Dou Yacai stood calmly in front of the case, took the pen, ink, paper and inkstone prepared by Xiao Niba and made a majestic and rich painting. Liu Hao was standing aside, his eyebrows already wrinkled into an inverted figure.
"What the hell are you painting?" He looked at it for a long time and still didn't understand. He had never seen such a strange thing. The people in the painting looked a bit like certain people, but he wasn't sure.
"Four-frame comics."
Hey, of course Liu Hao can't understand modern things. Dou Yacai always likes to show modern things, looking for a sense of superiority in front of the ancients, and he always succeeds.
"Fourth brother paints? What does this have to do with Liu Mian? [The fourth prince's name is Liu Mian, the guy who invigilated Enke's exam]" Liu Hao expressed confusion.
O(╯□╰)o
"Hahahahaha... You are so talented, Liu Hao, you are so talented." Dou Yacai laughed.
"Hey, be a little more reserved. I really don't understand how Sixth Brother can stand you. Pregnant people should not laugh so loudly. Be careful that the child's mouth will be too big after birth." In the future, Sixth Brother will be more difficult to be a father than to be a husband.
, it’s so pitiful that he has been exiled to the frontier, and his wife is still laughing heartlessly here.
"It's not Brother Si's painting, it's 'four-frame comics', something we have there. The so-called four-frame comics are a form of expression that uses four frames to complete a short story or a creative idea. A four-frame comic is just a few frames long.
It covers the occurrence of an event, plot twists and humorous ending. It makes people smile, smile knowingly or laugh out loud after reading it. The four-frame comic focuses on creative ideas, the picture does not need to be complicated, and the characters do not need to be too many.
, the dialogue is concise, making it easy to read.”
"Oh, it's quite profound, let me take a look..."
Dou Yacai's four-panel comic contains the following content:
The first frame depicts a thin woman with a belly as big as a basket. She is kneeling on the ground and dragging the clothes of a handsome man with a beautiful face. The man has a stern expression and does not understand the poor woman.
[Dou Yacai marked this frame: This is a poor abandoned wife];
The second frame is still the thin woman with a belly as big as a basket, standing in front of the window crying and looking extremely weak. [Dou Yacai marked this frame: This is a poor woman.
Mother】;
The third frame is still the slender woman. The woman's big belly is bigger than before, but there are two black and white imps standing around her, holding a big knife on her neck.
The woman was so frightened that her face turned pale [Dou Yacai marked this frame: This is an abandoned woman who was frightened out of her timidity];
The fourth frame still shows the thin woman. The woman's belly has returned to normal. She is lying on the bed, stretching out her bony hands, watching helplessly as two vicious palace servants take away a baby.
That baby looks like a miniature version of Liu Kuan [Dou Yacai marked this frame: This is a desperate mother].
This four-frame cartoon uses a technique that fully combines realism and exaggeration, making it vivid and lifelike.
"Give this painting to the person sent by your sixth brother to lurk. Also, be sure to pay attention to Liu Yan's 'eardrop'. He is someone who even knows what the minister and his wife said in the inner room. Maybe our