Without hearing an opera in person, it is impossible to imagine the powerful rendering power.
What this opera shows is the story of Pegatia, the Silver Moon Elf King, leading the elven coalition through the Evernight Forest, crossing the Endless Sea, and entering the wild swamp to educate the barbaric lizard tribesmen to resist the demons of hell.
All the performers on the entire stage were wearing heavy costumes, especially the dancers who played the lizard people, who also wore thick headgear and made exaggerated movements. It was as if without the words and deeds of the Silver Moon Elf, these lizard people could not perform the dance.
Just like walking upright.
The rumored lizard tamers are definitely powerful beings. Lizard warriors are good at jungle hunting. Their archery skills can only be most powerful in dense forests. It is said that these lizard warriors ride flying dragons and can fly freely across jungle swamps.
They are cruel and cold-blooded and occupy a large area of wild swamps in the southern part of the Roland continent.
At the end of an opera, Mrs. Christie was so moved by the plot that her eyes were red. Although the opera was over, Mrs. Christie was immersed in the plot and couldn't extricate herself. She leaned in Carl's arms and kept wiping her tears with a handkerchief.
As the performers reappeared on the stage for the curtain call, warm applause spread throughout the opera house, and the audience in the hall stood up and applauded to show respect for these performers.
The audience in the private rooms on the second floor also walked to the front of the terrace, and then everyone began to leave one after another.
The group left the opera house, and Suldak rejected Karl's proposal to send him back to the Knight Academy.
'You're just kidding, I'll put up with you two all night.'
With a smile on his face, Suldak stood on the street and waved goodbye to Karl.
…
The street in front of the Opera House was full of magic caravans, and nobles boarded their carriages. Then these magic caravans left the Opera House in an orderly manner. Suldak wanted to rent a carriage back to the Knight Academy, but found that waiting for him was waiting for him.
The carriages at the entrance of the Opera House are all private. After waiting for a long time, I couldn't find a carriage.
After waiting for a while, there was still no empty rental carriage. Suldak felt that he could not wait any longer. He looked around, identified the direction, and walked along the long street towards the Knight Academy, but
After walking out for a few hundred meters, I was a little embarrassed to find that the direction seemed to be reversed. Although this mountain city was not too big, the layout of the buildings in the city was extremely messy. Suldak originally wanted to find some of the buildings in the city.
Iconic buildings serve as road signs, such as the magic tower of the Mages Guild near the Knights Academy.
After walking a few hundred meters, Surdak discovered that he had mistaken the clock tower on the Municipal Square for the Wizard's Tower. Surdak had to go back along the original road and saw a narrow road between the Opera House and the Trading House.
The alley looked like it led to a back street, so Suldak decided to take a shortcut and tried to pass through the Opera House along this narrow alley.
The alley was very dark inside, and there were some debris piled up against the wall, making the originally narrow alley even more difficult to navigate. Suldak regretted that he got into such a dark alley in order to save a few steps.
In the alley, he prayed in his heart that the end of this alley was not a dead end.
But the more I worried about something, the more it would happen. Halfway out, a huge iron fence appeared in the alley in front of me. This iron fence divided the alley into two sections, making the way forward blocked.
Through the iron fence, he could easily see the busy traffic on the other street. Suldak looked back and saw how far he had come, and did not want to go back the same way.
He looked up and saw that although the fence was a little high, it was not difficult to climb over. So he rubbed his hands and looked around and saw that no one seemed to be around, so he quickly climbed up the fence. There were tall square walls on both sides of the fence.
, Suldak put his hand on the wall stack, turned over and sat on the square wall stack.
He was about to jump off the three-meter-high wall when someone pushed open the back door of the opera house, and a figure flashed out from inside. The delicate figure first stuck out his head and looked warily to the left and right sides.
I looked around and saw that there seemed to be no one in the alley behind, so I walked out of the opera house. The man looked extremely cautious, looking around vigilantly, keeping his body hidden in the shadow of the corner, and walked quickly out of the alley.
Just when the figure walked to the entrance of the alley, a magic caravan suddenly stopped at the entrance, and the door of the carriage opened. Baron Grenfell poked his head out of the carriage and took the initiative to pull the man into the carriage.
The carriage door then quickly closed, and the magic caravan merged into the traffic flow.
At this time, Suldak happened to be riding on the top of the door stack. He blended perfectly into the dark night and happened to see the pale side face of Baron Grenfell, but that figure was wearing a cloak and a hood.
Wearing a hood, her face couldn't be seen clearly. Judging from her figure, she must be a lady. The moment she boarded the caravan, Suldak happened to see the loose sleeves on her arms slipping down, revealing a section of white lotus root.
The same arm, and that arm was printed with black magic patterns like eyes.
Unexpectedly, I accidentally stumbled into the scene of Baron Grenfell having a secret meeting with the opera dancers.
No wonder Karl said that Baron Grenfell liked to listen to opera. It turned out that he had a deeper understanding of a certain dancer in the opera house.
Suldak thought: The next time he goes to the pub to drink, he can mention it to Karl. Maybe the investigation of Baron Grenfell can start from the opera house.
Suldak was sitting on the wall, thinking about whether to tell Karl the news as soon as possible.
At this time, a knight's guard unexpectedly walked in from the entrance of the alley. He quickly walked to the iron fence and made sure there was no one around to return the way he came.
‘…’
Obviously this knight's retinue should be Grenfell's subordinate. He returned again, probably to confirm whether there were any followers behind him.
Surdak squatted speechlessly on the top of the wall, worried that the knight's retinue would come back. He waited for a long time before jumping down.
Then he quickly walked out of the alley, and when he came to the street, the magic caravans gathered around the opera house had completely dispersed, and the magic caravans on the street returned to normal. Not long after he walked out, a magic caravan slowly stopped.
Beside him, the coachman carefully asked Suldak if he wanted to take the carriage.
Surdak boarded the carriage without any hesitation.
If I rely on my own legs to walk back to the academy, I'm afraid it will take until midnight.
It was estimated that the dormitory door was closed at that time, and Suldak said to the coachman: 'Go to the Knight Academy...'
The dim street lights on both sides of the street swept back quickly, leaving streaks of light on the window glass. The shops on both sides of the street had begun to close at this time. Suldak opened the glass window and let the cold night breeze blow into the car.
On a late autumn night, the night wind is a bit cold...