Milo looked at Mrs. Yunhua and explained: "I have never seen Uncle Yun paint a painting wholeheartedly. He is more about teaching us techniques."
"In terms of technique alone, today's Uncle Yun is naturally superior. His skill in using the brush, whether thick, thin, curved, straight, hard, soft, light or heavy, can be varied freely and complement each other.
Ink can also be characterized by four words: clear, moist, deep, and harmonious. But painting is not just about technique. Paintings that can only describe shapes and fail to express the spirit are not truly superior works."
Having said this, Milo pointed to some details on the painting.
"Here, here, and here in this cloud and forest scene, when I was writing, I was obviously a little impatient, so that the side strokes were stiff. But here and here, I obviously stopped writing for too long, and the ink was spread out, and the color was slightly muddy.
The brush and ink cannot harmonize. However, these shortcomings do not affect the changes in the charm of the painting. The vitality contained in it is the best among the paintings I have seen so far. "
"So, what's your assessment?"
Mrs. Yunhua listened to Milo's introduction and stared at the paintings, with a slight smile in her eyes.
When a monk looks at paintings, he is different from ordinary people.
The many brushstrokes that ordinary people have that are difficult to control are nothing to a practitioner.
Therefore, Immortalism pays more attention to artistic conception when it comes to paintings.
When Mrs. Yunhua asked this question, she guessed Milo's answer.
"Based on my personal sense, this painting is the best."
"Is this painting the best?"
Upon hearing this, Mrs. Yunhua smiled, gently shook the orchid in her hand, and a wisp of green air fell on the other side of the painting, condensing into a small poem.
The green grass and vines in Bitang turn to the lingering clouds from morning dew. Withered and frosty sky, clear clouds and green flowers.
As the poem took shape, the energy in the painting became even stronger, and the plants and trees painted had an inexplicable vitality.
Upon seeing this, Mrs. Yunhua raised the corners of her mouth slightly, took out a small seal two fingers long and wide from her sleeve, and left a mark below the poem. A ray of divine power blessed it, making the painting more extraordinary and transforming.
Made a special magic weapon.
But Milo beside him didn't pay attention to the changes in the painting. He couldn't understand the poems written by the two of them.
Yun Changkong wrote on it: The sky is dark when it rains, the clouds and trees are green and the buds are green. The dew falls on the green branches, silently moisturizing everything.
Taking it from the superficial meaning, it probably describes that when it rains, the sky is dark, the grass and trees have sprouted green buds, and the dew falls on the new buds, expressing the nourishment of heaven and earth for all things.
What Mrs. Yunhua wrote describes the growth of grass beside the pool. As time goes by, it will wither in autumn and become green again in spring.
At first glance, it seems that there is nothing wrong with describing the scene of grass growing in nature. The same clouds and sky describe the nourishment of heaven and earth and all things can complement each other.
But there are two questions here. What is the meaning of the cloud trees described by Yun Changkong? Does it refer to the ancient trees towering into the clouds to express the growth of new buds from the old trees, or does it specifically refer to the trees in the clouds? Or is it an allusion?
he himself?
In the same way, what does Mrs. Yunhua's last sentence of "Qing He Yun Cuihua" mean?
Qinghe should refer to spring, there should be no problem with this, and Yun Cuihua later made Mi Luo scratch his head. After all, the full name of Mrs. Yunhua's divine name is Mrs. Yulin Jicui Yunhua.
While Milo was thinking about it, Mrs. Yunhua threw the scroll out again, matching Yun Hualin's breath. She turned to look at Milo and said: "I will keep this painting for a while, please stay with me."
Let's live in this Yunhua Forest for two days, and then take this painting back to him."
Milo thought about his agreement with Madam Hu and felt that he would not return to the sect in a short time, so he nodded in agreement.
During this period, Milo also asked Xuanhe to bring a letter back, informing the sect that he was temporarily staying in Yunhua Forest, and informed Yun Changkong of what he saw and heard today.
After sending Xuanhe away, Milo went to find Mrs. Hu.
On the way, I also met several Xingtong, Zhinu, Shenwa, Wangyouxian and other plant elves.
However, after Milo had been with Mrs. Yunhua for a period of time, the mana in his body, under the influence of the companion treasure, burned a little bit of Mrs. Yunhua's aura, making Milo's temperament closer to that of a plant elf.
This was also the reason why he hurriedly came to see Mrs. Hu.
Seeing Milo, Mrs. Hu continued what she said last time: "My method is not too troublesome. It just relies on the ability of the companion treasure. It's just that some of the materials involved are quite special. I don't know if you can accept it."
Hearing this, Milo looked at Mrs. Hu, waiting for her to explain.
"You should have heard about my companion treasure, Mirror Flower, Water Moon Butterfly, but I guess you don't know its true ability."
Mrs. Hu stretched out a hand, and a colorful light butterfly stopped at her fingertips. Suddenly, the butterfly's wings dimmed, revealing a human face. Its appearance was very similar to Mrs. Hu's current appearance.
Milo's pupils shrank slightly, the butterfly wings flapped slightly, and his face kept changing, becoming more and more like Mrs. Hu. Mrs. Hu's own face also changed accordingly, from the original kind old woman to a beautiful young woman.
"The so-called Mirror Flower, Water Moon Butterfly is the product of the fusion of my talent for reality and reality, and the butterfly Gu technique that I practiced at that time. It contains both the beauty of the Mirror Flower, Water Moon and Butterfly brought by the illusory method, and some of the characteristics of the butterfly Gu."
"Butterfly Gu?"
Milo muttered softly, thought for a while and said: "I remember that the essence of voodoo is a special kind of witchcraft with toxicity and activity. It exerts different effects through the stimulation of different toxins, because the raw materials are mostly poisonous insects, and most of them are poisonous insects.
It is placed in a vessel for sacrifice, so it is called Gu. In the butterfly Gu technique of our predecessors, are all the materials mostly made of butterflies, or is the shape made more like those of butterflies?"
Hearing Milo's words, Mrs. Hu's eyes did not change and she said: "You can understand the operation principle of the Gu technique, which saves me a lot of effort. Because of the characteristics of the Gu technique, my Mirror Flower, Water Moon Butterfly has a very special
The ability can directly affect people by letting them eat insect eggs."
"Butterfly Gu is a voodoo that can transform, heal, escape and transform. This also allows my Mirror Flower Water Moon Butterfly to treat many people remotely, and even allow some people to use insect eggs to perform some butterfly voodoo techniques. This is also what I
The reason why I was able to quickly accumulate a lot of merits and improve my status. But I forgot the name of the treasure that accompanied me."
"Flowers in the mirror, butterflies in the moon in the water, flowers are not flowers, dreams are not dreams, dreams are like bubbles in the mirror, flowers are in the mirror, life is just the moon in the water. In the end, it is nothing but flowers in the mirror and the moon in the water."
At this point, Mrs. Hu paused and her eyes became a little dull. Milo had also vaguely guessed what happened next. It must be that the Mirror Flower Water Moon Butterfly had some side effects, or something was not handled well, causing problems.
Judging from the way Liu Guan handled the matter later, Mrs. Hu was probably not the one at fault.