Luo Tian had not searched for the source of the fragments. He also found pottery with the same pattern in the Yelang Ancient Kingdom. Luo Tian thought that the problem had been solved at that time. The fragments came from the Yelang Ancient Kingdom and were related to the Bamboo King. Maybe they were in some kind of
He gained power during the sacrifice, and now this power has been transferred to the individual, producing such results. But now, Luo Tian is a little unsure, because what happened next is beyond his imagination.
First, his father Ouyang Tian also has superpowers and has a fragment in his hand. Then there is Ouyang Ying, who is also a member of the Ouyang family. Although the age is different, some evidence shows that he is also a person with superpowers and the fragment is also preserved.
Now that he has it in his own hands, why are the only people who can attract supernatural powers belong to the Ouyang family?
The mountain man said that this kind of power only allows him to use his own energy and blood in advance. In the long run, it is harmful to the body. Without the power, Luo Tian can do it now. After all, he has been paying attention to his own accumulation.
, now that you have the foundation, what are you still afraid of?
"Dad, actually this matter is not urgent. I can handle it now without any supernatural powers." Luo Tian said confidently: "It's still too late to stop now. You don't need to worry too much."
"It would be better if there is a chance to resolve it." Ouyang Tian sighed: "Go to sleep."
Luo Tian nodded. Actually, after thinking about it, it doesn't matter. In this life, it is a pity to live a short life. If you feel that your life is long, it is also a troublesome thing. When you get old, there will be no one around you to take care of you.
Come on, you are going to suffer. Luo Tian pursed his lips and smiled. Even if what the wild man said is true, it doesn't matter. How many years are there, just cherish them as long as they are.
Thinking of this, Luo Tian felt relieved and fell into a deep sleep. Hearing his son's snoring, Ouyang Tian felt a lot more at ease. As a parent, how could his son not feel pain when something happened to him? Seeing his son so calm, Ouyang Tian felt that
He was really old and could no longer bear any blow. He smiled bitterly and fell down to sleep.
The next day, the father and son were woken up by the noise outside. Hearing the movement in the Sihe courtyard, Luo Tian and Ouyang Tian quickly got up and took a look. It turned out that the publishing house was leading a man over to Zhang Yan. Huang Lide had his own
According to the rules, this publishing house completely broke Huang Lide's rules by doing this, which made Mr. Huang very unhappy and lost his temper.
"How many times have I told you that this place is a place for living and resting. You should go here to take someone here. Are you deliberately preventing me from living a stable life?" Huang Lide was furious. The editor Luo who brought people here was
God knows, it’s a young man who is in charge of their project this time. He looks a little unfair.
"Teacher Huang, I really didn't know there was such a rule. Today is my fault, my fault." The editor was very flexible and kept apologizing. Huang Lide kept a straight face and didn't say a word.
Luo Tian didn't care that he hadn't brushed his teeth and washed his face and walked over: "If you two have anything to do, you can talk to me. Teacher Huang has been revising the manuscript continuously these days. His health is not good. You guys came here so suddenly.
, it’s too unreasonable.”
Seeing that it was Luo Tian, the man breathed a sigh of relief and pushed the person next to him: "This is Luo Tian. You should know his name. Just ask him to look at it."
Ouyang Tian pulled Lao Huang in, and Luo Tian led the two of them to his room: "Tell me, what's the matter?"
The young editor, whose surname was Huang, was still a little embarrassed at this time: "Actually, this is my relative, and I brought him here without knowing the situation."
Because he is the editor in charge of this book project, he has Huang Lide’s home address. It seems that the company must not know that he came here. Otherwise, they would not take the risk of offending Huang Lide and bring someone to the door. Luo Tian nodded: "
I know, and I won’t tell anyone else if I don’t do it next time.”
That's exactly what Editor Huang meant. Hearing Luo Tian take the initiative to say it, he was very happy: "Thank you so much, thank you so much. Uncle, why don't you take out the things?"
The man who was called uncle by editor Huang quickly brought up the box in his hand: "Please help me take a look at this."
Luo Tian opened the box: "Isn't this a shadow puppet? But..." Judging from the age of this shadow puppet, it was quite old. Luo Tian was just about to use his powers, but thought of what the mountain man said, he quickly stopped. From the shadow puppet's
I started with the texture and finished it. I was very confident: "This shadow puppet is an antique."
More than 2,000 years ago, Emperor Wu of the Han Dynasty's beloved concubine, Mrs. Li, died of illness. Emperor Wu missed him so much that he was in a daze and ignored the government all day long. Minister Li Shaoweng went out one day and met a child playing with a doll in his hand, and his shadow reflected on the ground was lifelike. Li Shaoweng went out one day.
The young man's heart moved, so he cut an image of Mrs. Li out of cotton, painted it with colors, and installed wooden poles at the hands and feet. At night, he surrounded the square curtains, lit up candles, and respectfully invited the emperor to sit in the tent and watch. After seeing the dragon's face, Emperor Wu was overjoyed, and that was it.
I can't put it down. This love story recorded in the "Book of Han" is considered to be the earliest origin of shadow puppetry.
At that time, it was not called shadow play, but sheepskin play, and old Beijingers called it "donkey shadow play." For thousands of years, this ancient art has been accompanied by generations of ancestors.
We spent many happy hours together. Shadow puppets are not only puppet art, but also an authentic handicraft. They are made of donkey, horse, and mule skins, and undergo several processes including material selection, carving, coloring, sewing, and painting.
.Shadow puppets are made with exquisite craftsmanship and are full of interest and lifelike performance. Affected by various factors such as the external environment and differences in the texture of animal skin materials, the styles of shadow puppets vary from place to place.
From the entry of the Qing Dynasty to the end of the Qing Dynasty and the beginning of the Republic of China, the art of shadow puppetry in China reached its peak period. Many shadow puppet artists inherited their father's business and passed it down from generation to generation. No matter in terms of shadow puppet modeling, shadow puppetry acting, singing, and popular regions, they have reached a historical level.
The pinnacle of the era. At that time, many wealthy and powerful families, including nobles and nobles, were proud to hire famous masters to engrave shadows, stock up on exquisite shadow boxes, and maintain private shadow classes.
In folk villages and towns, shadow puppet troupes of all sizes abound. It is not surprising that there are twenty or thirty shadow puppet troupes in one town or city. Whether it is a festival, celebrating a good harvest, praying for blessings and worshiping gods, marrying and entertaining guests, or celebrating a child or birthday,
It is indispensable to set up a stage to sing and shadow. Even this play has to stay up all night or perform continuously for more than ten and a half months. In a temple fair, several shadow troupes can set up a stage to sing and sing together, which is very lively. You can imagine its grandeur.
In the late Qing Dynasty, some local officials were afraid of crowds gathering in shadow puppet theaters at night, so they banned shadow puppet performances and even arrested shadow puppet artists. Shadow puppet artists were also implicated in the White Lotus Sect uprising in the late Qing Dynasty, and were raided on charges of being black lantern bandits.
Before and after the Japanese invasion, due to social unrest and years of war, the people were in dire straits. As a result, the shadow puppet industry, which was once flourishing, withered away and failed to recover. During the Japanese Revolution, the four olds were destroyed and it suffered another major blow.