Luo Tian felt thirsty at this time. He rushed to the kitchen and found the only bottle of juice left in the refrigerator. This was bought by Cheng Zhen and Shao Xiaoya when they lived here. They didn't care whether it had expired. They turned the cap. He drank it all in one go, and the cold liquid made the body feel comfortable. The heat came a little late, but the power could not be underestimated. Luo Tian went to the bathroom to look at the mirror and saw that his eyes were red underneath.
This has never happened before. My father said he wanted to study Xianyushu's notes. Luo Tiandexin took out the notes and opened them, but found that they were still inconsistent content, which did not correspond to the front and back, and there seemed to be something missing in the middle. The things, my dad should know the mystery, but he refused to let himself understand them. This is understandable. The more he protects, the less space he can grow. Luo Tian picked up the notes and lay on the sofa. The light on the note shone on it, and Luo Tian found that something was shading on the paper. He was so excited that he even hit a chill. This shadowy thing was the missing part. It turned out that this note had such a mystery!
Luo Tian turned the notes tightly towards the lights, flipped over page by page, and the missing part came back again, and the content was finally coherent. It turned out that Xian Yushu did not write them down casually, but he made a little bit of this notes. Methods, Luo Tian is going to speculate on the thoughts of the ancients at this time. Xian Yushu himself is a collector and appraiser. The content of this note is the result of his life's hard work. His thoughts should be very contradictory. On the one hand, he hopes that his discovery can be passed on. On the other hand, he didn't want to see his efforts fall into the hands of others, so he set up such a small mechanism. Only those with ability can master this note. In this way, he should be much more relieved in the underworld. .
Of course, this is just Luo Tian’s idea. It is impossible to verify what Xian Yushu’s idea.
When all the legends and annotations became complete, Luo Tian quickly recorded all the contents, which recorded the textile processing technology before the Yuan Dynasty and the restoration of porcelain. Compared with modern technology, they were more back to nature and more safe than modern technology. The integrity of the whole antique, and the processing technology of textiles is more useful. To repair a piece of clothing from the Han Dynasty, in addition to cleaning it, you also need to figure out the processing technology of the clothing in that era, so that the loopholes can be repaired. Unfortunately, it is not Few processing techniques have been lost, and it is difficult to repair them with the same processing techniques. Therefore, many of the restored ancient fabrics we saw in the museum use similar patterns, but are not exactly the same, and are completely repaired. , This is really a pity.
Luo Tian has already recorded all the contents of the notes in his mind. According to relevant records, the restoration of cultural relics and the imitation of antiques appeared in the Spring and Autumn Period. There are stories about fake tripods in "Lüshi Chunqiu" and "Han Feizi Shulin". By the Tang Dynasty, there had been fake works such as copying calligraphy and paintings of previous generations. By the Northern Song Dynasty, it was extremely popular, especially imitating bronze ware, mostly using the Shang and Zhou ware genuine ware, the ware shapes and patterns were quite realistic.
After the Yuan Dynasty, due to years of war, imitation was at a low tide and its work was inferior to that of the Song Dynasty. However, there were professional folk imitation workshops, such as Jiang Niangzi in Hangzhou and Wang Ji in Pingjiang Road (Suzhou), which were quite famous for imitation bronzes. .The imitation of the Ming Dynasty was not as good as that of the Song Dynasty. The folk workshops were mainly in Jiangnan. The imitation of the instruments was mostly based on the GT of the editors of the Song Dynasty, and some bronze mirrors of the Han Dynasty and the sea beast grape mirrors of the Tang Dynasty were copied, and the work was rough. However, during the Xuande period of the Ming Dynasty, the The cast antique furnace, also known as the Xuande furnace, has many styles, very exquisite and unique style, and is well-known for the ancient copper furnace imitated by Zhang Mingqi and others in Jiaxing.
By the Qing Dynasty, flowers bloomed, and almost all ancient cultural relics were imitated. At the same time, a large number of professional antique masters appeared, such as Fan Shouxuan, Zhao Yunzhong, Wang Jinchen, Li Yubin, Li Fentang, Hu Qianzhen, Pan Chenglin, Wang Hai, etc. in Beijing, and Jinan.
Hu Mazi and Hu Shichang gradually formed four major sects, and antique dealers called them: Beijing Sect, Suzhou Sect, Weifang Sect, and Xi'an Sect.
Beijing School: "Wicked Mouth" (called one of the eight weird artists in the Qing Palace) was founded by the Qing Palace. During the Revolution of 1911, he left the palace and worked in restoration of ancient instruments near the Qing Palace to make a living, and had seven disciples, such as Zhang Wenpu.
Gong Maolin, Zhang Shulin, Wang Deshan, and some of their apprentices taught during the War of Resistance Against Japan were liberation and entered the museum, becoming the first generation of cultural relics restoration personnel in New China.
Suzhou School: Suzhou has become a base for antique operation since the Ming Dynasty and Qing Dynasty. During the late Qing Dynasty and the Republic of China, famous antique bronze craftsmen such as Zhou Meigu, Liu Junqing, Jiang Shengbao, Luo Qiyue, and Jin Runsheng became famous at home and abroad, and are representatives of the "Southern School" today.
Now the cultural relics restoration industry uses Nanjing Museum, Anhui Provincial Museum, etc. as the source of the "Southern School".
Weifang School: The main was formed during the Qianlong and Jiaqing periods of the Qing Dynasty, and the Republic of China was quite large in the late Qing Dynasty.
Xi'an School: Xi'an is an area that is counterfeit and counterfeit. The fake inscriptions on the objects began in Xi'an, mainly imitating weights and measures, including famous craftsmen such as Su Yinian, Su Zhaonian brothers and Yanyan Zhang.
When you see this, you will find that forgery is closely related to restoration. Sometimes, when the restoration cannot be completed, in order to reproduce the original appearance of the antique, relevant technical personnel from the Cultural Relics Bureau will imitate and restore the original appearance of the cultural relics, which has its own limitations.
There are two aspects of cultural relics restoration work: one is to remove all attachments on cultural relics specimens, and the other is to repair the incomplete parts of cultural relics specimens. The purpose is to restore its original appearance and prevent harmful substances from continuing to harm cultural relics collections.
In addition, the restoration of cultural relics must be based on the truth of history. The original appearance cannot be changed based on subjective imagination. The restoration part must be similar to its part. Each cultural relics required to be restored should be analyzed and studied separately, and the objection should be made.
Mature technology is used casually on precious collections. When repairing, you must first determine the type of original material, performance and damage. First, make text drawings and photographic records, and then formulate a repair plan. The repair materials must be fully used.
It may be consistent with the original product, and try to use the original production method and process.
Based on the last point, this note is very beneficial to me, especially reflected in ancient fabrics. Luo Tian obtained the treasure and cracked the secrets. He was very excited. Now he is the two pieces of fragments that suddenly joined together should be dealt with,
Some golden gourds cannot accommodate two pieces, so Luo Tian can only keep them at home for the time being. He needs to call Lao Luo to customize a golden gourd that is slightly larger than now. After sorting out his thoughts, Luo Tian finally lay on the bed.