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Summary of the Song Dynasty

After half a year, the Song chapter was completed.

The final completion of this chapter is not satisfactory, especially the two volumes of The Dragon and the Snake Rises and The King of the World. The reason is actually clear to me: the plot has too few ups and downs and is not exciting enough.

It becomes more difficult to write a long novel as it progresses. One important factor is that as experience increases, the protagonist should become more and more powerful. The protagonist of the Tang Dynasty chapter has already reached a position where one person is less than ten thousand people, although it is not everything.

All are possible, but in addition to investigating cases, he has also made achievements in governing the country, and is especially good at employing people. This means that the next world goal must be set high and big, and the arrangements must be reasonable, otherwise the plot will not be exciting.

Therefore, after changing the world, there are many cases where the character of the protagonist collapses. The character was obviously so powerful in the previous world, but why does he not make any progress in the future and instead becomes stupid? In fact, it is just to forcefully create ups and downs in the plot and ignore the character.

But in order to retain the character, it is easy to form a crushing situation. The protagonist is too strong, has too many advantages, and is boring. For example, when the dragon and snake rise, Tian Hu, Wang Qing and his like are unlikely to cause much trouble. I focused on shaping Fang La

, he only has some shining points in terms of personal charm, but he still lags behind step by step in terms of confrontation.

As for the emperors of the Song and Liao dynasties, they were even more idiots. They all gave assists. Unfortunately, they could not change the era, because in a better era, the protagonist did not need to rebel. That would repeat the story of the Tang Dynasty. In a different period, the rulers would also be different.

There are all kinds of bastards, and with the protagonist's ability, it won't be that difficult to rebel.

My outline actually took this issue into consideration. After writing the entire article here, I can reveal that the original setting and the main difficulty of the Song Dynasty chapter are not actually about rebelling for hegemony and destroying the Jin Kingdom, but about resisting the Tiangang Earth Demon.

The destiny of the Zero Eight Demonic Stars.

In the original plot, Luo Zhenren would try to make Gongsun Zhao become Gongsun Sheng again, Lin Chong's first wife, Zhang Bofen's daughter, the incarnation of the Nine Heavens Xuannv who sensed that the heaven's secret had changed, and borrowed Sui'an Academy to compete with the protagonist for the world.

With the qualifications of a teacher, he is ready to lead the hero back to the "right track". Two volumes of the Heavenly Book were obtained in a bet with Xuannv. Lu Qian will also appear as a villain. Gao Qiu becomes a positive change for Gao Qingtian. In this link

Just as crucial…

But when I was about to write it, I felt weird. Although these were consistent with the settings of the original work and the battles were exciting, when I wrote it, it felt like gods descended to earth and tried their best to stop it in order to help the Jin people invade.

After consideration, these pages were deleted. The Song Dynasty chapter originally had six volumes, but was changed to five volumes, adopting the method of allowing the gods to develop without interference.

The result of this deletion is that the level of the gods is higher, but a lot of foreshadowing in the first three volumes is not used, the suspense in the later period is gone, and the roles of the characters are skewed. For example, Li Shishi, she would have been extremely important, but because of those

In the scene, all that's left now is pulling willows...

The original Jin Kingdom of Destiny will also be much stronger. Some book friends feel that the current Jin Kingdom is already cheating and bragging about its combat power. However, this is not a pure Jin Kingdom in the first place. It has a historical foundation and the background of the world.

The bonus is naturally more prominent. In the battle to destroy the gold, many magical methods written in the heavenly book will be used, and Taoist soldiers will kill each other, making it a low-end version of Fengshenyan. However, since there are no divine foreshadowings in the front, it will suddenly rise to that level.

The situation will appear abrupt, and in the end it will be abandoned and the country will be destroyed from a purely historical perspective.

Once the fairy factor is eliminated, it comes down to the original problem: the protagonist is too strong and has too many advantages, and it is meaningless to crush him.

So after deleting it, I felt a little regretful. When making the outline, I shouldn't have focused too much on the original work. If I had adopted a method similar to the story about Yue Quan's biography of a red-bearded dragon descending to the earth, I would have directly arranged more immortals to appear in the Song and Jin Dynasties.

Home is easy to write about.

This lesson is very profound. At its root, every story needs a final enemy who can compete with the protagonist in some aspect. Yang Sijian in the Tang Dynasty chapter is good. He not only takes on the case, but also has a series of conflicts with the Empress Wu and Prince Wu.

The key figures have extremely deep connections and are highly concealed, so the Tang chapter is well collected.

During the outline of the Song Dynasty chapter, we just didn't consider a big enemy that was both logical and acceptable to the senses, which made the plot seem top-heavy. In the end, we could only arrange a relatively perfect ending for the heroes of Tiangang and Earth. Many of them

It's a pity.

After all, the level is still insufficient. I feel deeply sorry for the book friends who have followed me here. I am really sorry. The end of the Song Dynasty chapter should not be so bland.

This book has three worlds, corresponding to the three stages of the protagonist's experience. The first stage is when the Tang Dynasty assists Mingjun to start a prosperous age. The second stage ends when Song Zuo ascends the throne and changes the dynasty. He has become a capable minister and an emperor. The above is

To become a god or a saint is to become a true true martial sage.

After writing three volumes, my life is complete.

To be honest, I originally thought that this book would not do well, and I should finish it after finishing the story of Li Yuanfang. However, I ended up writing the Song Dynasty chapter, and I didn’t finish the second story after that. In fact, I should have finished the book.

However, when it ends at the Tang Dynasty chapter, it’s not a bad ending. It’s just that the number of words is a little less. If it ends here at a low point, it will really feel like a bad ending. After thinking about it, I decided to write the originally planned third chapter.

over.

The third part is based on Journey to the West, and the time point takes place after the Buddhist scriptures were collected. When I was setting the outline, I was influenced by the prediction of Wukong in the black myth. There are some similar factors. It was set more than 900 years after the Buddhist scriptures were collected, and the gods and Buddhas disappeared.

The story of the Ming Dynasty and the Jiajing Dynasty in Nanzhan, where demons danced wildly.

Some of the characters can be referred to "The Ming Dynasty 1566". This drama is a classic among classics. There are many slices. I believe I haven't seen them all, but I have also seen some of them. I have liked it for a long time. I recommend that book friends who have never seen it can watch it.

one look.

The choice of Li Shizhen for the third episode was not only because of the foreshadowing that had been laid in the Song Dynasty episode, but also because Li Shizhen in the drama is a miracle doctor who looks very familiar and has tremendous fighting power.

Many elements of the Ming Dynasty have returned, and the suspense is much stronger. It is still mainly based on history, supplemented by fairy elements. I hope I can end it well in the last world and get back to the best state.

So I will resume updating three times a day first, and ask for subscriptions and monthly passes as usual. I will update at 6pm tomorrow night.

Please look forward to the first volume of the Ming Dynasty [Floating Prison].


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