"The current shapes of some gold and silver ware that were produced in the Northern Dynasties and early Tang Dynasty have the style of the Sassanian gold and silver ware, which shows that they were influenced by Persian gold and silver ware. The patterns are mostly flowers and birds. The craftsmanship is exquisite, and the Tang Dynasty
The technology of gold plates, casting, welding, cutting, polishing, riveting, plating, hammering, chiseling, inlaying and other technologies have been widely used. After the Song Dynasty, various processes have become more complex and fine, and gold and silver, paint and wood have been combined with walls.
Product. The dragon and phoenix crown of woven gold wire inlaid jewelry produced by Dingling are even more rare." Luo Tian also added: "Don't ask me what those processes are, otherwise, I promise, you don't do it in your life.
Want to go back to the UK.”
"Okay, I get it." Jack's mind turned quickly: "I just need to know that these crafts are complicated and magical."
"I thank you." Luo Tian continued: "The gold and silverware of different dynasties have different characteristics. For example, the gold and silverware of the early Spring and Autumn Period and the Warring States Period are relatively fresh and lively, with different styles from the north and south. Gold and silverware unearthed from the north and the north.
Its fine gold and fine gold craftsmanship was developed. In the southern region, gold and silver ware were mostly utensils, and the making method was mostly from bronze craftsmen. The style of the Qin and Han dynasties was rich and prosperous. In the Han Dynasty, gold and silver ware were always jewelry, with simple shapes and mostly plain faces.
The gold-fine craftsmanship is gradually developing and mature, and the shapes, patterns and colors of gold and silver are more exquisite and colorful."
"The gold and silver ware in the Wei, Jin, Southern and Northern Dynasties were even more exotic. When it was the Sui and Tang Dynasties, you also knew that this dynasty was the prosperous era of China, so the gold and silver ware during this period were magnificent, colorful, rich in categories, and shaped.
The unique and exquisitely decorated gold and silver ware will remind people of the prosperity of Tang culture and art. The gold and silver ware in the Tang Dynasty can be divided into food utensils, drink utensils, containers, daily necessities, decorations and religious utensils."
"The gold and silverware in the Song and Yuan dynasties were fresh and elegant. The gold and silverware in the Song Dynasty were light and exquisite, elegant and beautiful, and had a perfect national style. The shape was extremely particular, with a variety of styles, and it was characterized by pure and elegant. The gold and silverware in the Yuan Dynasty and the Song Dynasty were very particular.
Similarly, in addition to daily utensils and accessories, the number of furnishings increased. From the perspective of styling and decoration, there were many plain surfaces. However, some gold and silver utensils in the Yuan Dynasty also showed a tendency to be gorgeous and complex in the decorations."
"The gold and silver ware in the Ming and Qing dynasties tend to be gorgeous and colorful, with a strong palace atmosphere. The shape of the instrument is elegant and luxurious, the gem inlaid and the dragon and phoenix patterns are colorful, symbolizing nobility and power. The gold and silver ware in the Ming Dynasty are vivid and simple, and the pattern structure tends to be dense. The Qing Dynasty
Gold and silverware have both traditional styles and other artistic influences. Gold and silverware in the Qing Dynasty can be summarized in two words: exquisite and fine. The composite craftsmanship is developed, and gold and silverware is combined with enamel, pearls, jade and gemstones, adding to the nobility and beauty of the utensils.
”
Luo Tian coughed, and suddenly said so many words, his throat was almost getting hot: "How about it, do you understand something?"
"It's almost the same." Jack spread his hands: "You're talking very well."
"This is not the key, right?" Luo Tian was helpless: "Okay, let's take you to see it again. It's getting late, so let's go back."
Jack nodded, and there was a slight loss on his face. Luo Tian felt that he had something to worry about: "What's wrong? Jack, are you unhappy about having fun tonight?"
"No, I think I'm sleepy." Jack said: "You are so physically strong. You're still so energetic all day."
Luo Tian smiled muffled, with fragments of energy, and he was indeed much better than before: "You are tired, otherwise you will go back now?"
"No, there are still a few stalls that haven't been seen. Let's go after watching." Jack walked forward on his own and pointed to the front excitedly: "Look, Luo Tian, what is that?"
Luo Tian was very familiar with that thing: "That's a revolving lantern." He has seen all the Yueying lanterns himself, let alone this revolving lantern?
"Click a candle in the lamp, and the heat generated by the candle causes airflow, causing the wheel shaft to rotate. There is paper cutting on the wheel shaft, and the candlelight projects the shadow of the paper cutting on the screen, and the image keeps moving. Because ancient generals are often drawn on each surface of the lamp to ride horses
The picture, and when the lamp rotates, it looks like a few people chasing each other, so it is called the revolving lantern."
This revolving lantern is not an antique, it is purely modern craftsmanship. The picture inside is a traditional Chinese story - Nuwa repairing the sky, "Luo Tian, why is the beauty in it the snake's tail?"
"Like the gods in the West, this beauty is actually a god, the ancient god in Chinese legend. She has a human head and a snake body, Fuxi's sister Xun, and her surname is Feng. In Chinese legend, she is the mother of human beings.
Because she used clay man to create the first pair of men and women in the world, and took on the heavy responsibility of reproduction of offspring, and later because..." Luo Tian paused: "For some reason, the sky collapsed and the earth fell, so there was the lantern.
The story is that Nuwa repairs the sky, she melts the colored stone to repair the sky, saving Cang from being born in water and fire. In the minds of Chinese people, Nuwa is an amazing figure."
"It's an amazing woman," Jack said. "If it were in modern times, she would have been an amazing person."
"It should be." Seeing Jack's eyes blindly at the revolving lantern, Luo Tian asked him: "Do you like it? I'll buy it for you." He's here, don't let Jack go back empty-handed, of course, if he wants that one
For luminous cups, that's not available, and this revolving lantern is still OK.
"Okay." Jack laughed happily: "It feels like I'm back when I was a child, which feels great!" The foreigner is a foreigner. Chinese people are still too implicit in expressing their feelings so bluntly.
"This is made of wooden, a little expensive, four hundred yuan."
"Okay, I want it." Luo Tian took out four hundred yuan and picked up the revolving lantern for Nuwa to repair the sky: "Jack, this is yours."
"Thank you." Jack held the lamp and was satisfied: "Let's go back and have a good sleep, I can't hold on anymore."
Luo Tian looked at the time. It was indeed late. It was almost three o'clock in the morning. The two drove back. Jack fell to sleep. Luo Tian also slept on the sofa. The two of them were slight, afraid that they would wake up.
Cheng Zhen and Shao Xiaoya and Luo Tian have always been sleeping well in the room, and they went to 8:30. If Cheng Zhen hadn't woken up him, he might not have woken up.
"Luo Tian, where is Jack?" Cheng Zhen's question surprised Luo Tian. He pointed his finger at the floor: "It's not there..."
There was only a rolled blanket left on the floor. Jack was not there, and Luo Tian shuddered: "Where is Jack?"
"This is the question I'm asking you. I've looked for it. Jack is not in the room." Cheng Zhen pushed Luo Tian and said, "Jack won't run out by himself, he is not familiar with the place here. Will he be unfamiliar with the place here?