typeface
large
in
Small
Turn off the lights
Previous bookshelf directory Bookmark Next

Chapter 138 The fairy in the painting

 But as the general of the ancient ice country, the strong man didn't know what his followers were thinking.

Asking him to observe the close combat, the strong man said coldly: "The cultivation of our brave men depends on their blood and will. It is between life and death that we hone our foundation. Although Han Xia's skills are more ingenious, they are not suitable for us to observe.

Nothing compares to observing these paintings. If we can learn a thing or two, we can write the divine patterns more clearly in the future, which will be of great benefit to the new generation in the country."

When he was asked to observe the team battle, the strong man showed no interest at all and directly retorted.

"Can you please advise me to find some better reasons? The most ingenious thing about Hanxia's army is the military formation. It lies in the military phenomenon where the general and the soldiers have the same energy and blood, and the unity of will. No one knows about that. They can only rely on observation.

It's useless. Even if we have their cultivation method, we can't learn it. If we have the time to see it, I might as well go see the method of cooking over there, at least it can be used."

The entourage noticed that Han Xia was following them, and when they heard their master say, "Even if we have their cultivation methods, we can't learn them," their expressions became a little ugly, and they couldn't help but secretly complain.

But he could only continue to persuade: "Since you are interested, it would be better for me to watch the cooking competition."

When the strong man heard this, he was silent for a while. He also noticed the change in Ziyu's aura before. Knowing that he had made a mistake, he stopped insisting and continued to visit according to Han Xia's wishes.

After the strong man left, Milo and some of the painters in the competition felt a little relieved.

Being stared at by a powerful foreign monk who specializes in the art of Qi and Blood, even if there is no malice, just simple exploration, has slightly affected Milo's mind.

Now that the other party left, Milo's originally suppressed mind suddenly became active. With the outline of the pen and ink, the depicted landscape gradually spread outward from the painting.

This is what Milo is best at. Because of the blessings of [Immortal in Painting] for many years, Milo is very familiar with the means of opening up spiritual realms in paintings.

Even though many abilities are affected by the sacrificial ritual at this moment, almost all of them are banned.

However, the insights brought by years of blessings and the slight influence on his talent were not suppressed, and this further widened the distance between Milo and ordinary people.

The better Milo performed, the more excited he made the other outsider.

Kuro originally watched various competitions and absorbed many of Han Xia's ideas, but when he discovered Milo, he immediately gave up on everyone else and went outside Milo's competition venue to see the scenes he painted up close.

In Kuro's heart, Milo is one of the few beings who surpasses him in talent.

It's just that he is unwilling to give up the unimportant ideas in his heart, which is why he has been unable to catch up with him.

Therefore, he was very interested in the scenes painted by Milo.

Cullo, who has studied Han Xia's information, is very clear that Han Xia's painting Tao has been transformed from the original spiritual expression into a clear, systematic and rich combination of metaphysical "Tao" and physical "art".

The special structure of philosophical theories.

Painting in Hanxia has become a carrier of personal morality.

Therefore, observing the paintings of some practitioners in Hanxia is itself observing their way.

Milo's paintings naturally have a distinct personal style. His paintings are based on elegance, cleanness, softness, and tranquility, and are constructed with landscapes as the core, with a few animals and characters, mostly depicting outlines with just a few strokes.

Then the green smoke and mist surround it, or use the help of strange pines and clouds to cover the specific image, making it faintly visible under the clouds, or let the mist rise up the mountain and spread all over the place, leaving a large area of ​​blank space to give people endless imagination.

space.

However, in terms of details, he writes with great care, strives for refinement and skill, but the ink flow is smooth and bold. It is obviously a conflicting technique, but under his control ability far beyond ordinary people, intentionally or unintentionally,

Blending with each other in perfect harmony.

This is the realization Milo gained after being baptized by Cangbi, which makes his paintings more inclusive. It also gives everyone who sees the paintings a wonderful feeling as if they are in a paradise, a paradise on earth.

When your mind falls into the painting, you will hear the chirping of birds, the gurgling of streams, the sound of breeze blowing on your face, smell the fragrance of pine trees in the mountains, the smell of flowers and plants on the edge of the forest, and even feel the humidity of the mountain streams.

Xuanxu, who was following Kuro, looked at Milo's painting and nodded secretly: "The pine shape is like a horned dragon, the clouds are misty, the meaning is in harmony with the painting, and the heart is in harmony with the ink. It is full of fairy spirit. It can be said to be the fairy in the painting."

Unlike Xuanxu who was full of praise, Kuro showed a painful expression. In his eyes, the so-called intention and technique of the painting were fake.

No matter how clever the painting technique is, he can copy it one by one. Even the strokes, trajectories, color distribution, paint texture, etc., he can perfectly reproduce one to one. As for the incredibly profound artistic conception, he can also copy it from human beings.

Extract emotions and perform secondary filling.

Relying on this hand, Cullo was also called a master of painting in his early years, and was even called the first contemporary person by the painting circles of many countries in the South China Sea Islands.

But at this time, he couldn't understand Milo's paintings. He had clearly analyzed the strength and trajectory of the paintings, the paint materials used, the corresponding changes after contact with the paper, and the emotions contained in them.

But problems always arise when he simulates it in his mind.

For example, the looming person in the landscape painting was obviously just an outline, but when he simulated the painting in his mind, it changed into various characters, with faces ranging from familiar to unfamiliar, from handsome to ordinary, and identities.

There are ever-changing changes, from high-ranking officials and nobles to common people, from foolish men and resentful women to enlightened immortals.

It seems that the silhouette is not a person, but everyone in Hanxia.

In the same way, it is clear that Milo painted a spring scene, but when he simulated it in his mind, he could not help but evolve spring, summer, autumn and winter, wind, flowers, snow, moon, sunrise and sunset, etc.

However, when Clow tried to analyze this scene carefully, the changes in the landscape disappeared again, and the spring scenery was restored. Every stroke on it was as if Milo had painted it himself, without any deviation.

But Clow didn't need to look further to know that the two were not the same painting.

'My paintings are missing a bit of spirituality.'

According to his past ideas, Kuro extracted his own extreme emotions and integrated them into the paintings, making them look a bit more, but compared to Milo's paintings, there was a more obvious difference.

At first they looked similar, but upon closer inspection, the artistic conception was different.

But now the difference between the two can be noticed at a glance.

Milo's works are full of Hanxia people's romantic yearning for immortality. Although the imitations in Ku Luo's mind are also fairy-like and full of the artistic conception of immortality, they are more inclined to do whatever they want and follow their own desires.

It resonates with some people, but it cannot satisfy everyone's desire for immortality.

It is a feeling that is both mysterious and mysterious, wonderful and wonderful.

To explain, a painter accidentally saw an ancient and legendary painting, spent a lot of effort to figure out and copy it, and finally painted a very similar work. Taken alone, this work can be regarded as

It was a first-class masterpiece, but when put together it immediately became an ordinary thing. Each stroke that was originally quite mysterious could no longer find anything amazing.

Perhaps people who are in tune with the artistic conception of Cullo's paintings will feel that they are good or not bad after seeing them, but they cannot say a single word about what is good and what is not bad about them.

This feeling made Kuro want to know its origin even more. He observed Milo's technique and explored the artistic conception of the painting. Finally, after observing it again and again, he gradually integrated into it and led to changes in the movement.

Xuanxu was also shocked this time. Isn't this the method he used when he was pretending to be an old man growing melons? He couldn't help but admired: "What a Taoist Milo, I don't even know how he can use it like this."

As he spoke, he also looked at Milo's paintings carefully, and as his attention fell, the artistic conception in the paintings became more complicated.

As more and more people come to watch the painting, the thoughts contained in the painting become more and more complex. However, the painting itself has an inexplicable grandeur and inclusiveness. It is clear that the boundaries of the painting can be perceived, but the limits of the painting cannot be perceived.

, coupled with the expansion of the timeline brought about by strong inclusiveness, the emotions and thoughts are all precipitated in the paintings.

These accumulated emotions, during the period of change, are consistent with Han Xia Dao's laws and principles, driving further transformation of the action.

In the end, these changes pushed Milo's mind forward and made the work more perfect.

The recognition of everyone, the improvement of Milo's own abilities, and the special competition environment in front of him, also caused a slight change in one of the names in the treasure scroll.

[Shinto/Immortal Way· Immortal from Seven-Rank Paintings] is shining brightly, constantly swallowing a little amount of sacrificial painting energy from all directions. Every time it is swallowed, some more pure energy will be spit out.

Therefore, this move did not cause a backlash in the sacrificial ceremony, but instead allowed Milo to receive certain blessings.

In the end, after the competition ended and Milo won the preliminary championship, the fairy in the painting that Xuanxu had previously admired became his nickname. When this nickname began to spread in Jinhong City, a brand new name was born.

[Shinto/Immortal Way·Senmiluo in the Seventh Rank Painting]

Compared with the original [Fairy in Painting], after the transformation, except for the third core ability [Fairyland in Painting] which has only changed to a certain extent, the remaining two abilities have been greatly improved.

Among them, [False Immortal and False God] was changed to [Xianhao Danqing].

[Immortal Name Danqing] Although it is not truly sacred, it has an immortal name. It greatly improves temperament, increases longevity to a certain extent, slightly increases luck, Taoist understanding, and acquires weak divinity, which improves Immortal and Shinto to a certain extent.

The speed of Dharma practice and the talent and power of illusion.

Secondly, [The fallen ink becomes a fly] has changed even more.

[Dropping ink turns into a fly] A drop of ink accidentally turns into a fly, and you can see it as real and raise your hand to flick it. It contains the complete inheritance of Zhuge Painting Saint and part of Milo's insights, which greatly improves the painting ability, greatly improves the ability to appreciate paintings, and improves it to a certain extent.

The power of painting spells, paintings can be faked, and spells can be cast with paintings. The success rate and power will be improved to a certain extent.

In addition, Milo can also feel that the Qi of the paintings around him are constantly gathering towards him. It is thought that after this painting competition is over, the power of [Sen Milo in Painting] will be further improved.

ps: The detailed introduction of [Shinto/Immortal Way·The Immortal from Seven-Rank Paintings] is in my writing.

------Digression-----

Yi Qi’s memo:

[Shinto/Immortal Way · Immortal from the Seventh Rank Painting] (Inside is the information of the Seventh Rank)

[False Immortal and False God] Although not truly sacred, it has the name of an immortal family. It will slightly improve temperament (temperament is changed to a large improvement), life span (life span is changed to a certain extent), good luck, Taoist understanding, and obtain

Weak divinity, to a certain extent, improves the speed of immortality, Shinto method practice, and the talent and power of illusion. Note: Although the false immortals and false gods have names and personalities, they have no actual priesthood. Do not accept a large number of incense and vows, otherwise they will turn towards Shinto.

Offset.(Note to delete)

[Flies from dropped ink] A drop of ink accidentally turns into a fly, and you can see it as real and raise your hand to flick it. It contains the complete inheritance of Zhuge Painting Saint, which greatly (extremely) improves the painting ability, and to a certain extent (substantially) improves the ability to appreciate paintings.

The power of painting spells will be slightly improved (to a certain extent). Paintings can be faked and spells can be cast with paintings. The success rate and power will be improved to a certain extent.

[Wonderland in Painting] Penglai Kunlun Scenery was originally a realm in painting. It slightly improves (to a certain extent) the talents of Universe Dao, Time Dao and Shinto, and greatly improves the ability to guide the spirituality of paintings. It can deduce various illusions that are fake and real through paintings.

, if the quality of the painting is high enough, a spiritual realm can be created in the painting. Note: The attributes and tendencies of the spiritual realm created by the fairyland in the painting will be affected by the meaning and spiritual tendency of the painting itself.

7017k

Please remember the first domain name of this book:. Mobile version reading URL:


This chapter has been completed!
Previous Bookshelf directory Bookmark Next