This was the second time Luo Tian came in and saw this thing. Luo Tian was familiar with it. Zhou Bozhai had one in his hand, and it was also the treasure of Qifangzhai's store town, that is, the screen, this one in this room
The screen was placed on the left side of this room. Mr. Jing took it out from behind when he was picking up the things.
The screen appeared in Zhou three thousand years ago as a special utensil for the emperor. The birth of the screen was originally designed specifically behind the emperor's throne, called "axe". It uses wood as a frame, and is mounted with crimson silk on it, and painted axe and axe.
A symbol of emperor's power. "Records of the Grand Historian" also records: "The emperor stands on the screen." After a long period of development, screens began to become popular among the people, entered the homes of ordinary people, and became an important part of the interior decoration of ancient people.
The symbol of fame and power. After continuous evolution, screens serve as windproof, partition, and concealment, and play the role of embellishing the environment and beautifying the space. Therefore, they have been passed down to this day and have produced many forms of expression.
In ancient times, the screens of kings and nobles were very particular, using materials such as mica, crystal, and glazed. In the inlay process, valuable items such as ivory, jade, enamel, jade, gold and silver were used. It was extremely luxurious. However, the people were all in the world.
Most of the screen making advocate practicality and simplicity.
During the Han and Tang dynasties, almost all wealthy families used screens. Their form was also increased compared with previous generations. They developed from the original single-fan screen to a curved screen with multiple screens that could be stacked and opened and closed. Before the Han Dynasty, most screens were
Wooden boards are painted and painted, and since the invention of papermaking, they have mostly been made of paper paste.
After the Ming Dynasty, hanging screens appeared, which exceeded the practicality of screens and became pure decorations. With the transformation of society, it was difficult for modern people to regard them as family decorations, so that their scope gradually narrowed, only in
It only has special cultural places, such as theaters, teahouses, bookstores, etc. In recent years, people at home and abroad have become interested in Chinese classical furniture, and the beauty of classical furniture culture, including screens, is gradually being re-established.
To understand, we hope that people can dig out new beauty and be inspired by traditional screen craftsmanship.
This screen is composed of four fans, and a jade board is inlaid on each screen. On the four jade boards, a poem written by Qianlong's imperially written by the imperially written by the technique of carving gold is engraved on the back of the screen.
Interpretation of regular script of poetry.
This screen belongs to the insertion screen. The insertion screen is a collective name for all screens, inkstone screens, etc., which can be installed and detached by the screen fan and the screen seat. Before the Ming Dynasty, screens tended to be practical and were classified as a kind of furniture. They are mainly used for
The shielding and temporary partitions were mostly grounded. The interlocking and hanging screens that appeared in the early Qing Dynasty began to be used for people to appreciate.
The insert screen is generally a single fan, with different shapes and sizes. The larger ones can be as high as three meters, and are mostly placed in the room as doors. The height is determined according to the size of the room and the portal; the smaller ones are only twenty centimeters.
Just like the screen in front of me, it is only twenty centimeters high.
The functions of the interposer screen and the multi-seater screen are similar. They are mainly used to block the wind and cover it. In the room, it also has a decorative effect. This interposer is better for double-sided centers. If it is based on landscape and scenery,
It is even more beautiful. Because the landscape and scenery have distinct levels from near to far, they are placed indoors, but can broaden the vision and eliminate fatigue, giving people a comfortable feeling.
"Old Jing, this set of screens is made of Hetian jade, and it is also crafted by jade. Jade furniture is generally divided into two types. The first type is to use jade materials to carve into various figures, round bi, Rui
Patterns such as beasts, flowers and birds are embedded on the surface of tables, chairs and stools, and serve as a foil. The second type is jade-embedded shielding furniture. This type of furniture is jade carved into various patterns and engraved with poems.
The pieces may be handed down from ancient jade, and the antique jade bi is inlaid in the screen heart of the screen furniture made of hardwood, and the jade carving in the screen heart is the theme that such shielded furniture wants to express."
Luo Tian pointed to the poem above again: "This poem is a poem by Qianlong. The jade quality is the medium-quality jade of Hetian jade. With such a large specification, the market value is more than one million yuan."
Mr. Jing nodded repeatedly: "Mr. Luo is indeed a versatile talent and knows the craftsmanship well. Now there is only the last thing left." Mr. Jing looked at the time, and before he knew it, it was already three in the morning. Jing
The old man said, "I'm so sorry, Mr. Luo, I'm so confused, so late..."
"It's okay." Luo Tian said: "It's coming to an end. Is it? If I just go back like this, I'm afraid I won't be able to sleep." Luo Tian looked at his phone. Cheng Zhen had sent a text message twice.
, I could only briefly explain the situation: "Old Jing, is this the same in the end?" Luo Tian couldn't wait.
Mr. Jing said, "I'll get it now."
The last piece is a guqin. The bottom of the zither is engraved with the four words "Colorful Phoenix Lonely Song" and a poem, as well as the words "Far-Yan Wushen", "Simei Taoist's Identification and Made", etc., in Fengzang
The words "Li Yuxiu was cultivated in Yecheng" and "Chongzhen Kang danced in autumn", and the geese were made of two white jades.
The guqin has beautiful shapes, and the common ones are Fuxi style, Zhongni style, bead style, Luoxia style, Inspiration style, Banana leaf style, Shennong style, etc. It is mainly distinguished by the different necklines and waist shapes of the piano.
The lacquer has broken patterns, which is a symbol of the age of the guqin. Due to the vibration of long-term performance and the wood and the difference in the paint base, a variety of broken patterns can be formed, such as the broken plum blossoms, the broken cow hair, the broken snake belly, the broken ice crack, the turtle pattern, etc.
.The piano with broken patterns has clear sound and beautiful appearance, so it is more precious. The famous pianos in ancient times include Green Qi, Jiao Tai, Spring Thunder, Bing Qing, Great Sage's Relics, Jiuxiao Huan Pei, etc.
The pianos made in different eras are different. There is a saying in the piano world: "Tang Yuan and Song Bian." Compared with the shape of the piano in the Song Dynasty, the shape of the piano in the Tang Dynasty is relatively round, and it is usually rounded on the neck and waist.
.The shape of the piano in the early Northern Song Dynasty was basically imitated by the Tang qin. Later, the arc of the piano surface gradually changed from round to flat, forming the style of Tang round Song qin. In terms of length and width, the standard range of Song qin is more than that of Tang qin.
Some Song zithers are significantly shorter than Tang zithers, while others are significantly longer than Tang zithers; the same is true in width. Due to the popularity of ethics in the Song Dynasty, since the Northern Song Dynasty, the appearance of the zithers is mainly in the style of Zhongni.
In the late Northern Song Dynasty, the use of Eight Treasures (i.e., crushing gold, silver, pearls, and corals into deer antler ash to be used for sharing). The Song Dynasty was an important stage in the history of piano making after the Tang Dynasty, and the official even set up a bureau to make pianos, which is the so-called official zither.
The zither making was a transitional product between the Song and Ming dynasties. Due to the short term, there were fewer physical objects in existence. The number of zither making in the Ming Dynasty was unprecedented. Whether it was the emperor or the family of officials, there were many people who liked zithers. The royal family system was used to make zithers.
There are four famous zithers: Ning Wang, Heng Wang, Yi Wang, and Lu Wang. Among the four kings, Lu Wang made the most zithers. The production began during the Chongzhen period. It was conveyed that there were as many as four or five hundred pictures, and the styles and sizes were the same, and they were all based on year.
The order number is engraved in the belly; the back of the zither is engraved with the name "Zhonghe", and the poem "On the Yangtze River" and the seal of "Lu Guoshi" are all made of eight treasures painted gray.