At this point in the work, the worldview that needs to be solved has been solved. It seems that everything that should be written and what should not be written is almost done.
Then stop here.
As for the extras, we can only wait until later.
Of course, the main body is finished, and the next thing to write is the son’s big adventure, and the story of countless brothers and sisters.
After all, I have tried my best to complete the things I mentioned in my introduction. As for whether it is good or bad, I will let readers comment.
I am quite satisfied myself, at least I have written everything I wanted to write.
Although the results are quite poor, I can still make some money. I am very grateful to the readers who have followed me all the way. I really, really appreciate it.
Without your support, this book would undoubtedly have died.
Because money is not everything, but nothing is impossible without money.
After all, there are limits to generating electricity with love.
This rather strange online article has been able to come to this day smoothly, without interruption for a day, almost maintaining the status of updating three times a day. It has been completed, first of all, thanks to the readers who subscribed, and thanks to the friends who have continued to subscribe.
The credit is yours first, and mine second.
Of course, I have generally fulfilled my commitment to readers.
First of all, this is a world of high martial arts, and you must have excellent martial arts
Whether it is the "Great Sun Tathagata Mantra", "Future Star Tribulation Sutra", "Maha Infinite Sutra", "Daoyuan Yiqi Sutra", "Zhenwu Sword Sutra", "Taizu Shilong Jue" and other martial arts, I
They all added their own understandings and gave them different training methods and martial arts characteristics according to religious culture and martial arts concepts.
Martial arts, martial arts, you must first have a martial arts.
Without outstanding martial arts, how can it be called a world of high martial arts?
I am a fan of settings, and I am always pleasantly surprised by those exquisite martial arts settings.
A good martial arts must contain quite rich cultural characteristics.
For example, I particularly like the martial arts in "The Lord of the World", especially "Ananda's Po-Jie Knife", which contains extremely rich connotations.
The martial arts of a monk can be achieved by cutting with a knife, which is really wonderful.
So when I wrote this book, I made sure to write about all kinds of outstanding martial arts.
Martial arts must incorporate the ideas of Confucianism, Taoism, Legalism, and military strategists. Only good martial arts must be thoughtful.
Every martial art has its own characteristics.
In this regard, I believe that I have achieved good or above results.
After all, if you want to see so many martial arts settings in a novel, it would be difficult for you to find products of the same type.
Although some people may find it embarrassing and there are many people who scold me for procrastination, I really feel satisfied with this book.
Second, fighting must be logical
This part was done better in the first half. I also read a lot of martial arts books and tried my best to design the fighting process.
But due to the protagonist’s golden finger and the fact that his power expands too quickly, the second half is more like a counterattack.
Although I tried my best to write down the logic of the fight clearly, it didn't feel real anymore.
It can only be said that it is a matter of level. When the fight reaches the level of high martial arts, I am really not very good at designing it.
It's like fighting with fists and kicks, they can punch to the flesh, but when they reach a high martial arts level, their strength becomes impossible to fight with fists and kicks, and it becomes more and more illusory.
So I used the restraint of the law, the concept of martial arts, and cooperated with the magical weapons to fight, and tried hard to design some tactics, but the fighting experience did decline.
I can only say that it barely passes here.
Third, the world of high martial arts where power is more useful
Because it is linked to cultivation and upgrading, in this world, people without power are like water without roots, making it impossible for you to even practice special skills.
Therefore, the master must be a big shot with high status.
I basically stick to this route.
Therefore the conflict is not intense enough.
What does that mean?
There will be no super masters who live in seclusion and suddenly appear for you.
nonexistent.
I don't allow experts who jump out of the cracks in the rocks.
Even masters like Laojun Temple, Future Temple, and Lingbao Sect were once big figures, but now they are weak and barely surviving.
I have basically completed this task and have very restrained my urge to become a master suddenly.
Of course, the excitement of the story is sacrificed for this, resulting in the protagonist often not meeting his opponent.
Because every time I add an opponent, I will consider his origin, and if it doesn’t make sense, I won’t add him.
In order to ensure rationality, the rhythm of the story was sacrificed, which caused some readers to be dissatisfied.
More than one reader told me, what's the use of insisting on logic? No matter how reasonable your explanation is, what's the point?
The first priority in writing is always emotion, not logic.
I can also understand the dissatisfaction of readers, but I still insist on running logic throughout this book.
After all, the road must be consistent, and we will talk about the future matters later.
Fourth, the villain must have ideals
I think I have done a relatively good job on this one. Most of the villains, or opponents, have their own persistence, their own dreams, and their own ideas.
I once loved a novel, but at the end I felt very sad.
What's a pity?
It's a pity that the big shots there don't have ideals.
No matter if they are Confucian, Buddhist or Taoist.
In the end, they all lost their ideals and became marionettes under power.
Why do I say this about them?
Because these big shots were all alienated in the end, they were trying to grab something called [Tao Fruit] to transcend eternal life.
Boring, very boring.
They thought it was seeking enlightenment. I only saw a group of officials fighting in the officialdom.
If I change my words and replace Daoguo with emperor, maybe everyone can understand.
They all wanted to grab the position of emperor, and ended up sacrificing all their emotions and all their ideals just to gain greater power.
That's right, the author established a supreme power for the world, and then all officials went to snatch this supreme power, and that's it.
Are they monks? No, they are just officials.
I don't think this is preaching.
To be an official, to be a bigger official and to gain greater power is their only idea.
Buddhism, Taoism, and Confucianism are all jokes to the end.
Everyone is just a powerful person in the officialdom.
This is the alienation of the worldview from people.
So when I first wrote it, I absolutely couldn’t let the big shot live just to snatch the throne.
These big men need to be more social, and they need to revolve around the kingdom of heaven in their hearts.
That's what kind of new world do you want to build?
Buddhas and demons can die for their own ideas, and Taoists can also die for their own ideas. Wang Qiu Mo, Lingxu Zhenren, Jiu Si Abbot, etc. are all such characters.
As long as you have a dream, what does death mean?
At the same time, only warriors who practice their own ideas can become stronger.
So almost everyone among the big shots in this world is causing trouble.
I practice Taoism to realize my ideals, not to become stronger. The two cannot be confused.
The purpose is the purpose and the tool is the tool.
Although in the end they still relied on force to speak, they did not regard force as the only one, including the protagonist.
Force is just their tool.
The ideal is higher than the tool, rather than the tool becoming itself.
I think I still managed to do that.
The above four points were all my commitments when I put them on the shelves. On average, I made about 60 points.
Of course it's not perfect, the level is limited and it can't be perfect, the characters don't have enough personality, the plot isn't sophisticated enough, and there are times when it's procrastinating and confusing, but overall I'm still very satisfied.
Then I will talk about a few ideas I had while writing, at least what I have implemented.
First, this world must be sustainable.
In fact, I have always paid great attention to the fact that even if the protagonist does not appear, the world can still run.
What I hope is that Chu Qianqiu will make this world a better place.
But I don’t hope that without Chu Qianqiu, the world will perish.
The routine that many authors like to write is that before the protagonist appears, the world can be maintained, but as soon as the protagonist appears, the world is in various crises and is about to perish.
The protagonist is the one who destroys the environment.
But the world I want to write is that even if the protagonist is removed, the world can generally maintain itself. At least it is not that difficult to survive, but it is just not a good life.
Other heroes and powerful forces in the world will also work hard to eliminate evil spirits, Buddhas and demons, and eliminate various disasters.
Of course, they are not as good as the protagonist. Even if the two demons destroy the world, the world will not be destroyed and there will still be a chance to rebuild.
So when I was writing, I always adhered to the idea that the protagonist can do better and save the world, but even without him, the probability of the world's destruction is not too great.
In other words, I hope Chu Qianqiu makes the world a better place, but without him, the world will not perish.
Heaven's behavior is constant, and it does not exist for Yao or perish for Jie.
Adhering to this concept, many plot designs cannot be used. For example, I originally designed the demon clan as a powerful opponent, but I still couldn't convince myself that it was inappropriate for such a weak demon clan to suddenly become powerful.
Let it go down like a weakling.
Having one Qilin Emperor is already great, but any more would not be appropriate.
Because human beings do not need the protagonist to save them. Human beings themselves are very strong.
The only one who can destroy humanity is humanity itself.
This is also a concept that I carry throughout.
Secondly, this world is the realm of desires, and most people have desires, and Chu Qianqiu is no exception.
Opening a harem, this is probably the point where my readers have the biggest objection to me.
Countless readers have given up on it just because I started a harem.
Even my friends said that because I had a harem and my skills were not good enough, my grades seriously declined.
Judging from the subscription ratio, it is 50 to 1, which means that about 1 out of 50 collections is fully subscribed.
This must be a very bad result.
If it weren't for about 200-300 readers who are still subscribing, it's hard to imagine that I could write these three million words.
So why do I write like this? In addition to my own preference for beauty, I also want to express my own thoughts.
I always believe in an idea. Unless a person has it at his fingertips, he can say that he doesn't like women, wealth, or power.
Otherwise, I will treat it as fake.
Sakyamuni is a prince and a master.
Power, wealth, and beauty were easily available to him, but he didn't want them. He felt that the pursuit of the spiritual world was more blissful and beautiful, so he gave up the power and position he was born with. This is the extremely high spiritual world.
But most of them are not princes and have no throne to inherit. They are just ordinary people and their beauty is not easily available.
Then this man said that he was not interested in sex, wealth, and power.
Is this true?
Maybe, but I don't believe it.
If you can't ask for it, you can't pretend to say you don't want it.
If a person has eaten big fish and meat, and then says that he really hates greasy food and prefers to be vegetarian, then this person really likes to be vegetarian.
This power of choice is important.
If you have no choice and then say you don’t want it, it doesn’t mean you don’t want it.
Is it true that a person says he doesn’t like women because he doesn’t like any pretty girls?
Ask yourself.
Vegetarianism became popular in developed countries after they became accustomed to eating large amounts of fish and meat, resulting in the highest obesity rate in the world, and then began to hate meat.
From a psychological point of view, the prerequisite for a person to pursue the spiritual world is that the material has been relatively fully satisfied, and the marginal utility of material and money to him has been greatly reduced, and then he feels that the spiritual world is more rewarding.
Similarly, if a person likes to eat meat and feels greasy if he eats too much meat, but he still doesn’t like to be vegetarian, is it possible?
It's completely possible.
I just eat a lot of meat, and I still want to eat meat. Eating meat makes me happier.
So I don’t think about changing to a vegetarian diet, it’s just for good health and maintaining a balanced diet.
This chapter is not finished yet, please click on the next page to continue reading the exciting content! So back to the starting point, Chu Qianqiu likes beauty, just like a person who cannot afford to eat meat at the beginning, he must eat meat first,
After he is satisfied with eating meat, he can still choose to eat meat.
So I didn’t write about Chu Qianqiu’s great enlightenment and letting go of his love of beauty. He is not such a person.
It is precisely because of this that he can reach the end, maintain his own desires and merge with the way of heaven, instead of becoming a dead thing called the way of heaven.
Not lacking does not mean complete enlightenment.
But I think I still write the corresponding changes.
At the beginning, Chu Qianqiu was quite aggressive towards beauty. When he saw Miss Yuan Qin, he had never seen such a beauty and wanted to marry her as his wife.
Later, Chu Qianqiu was still lustful, but he became more casual. It was good if he had it, and it didn't matter if he didn't.
Of course, many people say that the portrayal of female characters became much worse later on.
Let me clarify here because I was always scolded for portraying supporting female characters, but I wanted to write about it.
After weighing the two, I compressed the interactions with the supporting actresses, trying not to satisfy readers who hate interacting with supporting actresses, and to satisfy the requirements of the harem.
Because of the compressed length, I tried to describe the characters' personalities in the fewest chapters and carry out explosive characterizations.
For example, Princess Jing was forced to do so; for example, Mengyun from the Tianyin Sect went from obeying the sect's arrangements to making her own choice, etc.
It's just that there are too few chapters and too few plots, and it really doesn't bring out the charm of the characters. It's a problem with my level.
In fact, the settings of a large number of female characters are still different.
But from a practical logic point of view, Chu Qianqiu is so powerful that it is difficult to have love between the female characters in the later period.
This shows that their charm is not strong enough.
If there is a next book, I probably won’t reduce the length of interactions between female characters.
I wanted everyone to be satisfied, but no one was satisfied.
This is a huge mistake.
Writing cannot satisfy everyone.
I've tried to do this before, and suffered a terrible price.
As for why I insist on writing about the harem.
Because I have to be honest with myself.
When I was sixteen, I liked pretty girls.
Now I like pretty girls.
In the future, I will probably still like pretty girls.
Is there anything shameful about this?
It's just a hobby, a person's pursuit of beautiful things.
Some people like to drink tea, some people like to drink alcohol, some people like figurines, and some people like collecting stamps. These are just hobbies.
I don't think it's shameful to be inferior to others if you love beauty.
We have made sex too repressed.
That's why I feel lustful and shameful.
If you haven't done anything illegal or disciplined, what's the shame in being fond of beauty?
Guan Guan Jiujiu, in the river island. A graceful lady, a gentleman likes to rebel.
The water-lilies are scattered here and there. The fair ladies are longing for them.
This is human nature.
Of course, if the character writing is not good, that is another matter. It is because of my limited skills, not that there is anything shameful about writing like this.
I have to be honest with myself when writing a book.
Internet writing is a vanity fair.
I came here just to make money, and I will never hide it.
What I write is about spiritual practice and spirituality, not other types of books.
So I don't want to deceive myself.
A book that talks about spiritual practice and Confucianism, Taoism, and Buddhism would deceive yourself, and it would be meaningless.
If I write about a selfless protagonist, then I must have an ideological realm that matches it, otherwise I would not be willing to write like this.
Am I a saint? I am not, I am a layman.
In addition to expressing my feelings and opening a harem, I wrote this book just to make money.
So Chu Qianqiu loves money, sex, and power.
When he has extremely rich wealth, for example, if he has 100 million, he is willing to spend hundreds of thousands to help others, but if he spends tens of millions, he is not willing.
Me too.
Of course, the protagonist will not be a slave to desire. A gentleman loves money and gets it in the right way.
He is both a saint and an apostle of desire.
Just like when I write popular and exciting articles, readers pay to support them, which is fair and just.
I longed to be rich, and I also wanted to make money from writing.
In this way, my spiritual world will be harmonious and unified, without division, hypocrisy, or deception.
Although none of this makes sense, thank you all for listening to all the nonsense I said.
Yes, web writing does not require these principles and persistence.
These concepts are unnecessary, they are all shackles, as long as they make readers happy.
Yes, everything is meaningless.
All ideas, persistence, and concepts will eventually receive feedback from readers when they reach the market.
I can tell from my own experience that most readers really don’t like these, and a small number of them can accept them, but they may not like them.
Of course, this is because my writing level is limited. Under the shackles of these concepts, I cannot express it better or more perfectly.
It's just that the author is always the author.
Personally, I think it’s better to be a little persistent, it’s just a matter of personal stubbornness.
Now that I have finished writing this book, I am not very good at it.
But I think I am worthy of the paying readers, so I try my best to express what I think and satisfy the readers as much as possible.
Although the actual satisfaction rate is not high.
The first chapter had nearly 20,000 subscriptions, and the final follow-up was around 200.
If we look at it from paying readers, the satisfaction rate is about 1%.
Based on 100,000 collections and collection readers, it would be about 0.2%.
All I can say is that my satisfaction rate needs to be improved.
A few final words.
Thank you to every paying reader, thank you for your subscription, monthly pass, reward, and thank you for following up.
Without you, this book would not have been completed.
This is the truth.
So thank you very much.
If we are destined, we will see you in the next book.