"Haha, Lao Li, if you ask, just ask and come over, haha," Leng Shaohua said excitedly, his face full of expressions like watching a show.
Although he was using Li Xuan's profound knowledge to attack his old friend, this was not a use, but just a mutual attack between friends.
After all, he was the one who excavated Li Xuan, and he considered himself Bole.
"You are so happy. Don't tell me that you haven't passed the exam yet. Even if you pass the exam, I have nothing to do with you. It's not like you defeated me. I despise you." Lao Li was not ambiguous, and he said Leng Shaohua in one sentence
He was speechless.
"Why, your daughter didn't make trouble with you anymore. When she makes trouble with you, you stop playing antiques and keep a straight face. It's really ugly. Well, to describe it, it's an elephant face."
"Come on, if your son is unfilial and if your granddaughter ignores you, I guarantee that you won't be interested in looking at any antiques. Humph, I'm not afraid to tell you that the authentic pair of Tang Sancai horses have been restored and are in my collection room.
I don't think so." Leng Shaohua snorted coldly and said proudly.
"Your piece of shit is actually real in its supporting roles? Only you are mentally retarded to think it's true, and you can't even tell it's such an obvious fraud," Lao Li immediately retorted rudely.
"It's just because it's fake that it's real. If a real guy makes some fake stuff, others will think it's fake, so isn't it safe? Thanks to Xiao Li for helping me get it out. After restoring it, the color and the momentum are...
, that pattern, oh, it’s so great, it’s just like the temptation of a naked girl’s**.”
"Ahem, evil Uncle Leng, please consider the occasion," Li Yingying sneered and reminded her in a cold tone.
Leng Shaohua suddenly felt a little embarrassed, smiled and said nothing.
"real?"
"real"
"Are you sure what you said is true?"
"Of course it's true"
"Are you sure you didn't lie?" Lao Li said still somewhat unconvinced.
"Then you think I lied." Leng Shaohua was also angry.
"Uh, okay, that's true. Well, Xiao Leng, you see, I'm quite old and I can't even look at good antiques, so I'll be merciful and look at my collection later.
Let’s go see yours again. No matter what, whatever Xiao Li answers later, I think his answer is unprecedentedly detailed and complete. His profound knowledge has surpassed mine, how about it?”
"His knowledge has nothing to do with me, so you're doing me a favor by letting him go? I despise him." Leng Shaohua returned his original words.
"Young man, you just don't know how to respect the old and love the young. Forget it, let's do the assessment first." Lao Li suddenly felt unhappy and helped you to let go. Hum, I haven't suffered enough yet, so I'll make you stunned again.
.
"That's right," Leng Shaohua said happily.
"Shut up, why are you interrupting when I ask a question? You talk so much, why don't you just answer it and forget it? Why are you glaring at me? Threatening me, you threaten me and I will say it. Do you think I'm afraid of you? I'm afraid.
You're a hammer, you're a little cold, you're still grinning, your big thick lips, if you grin any more, you could compare to an orangutan, whatever you look at, I'll say you--"
"Grandpa, if you are nagging again, I won't accompany you anymore."
"Ah, okay, okay, I'll give you the question."
Leng Shaohua had the urge to strangle the donkey-faced old man to death at this moment, while Li Xuan was a little speechless. This old man was really a living treasure, but it was also fun for collectors to bicker together.
"Well, there is a bottle now. There are longevity peaches and bats painted on the bottle. The glaze is oily and delicate, the painting is exquisite, the shape is unique, and there is a poem, 'The fragrance is more fragrant and the color is more beautiful, and the beautiful sound is reverberating and rhyming.' What is this? Things?" Lao Li put his hands behind his back, with an intoxicating and confident smile on his face.
"This is the 'Jurentang' longevity peach ornamental plum vase, produced in the Republic of China." Li Xuan answered seriously.
"Huh? It's really good. How about the porcelain of the Republic of China? It seems that you know this very well." The admiration in Lao Li's eyes flashed because the previous question was actually very vague.
"After the Revolution of 1911 overthrew the Qing Dynasty and established the Republic of China, the imperial kiln factory that specialized in firing porcelain for the royal family ceased operations. The national porcelain industry was improved and many porcelain companies were established. At this time, in order to maintain the Chinese porcelain industry in domestic and foreign markets To meet the needs of the early Republic of China, a large number of antique porcelains emerged. From the celadon of the Six Dynasties, to the famous kilns of the Tang, Five Dynasties and Song Dynasties, as well as the typical imperial kilns of the Ming and Qing Dynasties, almost all were imitated, and they were lifelike... During the Republic of China, pastel porcelain was mainly based on Guo Shiwu's imitations of Yong and dry pastels and pastels with Zhaitang markings are the most exquisite, followed by pastel porcelain without inscriptions or with fake inscriptions from various Qing dynasties collected by the people, as well as the so-called Hongxian porcelain. Guo Shiwu The pastel porcelain imitating the Yongzheng and Qianlong reigns is the most exquisite and has the charm of the Yongzheng and Qianlong colored porcelains.
According to "Jingdezhen Historical Manuscripts", "Ming and Qing Porcelain Appraisal", "Antiquities and Old News" and other works, when Yuan Shikai was president, he sent Guo Shiwu (formerly known as Guo Baochang) to serve as a ceramics supervisor in Jingdezhen. He was the last supervisor in the history of China's ceramics. Ceramic officer. During the period before and after he served as pottery supervisor, this person mainly developed antique porcelain. Since he was based in Jingdezhen and was familiar with the kiln workers, he was also able to hire porcelain experts with large sums of money. Guo imitated the enamels of Yongzheng and Qianlong. Color and pastel porcelain, with pure white texture, fine painting and magnificent colors. Among the porcelain donated to the Palace Museum by relatives of the Guo family in 1949, there are many similar objects, mainly bottles, most of which are lanterns with skimmed lips. Style, the decoration on the surface of the vessel is mainly based on figures, including pictures of babies playing, pictures of Magu offering her birthday, pictures of Gao Shi, as well as musical instruments, chess, calligraphy and painting patterns favored by ancient literati. The color application method inherited from the Qianlong period is mainly enamel color. , some of the patterns are decorated with pastels, and the pictures are exquisitely decorated and lively. The inscriptions are all in red seal script or regular script, "made by Jurentang", "master of Zhaizhai", "made by Guo Baochang, the pottery supervisor", etc. This kind of exquisite product was at that time In the antique world, it is called 'Hongxian' porcelain or enamel in the Republic of China. In the early Republic of China, 'Hongxian' porcelain has become a synonym for Guo's imitations.
…”
Li Xuan thought for a while, then sorted out the knowledge in this area in his mind, and said calmly.
At this moment, both Li Yingying and Lao Li stared at him intently, with wonderful expressions.
Leng Shaohua, on the other hand, smiled proudly, watching Li Xuan talk, and he felt extremely proud in his heart.
"There are many folk collections of Zhaitang style famille rose porcelain during the Republic of China, and the paintings are also very detailed, comparable to Yongzheng famille rose porcelain. I know of four important Tang-style porcelains in the early Republic of China.
First is the Yishou Hall. This type of utensils includes a small peach blossom bowl with folded branches, a lantern-style statue with human figures, a flower handle pot, etc. They are beautiful in shape and elegant in color. Each porcelain painting is like a meticulous painting. Compared with Yongzheng pastels, peach blossoms The pink used is too bright, the green flowers and leaves are powdery, and the whole picture has a poor sense of three-dimensionality.
The second is Jingyuantang. This model was specially made by the Northern warlord Xu Shichang. There are various pastel flower and bird pattern vases, yellow flower and peach bowls, flower-style cups, plum blossom-style handle pots, etc., all imitating the fine pastel artistic style of Yongzheng.
Next is the Yanqing Tower. It was a special product for the Beiyang warlord Cao Kun. According to the information I have seen so far, the porcelain of the "Yanqing Tower" style is all large vases. A centimeter-high pastel brocade consecrated large vase with figure patterns collected by the Palace Museum is in
The four-character regular script "Yanqing Louzhi" is written in red on the inside of the mouth of the bottle. This vessel is tall, regular in shape, and has smooth decorative lines. The "Thousand Pieces" large vase is also a major feature of the porcelain of the Republic of China, including blue and white, color glaze, and pastel.
and other varieties.
The fourth type is Jurentang. This Jurentang style pastel porcelain was custom-made by Guo Shiwu for Yuan Shikai. The authentic products all have the style of imperial kiln pastels in the Qing Dynasty. A piece of red color porcelain is collected in the Chengde Summer Resort Museum.
Seal script "Made by Jurentang" pastel vase with cloud and bat pattern. The shape, decoration and color of this vase are the same as those of Guangxu imperial kiln pastel vase. It is characterized by a slightly tilted mouth, long neck, round belly and rounded neck.
The upper part is painted with pastel clouds and bat patterns, the belly is painted with red dragons playing with beads and decorated with pastel cloud patterns, and the whole body is decorated with gold edges, making it look magnificent.
…”
Li Xuan thought for a while and carefully listed out several famous names in the Republic of China. Only then could he fully answer this question.
Lao Li's question is clever, but it is still very difficult. Without that level of understanding of the current situation and past history, it is indeed very difficult to understand the development of this porcelain.
"Fortunately, I have nothing to say about porcelain. I know so much about the porcelain in the early Republic of China, so other things will be fine." Lao Li said in admiration, but did not say anything else. Obviously, even though he said this,
He was still waiting for Li Xuan's brief introduction.
Leng Shaohua and Li Yingying, on the other hand, began to think deeply.
"Famille rose was founded in Kangxi and flourished in Yongzheng. In the late Kangxi period, on the basis of the production of enamel porcelain, Jingdezhen kiln began to bake famille rose porcelain, but the production was relatively rough, and only the flowers of red flowers were dyed with famille rose.
Other decorations still use five colors. Currently, there are two main varieties found: one is white ground pastel ware; the other is green, yellow, and purple three-color porcelain with carmine (gold-red) color added. By the Yongzheng Dynasty, both in
In terms of shape, glaze and painting, pastel porcelain has achieved unprecedented development. Pastel porcelain is one of the most famous varieties of Yongzheng colored porcelain. The color materials are finer than those of the Kangxi Dynasty, the colors are soft, and the dyeing levels are many. Large
Most of them are painted on white ground, and a small amount of them are painted on colored ground. Flowers and butterflies are the most common, and peonies, roses, crabapples, and four-season flowers are also very common. Pictures of characters and stories are also more common in pastel. In addition, pastel porcelain has a homophonic sound.
The 'bat' (luck) and 'deer' (lu) patterns were very common. What was prominent at that time was the so-called 'crossing branches' technique.
…
In the early Yongzheng period, there was a Kangxi colorful style, with pastel decorations mostly painted with flowers, butterflies, bats with eight peaches (meaning good fortune and longevity), flowers on branches, narcissus and Ganoderma lucidum, ladies, Magu offering birthdays, baby plays, etc. The decorations are obviously sparse.
, regular. For example, the pastel peach and bat plate with branches, peach branches, leaves and peaches are painted from the outer wall of the plate, and the peach branches, leaves and bats are painted through the mouth of the plate to the center of the plate...
Some of the Qianlong pastel paintings inherited the characteristics of the Yongzheng period of painting sparse and bright patterns on fat white glazes, such as common flower plates with broken branches, bowls, vials, basins, character pen holders and large artifacts such as deer heads. Deer heads
The Zun is a common variety during the Qianlong period. It has a straight mouth, gradually enlarges below the mouth, a drooping abdomen and a rounded foot. The upper part of the Zun is decorated with two carved Kuifeng ears, flat chi ears or deer head ears, depending on the shape of the vessel.
It is named after it looks like an inverted bull or deer head. The deer head statue is mostly painted on the white ground with green mountains, green waters, trees, mountains, rivers and jungles. There are many sika deer running or standing, looking back or bowing their heads. The colors are bright and the layers are clear.
, the structure is dense and dense. This kind of porcelain is also called Bailu Zun...
The main color porcelain of the Jiaqing Dynasty is pastels, and furnishing utensils, study utensils, daily utensils, five offerings (composed of two incense jars, two flower grippers and an incense burner) and ritual vessels are all common. In the early Jiaqing period,
The pastel colors also have the characteristics of the Qianlong Dynasty, which are relatively fine, including those with "a hundred flowers are hidden from the ground", and those with colored ground rolled and consecrated...
In the Daoguang Dynasty colored porcelain, in addition to white ground pastel ware, we can see various colors of consecrated pastel, and they are often combined with gold tracing techniques. In addition to bottles, jars and a small number of stationery utensils, a large number of the utensils are bowls and plates and other daily necessities.
The patterns on the utensils are highlighted by lotus flowers, skinny melons, pictures of babies playing, ladies in Qing Dynasty costumes, and various flowers, butterflies, and cordyceps. There are also common auspicious themes such as 'lucky celebrations', 'Magu's longevity', 'peaceful elephants', etc.
Most of the pastel ware made in 'Shendetang', 'Xizhuzhu' and 'Zhongdetang' models are relatively exquisite...
…”
Li Xuan knew that Old Li must be dissatisfied, so he asked a very harsh question, because porcelain is different from other things. It does not mean that if you understand porcelain, you will understand the history and development of porcelain. This appreciation is two
Question, but in the same way, someone who understands the history and waiting conditions of porcelain will definitely be a master of antiques.
However, those who know antiques may not understand the characteristics and history of porcelain. Lao Li asked this question because he was actually thinking that Li Xuan was young and did not know much.
But Li Xuan also intended to hit this old Li, just because this old Li did look at people based on their age, and the disdainful look from Li Yingying next to him made him feel very unhappy.
Thank you very much to the book friend "Feng Zian Yue" for your generous reward coin support again. Thank you very much.
