movies.
As far as the title of the film is concerned, since the film is called "Gunfire", gun battles are indispensable.
Just to everyone's surprise, the gunfight scenes in "Gunfire" are different from all other gangster movies in Hong Kong.
In the first scene of assassinating the gang leader Wen Ge in the restaurant, the camera moves slowly, showing the cold killer, the restaurant owner Fei Xiang, with a pistol pointed at him.
The composition of the picture is incredibly beautiful. The coldness of the characters contrasts with the warm tone of the scene. The blend of hot and cold creates a strong visual impact.
The warm light emanating from the restaurant bar reflects on the expressionless face of Feixiang (Wang Jin), on the face of the cold killer, and on the panicked faces of Brother Wen and his subordinates.
The soundtrack of the drum beats, the breathing of the injured bodyguard, and a few still images vividly create the feeling of tension and suffocation.
This expression method is completely different from the gun battle scenes in previous Hong Kong gangster movies. Common ones include the boss holding two guns, turning around and shooting fierce confrontations, flames, explosions, blood splashing, crazy jump cuts and slow motion, or in this chase.
No matter how miserable the death of the person killed in the killing is, how brave the boss is and how brave his subordinates are.
"Gunfire" is just a burst of intensive gunfire, an extremely quiet space and the killer's unusual calmness, and a unique cold feeling comes out.
Such characteristics are perfectly displayed in "Mall Shootout".